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symbolism art essay
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Kept in that sunlit corner, it stands there, silent, mute. Watching everything that is happening around. Every person that passes the lobby, the smiles, the tension lines on the forehead, the jittering, shivering hands of the new people, the throbbing nerves of their neck, the throat that bobs while they gulp down their fear. It watches everything.
Daily it gets filled, with a little water and a bunch of fresh blooms are placed in them, by the lady who wears elf like dark framed glasses, with hair pulled back in a tight bun wearing neatly ironed crisp business formals, day in and day out. The one who is stationed at the wide wooden desk, right in front of the vase, bearing big letters in gold which says RECEPTION, either smiling at the people who come by or is heard making cordial small talk over the phones.
She gets the vase cleaned daily. The stale water which turns slimy over the day is thrown and it is washed thoroughly for to get rid of any slimy residue from the flowers of the previous day. And then fresh tap water is filled and another bunch of new flowers are placed.
Its a vase made up of glass, with thick long glass grooves moulded on its surface. Its burnished pink in colour at the bottom which fades and blends with the normal transparency as it moves upwards. And then it has a dark past.
The glass that it is made of is smeared with the blood of a war prisoner. The bloodied glass was a part of that single light bulb that had hung over the head of that man. He was sitting blindfolded on a crooked wooden chair and his hands were tied tightly behind. his legs too were tied from the ankles.
Whatever part of his face was visible was smeared with faint black grease stripes and grime. There were scratches and gashes on his neck and hands, which weren't very old, but the blood from them had trickled a very short distance and had dried up midway. His head hung low with exhaustion and his breathing was heavy.
It was a small dark room, more like a makeshift kind in the middle of the forest, which was under attack. No windows existed and there was just one small entrance. A burly man had entered the bunk around two hours later than the prisoner had been brought in.
...ots her memory, the blossoms her dreams, and the branches her vision. After each unsuccessful marriage, she waits for the springtime pollen to be sprinkled over her life once again. Even after Tea Cake's death, she has a garden of her own to sit and revel in.
Elisa Allen reveals two very different sides of herself in The Chrysanthemums- the person she forces herself to be outwardly and the person she inwardly craves to be. As the story opens, Elisa is very quiet with her husband, giving him brief responses that lack enthusiam. After exchanging a few words with her husband, consisting much of the word “good,” “she said: 'I'll have plenty of time to transplant some of these sets, I guess” (American Short Stories 315). Here, Elisa's responses are neither affirmitive nor a reflection of how she truly feels. Progressively, though, Steinback unveils an eager, overly-expressive Elisa as she encounters a stranger that come to visit her. With the pot fixer, Elisa shares her passion for growing chrysanthemums and expresses a personality trait that is in direct opposition with her otherwise passive attitude. “'It must be very nice,' she said. 'It must be very nice. I wish...
On a Saturday afternoon in December, Barbara was sitting outside in her private sanctuary with her daughter Layla, since she had nothing to get ready for. Her private sanctuary was filled with exotic flowers, and trees with orchids of bright color hang...
The Warka Vase is a uniquely large piece that was laboriously built, and carefully decorated. The images on the Warka Vase are significant and have iconographic meanings unique to the Uruk people and the cult of Inana. The images reference common practices in cuneiform and iconography of the time and place the Warka Vase was made and can be cross compared with other pieces from the time to understand the symbolism of this brilliant piece of art. To understand who is in the images, what they are doing and how they relate to one another may bring unique insight to the practices of the cult of Inana.
An Internet review points out that the Vertigo script reads: "There is a flower stand - known to all San Franciscans - at the curb opposite the main entrance to Gump's. Scottie and Judy have stopped there to pick a flower for her to wear... Amazingly, this flower stand still exists, although it is no longer the wood frame structure as seen in the film, (it's now made of black steel).
Once upon a time, very long ago, there was a beautiful, blue eyed princess who daily visited a small village near her huge, and glossy castle. The princesses name was Paisley, and she was crazy for daisies! All she wanted to find were some daisies, and that’s exactly what she found in the small village. A handsome prince was selling talking daisies and Paisley couldn't wait to buy them!
When analyzing the symbolism in the Glass Castle it would only be appropriate to start with the major symbol: The Glass Castle. The Glass Castle represents hope and a bright future. The fact that Rex Walls never achieved the goal of building his dream house shows how deeply he needed to overcome his alcoholism and paranoia. Even though the glass is unstable, it symbolizes how Rex Walls wanted an unrealizable lifestyle. It was a lifestyle that could fall apart at any moment. The other symbols that represent Jeanette’s transition into adulthood are fire, The Joshua Tree, and independence.
