From the start of the 1920's, Canadians have faced a considerable amount of threat towards the Canadian culture from it's American neighbours. For Canada, living so close causes a concern on Canadian identity from American implementation, however, being in a close relationship with the States, it has also promoted Canadian culture. An examination of the nation's success with CBC from America's involvement in the airwaves, Canadian nationalism is promoted through Hockey Night in Canada and the establishment
Mitchell likens computers as media to a frontier society (Crowley 303). New media technologies beckon more enticingly than ever. More than merely offering an improvement on existing forms of communication, new media technologies are creating what telecommunications scholar Frederick Williams calls a “virtually new medium of public communication” (Pavlik, 79). The Internet is a form of new media. Exploiting the Internet’s distribution channels will be an important challenge to publishing and other media
media to encourage a more “Canadian” youth. Canadian television, films, and radio alike are often compared to that of American media, which contains highly identifiably American substance. Thus, Canadian identity and culture is greatly influenced by content derived from the USA. Otherwise, Canada has rich and diverse culture with its own economic systems, political ideologies and processes, ways of life and social mores (StatsCan, 2013). Therefore, it is up to Canadian regulations to motivate its
Canadian television has long been an underappreciated and underestimated culture medium, which has yet to make an impact on the Canadian cultural identity. It’s not that Canadian’s disregard television as a means of entertainment; but rather that many Canadian’s have ignored the domestic content on their television screens. This can be attributed to Canadian television’s “reputation for being both cheap, and cheap looking.” (Houpt, 2014); as the industry has often created dramas and reality television
the U.S.-Canadian magazine dispute was motivated by genuine desires to protect Canadian culture? In my view, the Canadian government has expressed genuine concern for protecting Canadian culture. Beyond magazines, there are Canadian content regulations for all broadcast media. The Canadian Radio-television and Telecommunications Commission (CRTC), a governmental organization, requires that radio broadcasts contain 30% or more Canadian content, and television stations between %50-%60 Canadian Content
Is Canadian Culture Doomed to Become American? As Alvin Toffler once said, “The wider any culture is spread, the thinner it gets”1. Such holds true for the American culture, which is not only a dominating factor in its own internal market and known domestically but also a dictating force in countries around the world on the global scale, and the first on their list – Canada. This issue of cultural imperialism is touched upon by Gaëtan Tremblay in his article, “Is Quebec Culture Doomed to Become
1970s, people from CRTC (Canadian Radio-television and Telecommunications Commission) felt anxious and threatened when they became aware of American Cultural imperialism had a big influence on Canadian Cultural Identity which made the latter to diminish. To solve this crisis, CRTC adopted Canadian content rules (CanCon) to govern the percentage of the music with Canadian content should be played from radio stations until now. Theoretically, this regulation could cause Canadian talents to rise and support
In the 1960’s news reports became mandatory to all radio programming. For most radio stations in the 60’s and even today when the news comes on, people usually change the station. The exception to the rule was CKLW. Their 20/20 news report would happen twenty minutes before the hour and twenty minutes after the hour. This was very different format; CKLW is credited for changing radio broadcasting of news forever with this particular format. When all other stations were reporting the news at the
industry as any other country, Canadian content regulations must be in place. CanCon regulations should be enforced on Canadian media content, as it is a crucial aspect of national culture, representative of the country as a whole. Without such regulations determined by CanCon, Canadian society risks becoming lost within the commotion of international media and their varied interests. CanCon regulations not only help define Canada as a unity but help the creative Canadians that express themselves through
Satellite Radio When I drive my car around town running errands and going from place to place, it’s nice to listen to the radio. Now since this distance I am traveling seems to be within a 30-40 mile radius, flipping through the stations is not much of a problem for me. Now on the other hand, I do travel out of town frequently, and I hate it when I want to listen to the radio and there is no signal. The reason why none of us can is because radio signals don’t carry much farther than the town’s
Sirius vs. XM: Ratio Analysis and Statement of Cash Flows Paper From the previous company selection paper, we are now familiar with the selected satellite radio broadcasting companies, Sirius and XM Satellite Radio. Our group will now take a further, in-depth look at the ratio analysis and statement of cash flows to get a better understanding of how the companies are doing financially and with in their market. First, we will be reviewing the cash flows for both companies and identifying how much
Satellite radio is a technology that provides a radically new way to listen to radio. XM’s service makes use of advanced satellite capabilities and elaborates terrestrial receiver architecture to deliver a wide array of high quality radio programming nationwide. In early 1998, Robert Acker, director of strategic planning at XM, needs to develop a marketing strategy for this new radio service. There are several decisions that need to be made by the company in order to finalize the business plan. At
regulatory changes, and a myriad of factors could dramatically change current trend lines of the customers. Before we start, let me first explain about the historical media disruptors. Firstly, the television forces radio out of national spotlight into locally based medium and then came the cable television, which evolves from relaying distant signals to narrow casting medium. Alternative newspapers emerge from counterculture voice to market threat, competing for advertisement revenue. Commercialization
Many people argue whether not Canada has any culture at all, and why American culture seems to have such a big influence on Canadian music, art and television. Over the years the Canadian government has tried to protect and develop talent in Canada. Once British traditions started to fade away, the influence on Canada from America became stronger. If Canada was to become a strong independent country they needed their own identity. The government support has played an important role in the arts development
Yes, the mass exodus of subscribers is quite alarming to Sirius XM. The reason that this is alarming is because it was the first time in the 3-year period (2011-2013) that there was a net subscriber loss and additionally, subscriber deactivations were at an all-time record high on the transition from Q3 to Q4. The first reason that there could’ve been massive turnover is because of the increase in price enacted by the FCC. Having the minimum subscription cost be $9.99 when it used to run at $6.99
We are the CBC We are the Canadian Broadcasting Corporation officially known to Canadians as CBC/Radio-Canada. We are a Canadian crown corporation and have made our purpose to be the primary public radio and television broadcaster to Canadians across the country and the world. We provide content in both English and French. The following report is a request to the Government of Canada for an increase in our budget for the 2016 Fiscal year. We have outlined why and how we operate, our recent performance
version. The designer was once again Stan Klees. This was the year that the Juno Awards were first televised, and was also the year they were renamed. The name “Juno Awards” was given to honour CRTC (Canadian Radio-television Telecommunications Commission)’s first chairman and former President of CBC (Canadian Broadcasting Company), Pierre Juneau. The award was revised from its previous 1970 version because it was considered to not be attractive enough. 1978-1983 The statuettes went through minimal change
Darren Entwistle, originating in Montreal, Quebec; the executive chairman, who used to be the president and the chief executive officer of a communication company - TELUS, is a successful and eminent Canadian businessman. He’s the person who turned a small telephone service company into a $25-billion national Mobile communication company and also helped it becomes one of the major Mobile communication companies, which is valued at $4.3 billion right now. “Joe is an exceptionally proven and highly
The Canadian music industry has experienced great difficulty while trying to maintain relevancy within the global market. Due to the proximity to America and the increasingly compacting distances between destinations because of globalisation, Canadian musicians are struggling to be recognized and heard in the growing landscape of the music industry. The creation of federal policies combat this issue by protecting Canadian content from being forgotten in the midst of international music. Also, through
case with the effects of the Canadian media on politics as more people continue to consume additional media on additional platforms at additional convenience. Essentially, it is easier to consume media than it has ever been before. On the aggregate, the Canadian media is able to impact a larger audience while inducing additional influence on Canadian elections as a consequence of a meager regulatory board resulting in media corporations holding too much influence in Canadian elections. There is no contestation