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T. S. Eliot’s “The Wasteland” depicts a definitive landscape of desolation, reflecting the damaged psyche of humanity after World War I. Relationships between men and women have been reduced to meaningless social rituals, in which sex has replaced love and physical interaction has replaced genuine emotional connection. Eliot’s “The Love Song of J. Alfred Prufrock” goes a step further in depicting these relationships: the speaker reveals a deep sexual frustration along with an awareness of morality, in which he is conscious of his inability to develop a connection with women yet cannot break free from his silence to ask “an overwhelming question” (line 10). “The Wasteland” and “The Love Song of J. Alfred Prufrock” together illustrate that individuals are in conflict with meaningless social rituals in modern society. This raises some interesting questions: why is there such an intense lack of connection between men and women? Can it ever be mended? In comparing the relationships between these two poems, we discover that...
The modern world as depicted by Eliot in “The Wasteland” is one with arbitrary male-female interaction loaded with meaningless sex and casual one-night stands. One such relationship--that of the typist and the clerk--not only shows a lack of connection between the two but also a lack of understanding of each other. The clerk’s actions in the sentences, “The time is now propitious, as he guesses, / The meal has ended, she is bored and tired, / Endeavours to engage her in caresses / Which still are unreproved, if undesired” (235-239) and “Exploring hands encounter no defence; His vanity requires no response, And makes a welcome of indifference” (240-242) shows the absence of verbal communication that is commonplac...
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...o find meaning in their lives or a point in creating meaningful relationships with the opposite sex. After subjecting themselves to meaningless social rituals which override personal human connection, they are reduced to a spiritual emptiness in which they are unable to overcome their vices. Tiresias is the one character who understands. His suffering has led him to understand that their current state of waste is not perpetual. Though all men and women cannot be subjected to the same experiences Tiresias suffered through, there is a solution. If they can understand that the current state of being was different in the past and will be different in the future, that their state of desolation and waste is transient, their desire to form meaningful relationships can be restored, their ability to love can be revitalized, and they can all find a meaningful purpose to life.
Despite the similarities between these two poems, Corso and Eliot shared little in common. Corso spent much of his early life between foster parents and prison, the latter being where he was introduced to poetry. Now credited as a key member of the “Beat Generation”, a group of poets who were opposed to social conformity and the traditional forms of poetry, Corso typically wrote poetry “on serious philosophical issues” (Olson 53). On the other hand Eliot’s upbringing was more traditional where he attended Harvard and went on to become a figure of immense influence in the literary world. Eliot’s first major poetic publication: The Love Song of J. Alfred Prufrock bares many resemblances to Corso’s postmodern poem Marriage, a poem written to criticize the philosophical issues associated with marriage.
J. Alfred Prufrock is a man who is destined to find the right women to with for the rest of his life. He always holds off finding the perfect women to another day, but time is ticking against him and he does not have much time left. In T.S. Eliot’s, “The Love Song of J. Alfred Prufrock” Illustrates Prufrock’s inability to interact with women in the coffee shop, fear of being turned down, and the significance of love and time.
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” tells the speaker’s story through several literary devices, allowing the reader to analyze the poem through symbolism, character qualities, and allusions that the work displays. In this way, the reader clearly sees the hopelessness and apathy that the speaker has towards his future. John Steven Childs sums it up well in saying Prufrock’s “chronic indecision blocks him from some important action” (Childs). Each literary device- symbolism, character, and allusion- supports this description. Ultimately, the premise of the poem is Prufrock second guessing himself to no end over talking to a woman, but this issue represents all forms of insecurity and inactivity.
