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fairy tales and gender inequality
fairy tales and gender inequality
fairy tales and gender inequality
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Snow White: Nothing More or Less than Beautiful
Both “Lessons from a Mirror” by Thylias Moss and “Snow White and the Seven Dwarfs” by Anne Sexton provide a unique dialogue with the Snow White masterplot. Both works demonstrate how feminine beauty ideals and assumed purity are inextricably linked to a woman's inherent worth. Sexton accomplishes this while still remaining fairly in line with the masterplot yet her overall tone suggests disapproval of these ideals making her piece read almost as a satire, something that uses humor as a way to criticize a topic. Moss' tone also reads as disapproving but provides more of a response to the masterplot rather than following it, creating a strong feeling of tension in the piece. These two works provide versions of the Snow White tale which manage to relate to the masterplot while also forming a critique of it.
The language throughout Sexton's “Snow White and the Seven Dwarfs” likens Snow White more to an object than to any sort of sentient being. Vivid imagery, or descriptive language, is used to present a delicate and pristine sort of beauty to the reader. Snow White is said to have “cheeks as fragile as cigarette paper . . . rolling her china-blue doll eyes”(Sexton 3). This manner of comparison suggests that Snow White is beautiful because of the items of value that her physical attributes resemble. Comparing her to a doll is especially offensive because it suggests that she is a pretty, yet lifeless. It may also suggest that her actions depend on the whim of others as a dolls movements are controlled by a person. This sort of objectification is a vein that runs through every version of the Snow White tale to a degree. Snow White's name in and of itself is inherently objec...
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...th stanza. She realizes that by lacking whiteness and lacking virginity she is essentially seen as a void of nothingness by society. She lacks the two things that they value the most, so in a sense she lacks everything. Her personal sense of worth is greatly affected by these societal ideals, explaining the negativity atmosphere created when the author references herself throughout the poem. Moss' awareness allows her to call out and critique the societal ideals that are utilized and supported by the original Snow White masterplot and many of it's interpretations.
Anne Sexton's “Snow White and the Seven Dwarfs” and Thylias Moss' “Lessons from a Mirorr” provide the modern reader with unique interpretations of the age old tale of Snow White. Both works utilize societal ideals of beauty and purity as they are linked to the worth of women as a way to critique this tale.
This creates sinister predators within her short stories through the use of empowering and dangerous women. in ‘The Snow Child’, the use of subversion turns the traditional fable of Snow White’s existence from maternal desire into a child who is the product of paternal desire and sexual fantasy. The original tale of Snow White explores a queen who is driven by her desire for beauty and youth, this is similar within ‘The Snow Child’ as the Countess becomes jealous of the child as the Count begins to favour her. The countess and the child are portrayed as binary opposites throughout the story; as one is clothed, the other is naked. This could reflect the importance of appearance within society, and explain the Countess’ antagonistic response to the child and acts of neglect due to her jealousy of the child’s beauty. Carter’s description of the Countess’ clothing leaves the reader with an idea of her dangerous nature; she wears “pelts of black foxes”, an association suggesting a predatory and cunning nature. She also wears “scarlet heels, and spurs” and it may be that the colour of the heels comes from the actions of the spurs, which adds to this idea of violence. We see this nature when she is threatened by the child regarding the Count’s affections, “wife” becoming “the Countess” in a shift emphasised by finally having her own thoughts and feelings in the
The movie that I decided to critique, in search of possible inequalities, was Snow White and the Seven Dwarfs. The movie began in a kingdom where a queen gave birth to a beautiful girl: Snow White. Her mother passed away pushing her father to remarry, this time to an evil witch. This witch considered herself to be prettier than all else (conceited much?) and possessed a mirror that told her just that. Things are just fine in her state of delusions until the mirror announces that Snow White is the prettiest, causing jealousy and leading to the stepmother ordering for her to die. Snow White eventually escaped and found herself in a house occupied by seven dwarfs, who accepted her because of her willingness to cook and
Sexton, Anne. “Cinderella.” Introduction to Literature 5th ed. Eds. Findlay et al. Toronto: Nelson, 2004. 296-299.
