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Photography in society
The role of portraiture throughout history
The role of portraiture throughout history
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With the advancement of photography throughout the early 19th century, opportunities arose more frequently for photographers; both amateur and professional, to shoot what they saw fit. Very frequently, humans were the subjects of early daguerreotypes, and later dry-plates, for a number of different reasons. A daguerreotype held a special sentiment with people who viewed them, and it was a popularly held consensus that photographs literally held onto and saved the very essence of a loved one after their death. Though, today we know these perceptions to be false, it can be understood why such importance was put into the photography of humans; they captured emotion and publicized hardships like poverty and filth in urban centers. As previously mentioned, however, the vast majority of photographs were being taken of people, followed by landscape and artistic shots. One important facet of photography that didn’t gain favorability until the 20th century was portraiture of structures and buildings. Dull as it may initially seem, the photography of structures provides input for both the artistic and documentary styles of photography and allows future generations to catch a glimpse of the major architectural styles and realize a portion of life that previously existed.
As the photography of structures became more popular, several names emerged that would eventually be considered as the best architectural photographers; among these photographers are Walker Evans in the early 20th century, and Richard Nickel and Ron Gordon during the later 20th century. Each of these photographers, though all shooting buildings and architecture, have flares that could in some cases be considered art photography instead of plain documentation of the progr...
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Art Institute of Chicago Staff. "The Art Institute of Chicago." Richard Nickel. Art Institute of Chicago, 2013. Web. 16 Mar. 2014.
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Cahan, Richard, Michael Williams, and Richard Nickel. Richard Nickel's Chicago: Photographs of a Lost City. Chicago: Cityfiles, 2006. Print.
Write an essay discussing the historical insights presented in Erik Larson’s Devil in the White City, being sure to answer the following questions: In what ways does the Chicago World’s Fair of 1893 represent the contrasts and conflicts of the Gilded Age? What is the Fair’s lasting imprint on American society & culture, & what new trends does it signal for the twentieth century?
Erik Larson’s book Devil in the White City is full of magic and madness that has shaped the society of the late 19th century that is specific to in Chicago. The issues that have been handled through this time frame that are addressed in this book is that how Chicago was known to be the black city at first, and how the city hoped that hosting the World’s fair would increase their reputation. Secondly, the magic of a man named Daniel Burnham that did put the plans of the world fair in Chicago into life and the obstacles that he had overcame. Next, once the world fair was complete, it has made Chicago “The White city,” by its dazzling designs and attractions that made it memorable. Then, the madness of H.H. Holmes and how his evil deeds has seemed to undermine the world fair and the things that are going on within it with his murders and treachery that does grip Chicago once his evil deeds have been found out. Finally, the events that happened in the world fair that relate to the issues that occur in the late ninetieth century within the United States. The city of Chicago was in a desolate condition before it hosted the World Fair.
Sante, L. (1991). Low Life: Lures and Snares of Old New York. New York: Vintage Books.
Erik Larson’s novel is to be considered “new” because he offers the public two completely different stories of events that each occurred during the years 1891-1894 in the White City; Chicago, Illinois.
Kerr, Walter. "'Chicago' Comes On Like Doomsday." Rev. of Chicago. New York Times 8 June 1975, Arts and Leisure sec.: 109. New York Times Archives. New York Times. Web. 1 May 2014.
Dumenil, Lynn, ed. "New York City." The Oxford Encyclopedia of American Social History. N.p.: Oxford UP, 2012. Oxford Reference. Web. 8 Apr. 2013.
Ellis, Edward Robb., and Jeanyee Wong. The Epic of New York City. New York, NY: Carroll & Graf, 2005. Print.
Diamond, Jared. Guns, Germs, and Steel: The Fates of Human Societies. New York: W. W.
“Stock Market Crash of 1929.” Gale Encyclopedia of U.S. Economic History. Ed. Thomas Carson and Mary Bonk. Detroit: Gale, 1999. U.S. History in Context. Web. 25 Feb. 2014.
The Stock Market Crash of 1929 was the most devastating crash in U.S. history. It started on October 24, 1929 and the downfall ended in July 1932. I always wondered what caused this calamity. Before starting this report, I knew basic idea about the crash. It was a time of decline and huge fortunes were lost. Now I can figure out just why.
Cooper, S. T., Hall, A. R. & Cooper, F. E., 2005. Los Angeles Art Deco. 2nd ed. Paris: Arcadia Publishing.
Krause, Paul. The Battle for Homestead, 1890-1892: Politics, Culture, and Steel. Pittsburgh, PA: University of Pittsburgh Press, 1992. ISBN 0-8229-5466-4
The Chicago World Fair brought about through the 400th anniversary of Christopher Columbus landing in America has posed significant value and worth to the city of Chicago. Over a six-month period, more than 26 million visitors from all over the world would flock to the fairgrounds to experience the rebuilt and vibrant city of Chicago. The 600-acre fairground would have housed 200 buildings that showcased new food, art, technology, and entertainment. Chicago became known as the White City, a place of freedom, grandeur, and security. But unbeknownst to fairgoers, there was a serial killer among them. While Dr. H.H. Holmes lured his innocent victims to his “Castle”, just blocks away architect Daniel Burnham built up the dream city of Chicago. Both these men operated at the same time in history, simply blocks apart, both creating legacies that carry to this day. Burnham and Holmes are two side of the coin of human nature. In “The Devil in White City” Erik Larson’s juxtaposition of Burnham and Holmes, and the Black City and the White City, contributes to the understanding of human nature, that one cannot be good without having done evil, and that good and evil are viewed as complementary in their mutual dependence.
Undoubtedly work and place influence its surroundings. Youngstown, Ohio is emphasized as one in particular. As a result “steelmaking fueled the area’s economy and defined its identity” (68). The city was represented in newspapers, art work, postcards, and many texts as both “impressive and attractive” (75), as well as “imposing, confusing, and uninviting” (86). Considering the conflicting representations, steelmaking “also suggest(s) a key element of conflict in the community” that it was so clearly creating an identity for (69).
“Chicago,” by Carl Sandburg wrote a poem that the great city of Chicago that embraces everything that the city has to offer, from hog butchers to railroads, from construction sites to prostitutes. The poem paints a portrait of a vibrant, cunning, wicked, joyful, laughing place. The speaker begins the poem by telling the reader about all of the negative aspects of the city of Chicago but ends in the exact opposite stance. The poet feels that Chicago will face the future ready to fight and win. Sandburg can show how Chicago holds many of the same qualities as an immature young man: both are vibrant and active, but both also have many flaws. Sandburg also celebrates the many types of workers that helped the city grow, from the hog butchers that feed the populace to the people that build the