Eliot commentary on civilization and its lack of humanity and common good toward one another, which was a common idea as the full impact of World War One came to light. Death and suffering on such a scale were unheard of. The poem represents his idea that individuals are helpless and confused by the condition of the post-war world, perhaps brought about by society’s loss of compassion. The poem is written in fragments and is confusing to navigate which amplifies this point. Loneliness is a central theme and it is manifested in different ways. The idea that love and compassion are absent from life is delivered through series of conversation between lovers and friends. A couple sits in their home, surrounded by spectacular things, however, their lives seem incomplete and lonely. In the poem one calls out to their partner “Stay with me../ Speak to me. Why do you never speak? Speak./ What are you thinking of? What thinking? What? '/ I never know what you are thinking. Think.” (Eliot 111-115). They are never answered. A different couple, together on what appears to be a date only go through the motions of intimacy as the date evolves, “Exploring hands encounter no defense;/ His vanity requires no response,/ And makes a welcome of indifference.” (Eliot 240-242) In both these scenes a shallowness exists, even though they are with someone, they are alone. Additionally, The impression of individuals removing themselves or disconnecting from humanity
T.S. Eliot’s breakthrough poem “The Love Song of J. Alfred Prufrock” is expertly crafted to have a complex structure with various hidden themes. The poem acts as an inner monologue for the titular character, appearing as lyric-narrative poetry. However, it does appear to lean towards a lyric poem, with the hazy plot consisting of Prufrock describing what his life has been like, in retrospect to speculating on what is to come next. The monologue throughout is melancholy in nature, with Prufrock dwelling on issues such as unrequited love, his frail body, his looming demise, and a dissatisfaction with the modernist world. Eliot uses a variety of metaphor within the poem to showcase Prufrock’s indecision, between being unable to fully live, while
American-born writer T.S. Eliot became famous in 1922 for his poem The Waste Land. The poem was highly regarded for its “poignant expressions of the alienation and despair” of the time (224). Eliot is viewed as a master of portraying “stagnation and estrangement” (225). In his early masterpiece “The Love Song of J. Alfred Prufrock,” composed around 1911, Eliot “addresses a middle-aged man’s anxiety over the passing of time and his own aging” while pondering the meaning of human existence (Longman Anthology 225). The main character of Prufrock is critical of his own society and focuses on the passage of time in his own life. Prufrock examines the passage of time in lines 23-34, in a way that is similar to Ecclesiastes 3:1-8:
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” is an ironic depiction of a man’s inability to take decisive action in a modern society that is void of meaningful human connection. The poem reinforces its central idea through the techniques of fragmentation, and through the use of Eliot’s commentary about Prufrock’s social world. Using a series of natural images, Eliot uses fragmentation to show Prufrock’s inability to act, as well as his fear of society. Eliot’s commentary about Prufrock’s social world is also evident throughout. At no point in the poem did Prufrock confess his love, even though it is called “The Love Song of J. Alfred Prufrock”, but through this poem, T.S. Eliot voices his social commentary about the world that Prufrock lives in.
T.S. Eliot has been one of the most daring innovators of twentieth-century poetry. His poem“The Love Song of J. Alfred Prufrock”, is different and unusual. He rejects the logic connection, thus, his poems lack logic interpretation. He himself justifies himself by saying: he wrote it to want it to be difficult. The dissociation of sensibility, on the contrary, arouses the emotion of readers immediately. This poem contains Prufrock’ s love affairs. But it is more than that. It is actually only the narration of Prufrock, a middle-aged man, and a romantic aesthete , who is bored with his meaningless life and driven to despair because he wished but
...In "The Waste Land," Eliot delivers an indictment against the self-serving, irresponsibility of modern society, but not without giving us, particularly the youth a message of hope at the end of the Thames River. And in "Ash Wednesday," Eliot finally describes an example of the small, graceful images God gives us as oases in the Waste Land of modern culture. Eliot constantly refers back, in unconsciously, to his childhood responsibilities of the missionary in an unholy world. It is only through close, diligent reading of his poetry that we can come to understand his faithful message of hope.
One of T.S. Eliot’s earliest poems, “The Love Song of J. Alfred Prufrock”, is a prime example of a text that takes a turn inwards in terms of conveying the experience it presents. The poem provides a look into the distressed mind of an archetypal modern man of the times. It does this using the speaker’s stream of consciousness presented as a dramatic monologue. Prufrock, the poem’s speaker, seeks to advance his relationship with a woman who has caught his eye. He wonders if he has “the strength to force the moment to its crisis” (Eliot, 80). Prufrock is so entrenched in self-doubt that he is uncertain whether he is capable of having a relationship with this woman. His knowledge of the world he lives in and his circumstances keep him from attempting to approach this prospective lover. He contemplates the reasons for which he believes he cannot be with her and scolds himself for even thinking that it was possibl...