As the world has transformed and progressed throughout history, so have its stories and legends, namely the infamous tale of Cinderella. With countless versions and adaptations, numerous authors from around the world have written this beauty’s tale with their own twists and additions to it. And while many may have a unique or interesting way of telling her story, Anne Sexton and The Brother’s Grimm’s Cinderellas show the effects cultures from different time periods can have on a timeless tale, effects such as changing the story’s moral. While Sexton chooses to keep some elements of her version, such as the story, the same as the Brothers Grimm version, she changes the format and context, and adds her own commentary to transform the story’s
Despite her feminist critique, in the final paragraph Adelman admits to the limitations of a “patriarchal framework” in The Winter’s Tale that restores personal and political happiness to Leontes. She is also satirical of The Winter’s Tale by exclaiming that its female characters in the end are discovered to be “all good patriarchists all along”. In response, to the imagery of pregnancy that dominated the essay, Adelman stresses the point that Hermione only returns when she is past child bearing age and that the only female character throughout the work who expresses any rage is the “asexual” Paulina. Therefore, Adelman’s final analysis is a very thorough critique from the feminist perspective. Adelman’s work ends by reconnecting The Winter’s Tale to the canon of Shakespeare’s romances highlighting Shakespeare’s continuous paradox of “what it means to be a mother’s son”
Though the evils of the world may discourage us from reaching our full potential, fairytales such as Little Snow-White by Jacob and Wilhelm Grimm teach us that good will always triumph over evil. As many tales of its kind, Little Snow-White uses a number of literary devices to attract a younger audience and communicate to them a lesson or moral that will remain with them throughout their lives. Since children have such an abstract stream of thought, it is vital to use language and devices that will appeal to them as to keep them interested in the story.
This characterization of the woman shows how she overpowers her husband, as opposed to the first wife (Snow White’s mother) who is characterized as being obedient and “sitting and sewing by a window with a black ebony frame” (Grimm 249). This characterization contrasts starkly with the dominant woman who plays the archetype of the evil stepmother. The original mother’s wishes came true as she wished for “a child as white as snow, as red as blood, and as black as the wood of the window frame” (Grimm 249). In this imagery, we are given a color palette that represents a beautiful woman (pale white skin, red rosy cheeks and black ebony hair). Anne Sexton never offers a description of Snow White’s real mother, perhaps showing the reader how it is less important whether the mother is evil or good, but rather how the stepmother and daughter relationship became muddled by the fear the stepmother had to have beauty surpass her own. As Snow White finds herself in the home of the seven dwarfs, she falls asleep and wakes up surrounded by the dwarfs who are interrogating her about her life. Snow White is very obedient, speaking only when spoken to and agreeing to do household chores in return for their protection of her. The dwarfs specifically tell her not to let anyone in the house while they are
In present day society, where political correctness and equality are at the top of the priority list, by reading essays such as the one by Karol Kelley we find that this might not have been the case in earlier days. Fairy tales such as Cinderella have been found guilty of possessing subliminal socialization traits. Classifying genders as inferior and molding young girls into the female that society expects them to be. In Charles Perrault’s version, which is considered the most common, Cinderella is seen as passive, limited, dependent and inferior. As critics argue, these traits can hinder a child’s self esteem. Karol Kelley states that the “expectations and the promises
In a society unbridled with double standards and set views about women, one may wonder the origins of such beliefs. It might come as a surprise that these ideals and standards are embedded and have been for centuries in the beloved fairy tales we enjoyed reading as kids. In her analytical essay, “To Spin a Yarn: The Female Voice in Folklore and Fairy Tales”, Karen Rowe argues that fairy tales present “cultural norms which exalt passivity, dependency, and self-sacrifice as a female’s cardinal virtues.” Rowe presents an excellent point, which can be supported by versions of the cult classics, “Cinderella” and “Snow White”. Charles Perrault’s “ The Little Glass Slipper” and the Brothers Grimm’s “ Snow White” exemplify the beliefs that females are supposed to be docile, dependent on the male persona and willing to sacrifice themselves. In many cases, when strong female characters are presented they are always contradicting in these characteristics, thus labeled as villainous. Such is the case of the Cinderella’s stepsisters in Perrault’s “Cinderella” and the stepmother in the Brothers Grimm’s “Snow White.” These female characters face judgment and disapproval when they commit the same acts as male characters. With such messages rooted in our beloved fairy tales it is no wonder that society is rampant with these ideals about women and disapprove of women when they try to break free of this mold.
