In Harper Lee’s novel, “To Kill A Mocking Bird” we see that maturation of some of the characters is clearly evident, particularly Scouts. We see this by the way she acts in front of Miss Maudie, Calpurnia and Mrs. Alexandra Finch. Beside her father, Scout probably respects and likes the most is Miss Maudie. The two of them have a great relationship and they both love each other very deeply. When Scout first introduces us to Miss Maudie (in chapter 5), she tells us all the nicest things about her
many of the characters. To look at the role of women in the play we must look deeper in to the roles of the only two women in the play; Calpurnia, wife of Caesar, and Portia, wife of Brutus. Both of these women are key in foreshadowing the murder of Caesar. After Caesar’s murder we do not hear much of either of them. The main thing Caesar’s wife, Calpurnia does in the play is tell Caesar to stay at home on the day of his murder because of many unnatural events that have taken place the night
of the book, she is a tomboy who cannot wait to pick a fistfight with anyone, but at the end, she lowers her fists because her father, Atticus, tells her not to fight. Scout’s views of womanhood, influenced by how Aunt Alexandra, Miss Maudie, and Calpurnia act, make her think more about becoming a woman and less of a tomboy. In the beginning of the book, Scout is a tomboy. She acts, dresses, and walks like a boy because when she was little her mom died, leaving her in a house with two men, Jem and
life, they mature and change. In the novel , To Kill a Mockingbird ,by Harper Lee, Scout, the main character, matures as the book continues. Slowly but surely, Scout learns to control her explosive temper, to refrain from fistfights, and to respect Calpurnia, their maid, and to really learn her value to the family. Scout simply changes because she matures, and she also changes because Atticus, her father, asks her to. In the early chapters of the book, Scout picks fights at the slightest provocation
firstly she has involved the role of adults. "Hush your mouth! Don't matter who they are, anybody sets foot in this house's yo'com'ny, and don't you let me catch you remakin' on their ways like you was so high and mighty!" This quote shows the Calpurnia teaches Scout
different boundaries form for each new character. With each new drama, characters and distinctions change, as do the boundaries which form them. The "summertime boundary" introduces the first instance of boundaries. This serves as the area in which Calpurnia allows Scout and Jem to play before calling them back home for going too far. The setting of a boundary portrays what will come in the novel. The summertime boundary emerges as the area in which Scout and Jem's games take place. This also accounts
which characters act out of a motivation to help others. Throughout the play, each character's current degree of loyalty to others is clearly exhibited by words or behavior – this holds true for the characters of Brutus, Cassius, Antony, Portia, and Calpurnia. The focus on loyalty is critical because before the play ends an even-handed justice is meted out to a number of people who fail to live up to an expected standard of loyalty to others. Mark Antony, for example, begins the play strongly loyal to
to Caesar's spirit. Such devote feelings spur the reader to wonder what deed Caesar did for Antonius that the younger man would harbor said emotions. Not only the men of Julius Caesar but the women also show loyalty. Although Caesar's wife, Calpurnia, portrays herself as a needy woman, she also shows that she loves her husband very much. Fear overwhelms her when Caesar announces that, though he's been warned that the day would be his deathday, he would go outside. Calpurnia's dread of losing
the losing battles in the novel was the mad dog incident. This event started on page 96. Jem and Scout encountered Tim Johnson, a "liver-colored bird dog, the pet of Maycomb" (pg. 96). He was sick and was pretty much crawling. The children ran to Calpurnia, their cook who identified the dog as a mad dog and after that, people immediately rushed home and the street the Finches lived on was deserted. Atticus (Scout and Jem's father) and Heck Tate (the sheriff) soon arrived to see what was going on.