The reader is presented with Elisa's other frustrations when she interacts with a traveling salesman. From the start Elisa acts very hard towards the man, through her facial expressions, actions, and dialog. Over and over again the man tries to persuade Elisa to give him some work, she only accepts his gesture after he shows interest in her chrysanthemums. The man cons her into paying him to do repairs she is capable of doing herself by telling her a story of another woman who would be overjoyed to have chrysanthemums of her own. Elisa picks a bunch of her flower starts and plants them in a brand new pot for the traveling repairman to give to his other client. After the man leaves, Elisa seems to be satisfied with her treatment of him.
Fire. Neglect. Sexual Molestation. No one child should have to face what Jeannette Walls had to endure as a young child. However, Walls clearly shows this chaos and the dysfunctional issues that she had to overcome while she was growing up. Within her memoir, The Glass Castle, Walls incorporates little things that were important in her life in order to help the reader understand her story even more. These little things amount to important symbolisms and metaphors that help to give the story a deeper meaning and to truly understand Jeannette and her family’s life.
"The bunk house was a long, rectangular building. Inside, the walls were whitewashed and the floor unpainted. In three walls there were small square windows, and in the fourth, a solid door with a wooden latch. Against the walls were eight bunks, five of them made up with blankets and the other three showing burlap ticking..." (17)
It has been specified in the play that the setting must have a “small vase with too many flowers in it or a large vase with too few” on top of the small dining table where Vernon and Lucy eats. Considering that the scene presumably happened at Vernon’s place, it was assumed that he was the one who prepared the vase for their lunch. Accordingly, the “small vase with too many flowers in it, or a large vase with too few” represents Vernon in the play. (Hollinger 1385; act 1) A vase that is pleasing to the eye is arranged perfectly having a number of flowers matching the size of the vase. But in the play, the vase intendedly does not correspond to the amount of flowers in it. As a man, he would not care too much about the small details of the presentation, for what matters for him was his hope to be reconciled with his ex-partner and have a sexual intercourse between them. The vase symbolizes Vernon as the one being in control of the relationship. Considering that man was not expected to usually do house chores, the way Vernon did the flower arrangement implies masculinity. Aside from that, it also indicates that it is up to Vernon whether he would take too much effort on a work that is usually done by a woman. The imperfect flower arrangement in the vase represents Vernon’s character denoting manhood, being the manipulative and superior particularly in a
Another factor that clearly brings out the theme is the fact that she claims that orderliness of family roses is her pride. However she may not necessarily be that orderly as depicted in the development of that story. The author of the story Shirley Jackson uses the author and her ambiguous cha...
In modern society, Greek pottery is considered an art which is regarded as much for its aesthetic splendor as its historical significance. However, the role of pottery in ancient Greek culture was far more functional as its primary use was for the transportation and storage of such liquids as water and wine (Encyclopedia Britannica). Due to the durability of the fired clay material, Greek pottery is the only remaining art form that allows us to explore the evolution of this ancient culture. Through that examination, three distinct stylistic periods have been unveiled: Geometric, Orientalizing and Archaic. This analysis will detail these distinct periods as well as three design techniques prevalently used: black figure, red figure and white ground
Most objects are often regarded based on its physical appearance but often more times than not there is a deeper meaning behind them. Objects often have more symbolic meanings to them than what meets the eye, and if we take the time to really look below the surface we can often come to a much deeper understanding. In “The Glass Menagerie” written by Tennessee Williams, he uses a glass unicorn to symbolize one of the main characters, Laura Wingfield, to represent her life as an outcast, her fragility, and her prosperous ways when she is in the right company.
The Glass Menagerie, by Tennessee Williams, is a prime example of a classic drama, infusing powerful themes with compelling characters to draw the reader in and allow them to connect. William’s character Laura plays a large part in accomplishing this, particularly in Scene VII, when she converses with Jim. This scene is especially important to the story as a whole, and helps develop Laura’s character and the theme of conformity. This theme, that to be accepted by society one must conform, is prevalent throughout the story, but centers around this portion of the play specifically. The conversation between Laura and Jim is a pivotal part of the drama that is very impactive and provides substance for the theme and character development in the rest of the drama.