S. Eliot’s poem for the American Literature class, Pagnattaro’s critical essay allowed me to further understanding the meaning of his text. The details of his ongoing and growing anxiety, and insecurity were portrayed more prominently in the story after I have read Pagnattaro’s overview of “The Love Song of J. Alfred Prufrock” text. Her text allowed me to further understand why Prufrock refrained himself from asking the woman he noticed to pursue him. Although his intentions are to pursue her, his doubts and questions against himself overwhelmed him. This resulting in him not being able to move forward towards a good future for himself. These details show how “The Love Song of J. Alfred Prufrock” is not what one might have thought was a mainstream love poem, or something as close to “Romeo and Juliet” by
T.S. Eliot’s The Waste Land is an elaborate and mysterious montage of lines from other works, fleeting observations, conversations, scenery, and even languages. Though this approach seems to render the poem needlessly oblique, this style allows the poem to achieve multi-layered significance impossible in a more straightforward poetic style. Eliot’s use of fragmentation in The Waste Land operates on three levels: first, to parallel the broken society and relationships the poem portrays; second, to deconstruct the reader’s familiar context, creating an individualized sense of disconnection; and third, to challenge the reader to seek meaning in mere fragments, in this enigmatic poem as well as in a fractious world.
With time poems may have lost their voice, but not their importance. Up to this day, poetry is still one of the greatest forms of artistic expression; Poems speak to emotions and capture feelings. There is no right format of a poem, but yet a world of possibilities. Instead being unchangeable poems are innately open to interpretation; they should be spoken out loud in order to be “heard”, convey truth and cause impact. The Love Song of J. Alfred Prufrock by T.S. Eliot is an extremely meaningful poem; it is one of Elliot’s best-known works and without a doubt a masterpiece (Hillis). T.S. Eliot introduces the poem with a quote from Dante's Inferno (XXVII.61-66), and with that sparks our curiosity. He then makes statements and questions that perhaps everyone has done, or will do at some point in life (Li-Cheng, pp. 10-17). The poem is a legitimate work of the modernist movement, the language used is contemporary; the verses are free and the rhythm flows naturally.
T.S Eliot’s poem, The Waste Land, is written in the mood of society after World War I. By using these allusions, The Waste Land reflects on mythical, historical, and literary events. The poem displays the deep disillusionment felt during this time period. In the after math of the great war, in an industrialized society that lacks the traditional structure of authority and belief, in the soil that may not be conductive to new growth (Lewis). Eliot used various allusions that connected to the time period and the effect of the war on society in his poem. Aided by Eliot’s own notes and comments, scholars have been able to identify allusions to: the Book of Common Prayer, Geoffrey Chaucer, Charles-Louis Philippe, James Thomas, Guillaume Appollinaire, Countess Marie Larsich, Wyndham Lewis, nine books of the Bible, John Donne, Alfred Lord Tennyson, Richard Wagner, Sappho, Catullus, Lord Byron, Joseph Campbell, Aldous Huxley, J.G. Frazer, Jessie L. Weston, W.B. Yeats, Shakespeare, Walter Pater, Charles Baudelair, Dente, Ezra Pound, James Joyce, and John Webster—all within the first section of 72 lines, about one allusion every two lines (Lewis). Using various allusions, Eliot was able to connect to the fact that he lived in a modern day waste land as a result of the destruction caused by World War I. Eliot used the allusions to show that death brings new beginnings and change, and love still flourishes.
The Wasteland is a poem Eliot wrote after his divorce with his wife Vivienne Haighwood. Critics say the title of the poem, the wasteland, comes from his thoughts on his marriage. This poem is considered to be “one of the most difficult poems in a difficult literary period”. The Wasteland is a poem that is said to be of his most influential work. At first glance, critics considered the poem to be too modern but then opinions changed as they realized the poem reflected Eliot’s disillusionment with the moral decay of World War I in Europe. T.S. Eliot in The Wasteland combines theme, style, and symbolism to explore life and death.