loved each other very much and Portia was willing to do anything for Brutus but he was caught up in Cassius’ evil plans. Brutus was caught between the friendship of Portia or Cassius and unfortunately he chose Cassius. Caesar and Calpurnia had a strong friendship too. Calpurnia was not as strong willed as Portia but she obeyed Caesar and loved him dearly. Caesar felt that he was marginally better then her but still, he loved her. The last relationship I’m going to talk about is Caesar and Cassius. They
her father, and her housekeeper, to show how racism affects everything. The question of civil rights plays out not only through the trial of Tom Robinson, but also through the everyday interaction between the Finch family and their housekeeper Calpurnia. In the process of growing up Scout must chose where she fits into the whole racial scheme, and her relationship with her housekeeper plays a crucial part in deciding this. Harper Lee's novel, To Kill a Mockingbird, focuses on the maturation of
"father" brings Scout and Jem to the same level as Atticus. They are people, not children. "Jem protested, then pleaded, and Atticus said, `All right, you can come with us if you stay in the car'"(239). By allowing Jem and Dill to accompany him and Calpurnia to tell Mrs. Robinson about Tom's death, Atticus demonstrates his respect for Jem and Dill, and his faith in their maturity. Part of Atticus' role as a father is teacher. Most of Scout and Jem's knowledge comes from Atticus. He teaches them the
best. His unwillingness to listen to others is received as arrogance. Though already warned by the soothsayer to "beware the ides of March," Caesar refuses to heed advice to stay home from Calpurnia, his wife, because he feels that she is trying to keep him from obtaining power and status. Calpurnia believes Caesar to be a prince and is convinced that some falling meteors are warnings of a prince's death. When she hears her husband boast that he is more dangerous than danger itself, she
ill treatment of Caesar's wife Calphurnia. However, audiences and artists alike often have little problem ignoring the plight of Calphurnia, and Caesar and Cleopatra are rarely ever referred to as adulterous individuals. Neglecting to remember how Calpurnia was virtually thrown to the wayside in the midst of Caesar and Cleopatra's extra-marital relationship is possibly a way of lessening the guilt felt by those who choose to become surrounded by the supposed splendor of Caesar's love affair with the
gossip. Scout learns to judge him and others by their actions, not by the town gossip. Tom Robinson, a Negro, represents another mockingbird. He lives a life of simplicity beyond the town dump, and attends the same church as the Finch family cook, Calpurnia. Tom regularly assists people in need, especially Mayella Ewell, but he finds himself punished for it. Mayella, a white woman, accuses Tom of rape and abuse, and her father Bob takes this matter to court and uses subterfuge in his testimony. During
Blacks´ lives harder because now the Whites saw them as competitors for jobs during the 30s depression. Fear and paranoid led to the Whites believing that the Blacks desired all the whites had, including their women. Aunt Alexandra´s attitude to Calpurnia The Missionary tea ladies´ comments about the Blacks Segregation of White and Black in Maycomb Dolphus Raymond - White man living with Black woman Class & Family Group is recognised by Jem on page 249 “There are four kinds of folks in the world…”
steady-eyed cat with a twitchy tale’ and the bird she is focusing on is of course, Tom Robinson. Lee’s description is that of a cat stalking its prey. Jem to some degree was also a mockingbird. He went with Scout to the black church in order to please Calpurnia, and the Rev. Sykes. Jem suffers in that his youthful idealism is shattered by the verdict given by the all-white jury at the trial. The pet-dog of Maycomb is called Tim Johnson, a bird-dog, who one day acts strangely because he has caught rabies
support a philosophy in which fate and freedom maintain a delicate coexistence. Portia and Calpurnia, representing Women, are an important part of this theme since, in the beginning of the play; they are the ones that are more frightened about what may happen to their husbands. Portia fears something terrible would be taking place because of the strange behaviour her husband was having at the time. Calpurnia, on the other hand, is a character in deep relation with this theme, due to the dreams she
see when Caesar gave an order to Antony. "I shall remember. When Caesar says do this, it is performed" (1.2.12-13). Although this abuse of power made the conspirators act against him, Caesar did not have absolute power and in some situations Calpurnia, his wife, had control in him "The cause is in my will. I will not come. / That is enough to satisfy the senate.
the treatment of Calpurnia, a black woman, the housekeeper/nanny for the Finch family. Although she is treated fairly, it is obvious that she is considered to be on a lower social level than the Finches. She calls Scout ma'am and Jem sir, although these are titles usually reserved for elders. "Hush your mouth, sir! When you oughta be hangin' your head in shame you go along laughin'. If Mr. Finch don't wear you out, I will - get in that house, sir!" When Atticus takes Calpurnia to Tom Robinson's