It starts with a fairy tale story, where all magical things happen and ends happily. The goodness is rewarded but the evil ones are punish. The closing of the story always ends with “and they live happily ever after,” and the main character becomes unhappy but eventually gains happiness at the end. The traditional Cinderella story figure is from “rags to riches.” It begins with a poor maid girl named Cinderella whose stepmother and stepsisters treated her unkindly, but because of the help of her fairy godmother, Cinderella found her Prince Charming. In Anne Sexton’s Cinderella story, the author made changes to the traditional fairy tale by adding her own tale. Throughout the poem, Sexton uses sarcasm to finish the tale initiating the readers’ expectation of happy ending and a traditional fairy tale to vanish. In doing so, she shows the difference between the fairy tale and reality world. Sexton’s poem mocks the traditional happy ending. She is trying to show the reader that happily-ever-after does not even exist in reality. Overall, Sexton’s poem would be considered a dark classic fairy tale including violence and bloody details. By examining literary devices such as the author’s attitude toward the words she says, sensory details denoting specific physical experiences, and tropes to involve some kind of comparison, either explicit or implied, the reader will gain an understanding on what the author is trying to prove a point in her story.
Fairy tales have been known to identify different aspects of life such as modern issues and concerns without having to directly point them out. In Anne Sexton’s poem, her version of “Cinderella”, modern issues and concerns are discussed through the lens of the fairytale. She touches on aspects of marriage such as wealth and possessiveness of money by discussing how most of the women in fairytales want to marry into wealthy families. Sexton also discusses how fitting into society’s complex standards is another modern issue by showing that in order for Cinderella to go out in public, she feels as if she needs to dress according to the way society dresses. Furthermore, many women in society today admire models and actresses because they
As many of us know, our world today is not short of sarcasm. Many times sarcasm can be funny but other times it can cause harm. But in Anne Sexton’s poem, she uses sarcasm to throw her audience back to actuality, even a midst a fairytale element. In Anne Sexton’s poem, Cinderella she uses sarcasm and a basis of the true tale to make what many would call a “mockery” of the original Grimm Tale. Sexton does not refer to the Grimm brothers in her poem, for she considers this re-telling her own creation, uniquely by using irony to her advantage. As an audience we can relate to how and why Sexton takes much from the original versions, but we find that her interpretation brings a different approach. Sexton felt the original versions held no light to reality, so she changed the shallow premise of the original Cinderella bringing all the unrealistic morals in the story to the surface. The author's style, tone, and language helps to convey her sarcastic approach and differentiate between gritty reality and the ideal of fairy tale endings.
...isfied and complained about her situation instead of exuding a pleasing and pleasant attitude. She was opinionated and stood up for herself instead of being the submissive and blindly following her men. By noting these contradictions to the expectations of the 1960s housewife, Barthelme successfully exposed the limitations of gender roles throughout the novel. Snow White is used as a demonstration of gender roles in a post modernistic work.
Anne Sexton’s poem “Cinderella” is filled with literary elements that emphasize her overall purpose and meaning behind this satirical poem. Through the combination of enjambment stanzas, hyperboles, satire, and the overall mocking tone of the poem, Sexton brings to light the impractical nature of the story “Cinderella”. Not only does the author mock every aspect of this fairy tale, Sexton addresses the reader and adds dark, cynical elements throughout. Sexton’s manipulation of the well-known fairy tale “Cinderella” reminds readers that happily ever after’s are meant for storybooks and not real life.
Since 1937, when Snow White was created, Disney princesses have been falsely portraying women. While their personalities have changed to keep up with society’s standards, their unrealistic body