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the oxford shakespeare much ado about nothing
shakesperean comedy in much ado about nothing
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“Power of Love”
The cycle of love and life continues. After they died, Beatrice, Benedick, Hero and Claudio were again born in the Earth. In their rebirth, Claudio and Benedick were still friends and the Hero and Beatrice were friends too, not cousins. The society where they were born considered it a crime for poor’s to be friends with rich’s. Benedick was a poor orphan, yet he was still friends with Claudio who was from a rich family. Similarly, Beatrice and Hero were friends too, even though Hero was a poor orphan while Beatrice was from rich. Beatrice’s father, Bwo and Claudio’s father, Cwo who both hated poor’s were friends, even though Beatrice and Claudio didn’t knew each other. It was Friday, Bwo and Cwo as usual were having party at Bwo’s mansion.
Bwo: Is Cwo here yet?
Servant: No sir.
Cwo: Why are you yelling Bwo? What’s going on?
Bwo: Nothing, just asking my servant about your arrival.
Cwo: How many times should I tell you to fire that poor from your service.
Bwo: I can’t fire him. He’s loyal and honest.
Cwo: No Bwo no, these poor’s are never honest, they just pretend to be honest to take our money.
Bwo: Let it go Bwo. Do you want a drink?
Cwo: Of course, chilled vodka please.
Bwo: Bring Cwo a drink.
Servant: Sure sir.
Cwo: What yes sir, go get my drink fast.
When the servant brought the drink and try to give it to Cwo, he accidentally spilled it all over the Bwo’s coat.
Bwo: Damn it, what have you done?
Cwo: Bwo, I told you to fire this poor, you didn’t listened to me. Look what happened now. He’s pouring drinks in your coat.
Bwo: You don’t know how expensive this coat is. Do you, you mere poor.
Servant: Sorry my lord, I am really sorry.
Bwo: Your sorry will not get me a new coat, you poor.
Fumed in anger, Bwo ...
... middle of paper ...
...and Claudio again decided to go talk to their fathers. When Benedick and Beatrice were at Beatrice’s father’s house, government officials came to raid the house because Bwo was taking commission money from his workers. When the government officials looked for the money, Beatrice secretly told Benedick where the money was. Benedick then hid the money in an empty water tank, which no one searched. When they didn’t found any cash in Bwo’s house, the government officials went away. Since Bwo and Cwo were friends and they worked together, there was a raid on Cwo’s house too. Hero saved the Cwo’s money by hiding it under her elongated costume, which no one checked. When Bwo and Cwo realized how Hero and Benedick saved their money and high profile reputation, they agreed on letting Beatrice and Claudio marry Benedick and Hero. That also removed their hatred toward poor’s.
Hero in Much Ado About Nothing by William Shakespeare In this essay, I will be looking at the character Hero. I will write about how she interacts with other characters, her personality and her function within the play. The three scenes I will be looking at are Act 3 scene 1, Act 3 scene 4 and Act 5 scene 4. If I was directing Act 3 Scene 1, I would want Hero to come across to.
True love is a bond shared by few and dreamed of by everyone. The appearance of a relationship may not accurately depict the true reality of the situation. The bond between Claudio and Hero appears far stronger than that of Beatrice and Benedict, yet events of the play provide evidence for the converse. In Shakespeare's comedy Much Ado About Nothing, the masked emotions of two couples are evoked through subterfuge.
The main difference between these two couples involves how they learn the art of love. At the beginning of the play, Claudio is the first one out of all the lovers to express his affections for someone else; however, he seems to have the weakest grasp on the concept of love compared to everyone else. Claudio hints of his growing feelings for Hero when he asks Benedick what he thinks of her (I.i.161). Benedick, who has a disdain for marriage, is not very helpful to Claudio. However, he does manage to draw out of Claudio the reason for his inquiry: “In mine eye, she is the sweetest lady that ever I look’d on” (I.i.188).
Based on the classic Romeo and Juliet by William Shakespeare, Roman, Julie, and Friends displays a new theme on becoming friends with children of all genders, even if it is not expected or allowed by their friends. There were many changes made to create a story that resembled Romeo and Juliet but also changed the meaning to a more positive and age appropriate moral. For example some of the original characters are resembled in the remediation, while others were completely new for the purpose of the new plot. The classic play was changed to a children’s book to provide a positive message to children by using pictures and designs that would suit a child’s liking. The design of the book was happy and cheerful, with basic pictures that resemble the words but are similar to the other pictures in the book. The book also uses ethos, logos, and pathos to sell the moral of the story. Ethos is mainly used by the creditability of Shakespeare. While pathos is the ability for the reader to connect with the characters personalities and stories. Logos is used by providing the child realize that friends can be any gender or personalities, but if given the chance a friend can be found in anyone. The target audience is for children around the reading level of 3, with the purpose being the idea that children can become friends with children of any gender.
The scene opens in the beautiful hills of Tuscany, Italy. Lying about on the slopes of grass are the humble townsfolk basking in the sunshine as a soft voice introduces; “Sigh no more ladies, sigh no more.” This dreamlike setting is the opening scene of the major motion picture Much Ado About Nothing as envisioned by film director Kenneth Branagh. A far cry from its Shakespearean origins, Branagh’s Much Ado has a look and feel all of its own. This film seeks to capture its audience with visual majesty as the characters and setting are transformed to reveal Branagh’s joyful rendition of Shakespeare’s romantic comedy. However, though Branagh’s vision is nothing short of cinematic genius, it neglects some of the deeper meaning that is illustrated within the original written play. Shakespeare’s subtle nuances and elaborate dialogue shape each character as the plot of the story unfolds. Branagh neglects the situational relevance of certain dialogue within scenes of the written play; relying more on visual effect rather than verbiage. Branagh’s use of editing creates a wistfully light-hearted adaptation of the play and hastens the pace of the drama. While Branagh succeeds in creating many parallels between his movie and Shakespeare's written play, his use of visual imagery, characterization, and setting deliver an interpretation that stands alone as one of joyful camaraderie and humor.
Don Pedro and his men return from the war and visit the house of Leonato and his brother, Antonio. This sudden meeting reunites Beatrice with her archrival, Benedick, and it is here that Claudio and Hero fall in love.
Fate or choice? Choice or fate? How does one separate these ideals? Can one? Shakespeare could not. Nor can we. Fate and choice are so intertwined that our choices determine our fate, and our fate determines our choices. William Shakespeare trusts the audience to scrutinize whether it is fate or choice that rules our human life. Shakespeare aptly conveys this oxymoron (with which people have been dealing for ages) through the evidence and structure of his play, Romeo and Juliet.
scene 1 'If he send me no husband for which is a blessing…Lord I could
should do now. He says, "Is it e'en so? Then I defy you, stars!" Romeo
The Oxford English Dictionary (OED) explains inconstancy as the recurrent and generally unexpected or impulsive change from one condition to another. It is the state or quality of being inconstant and unfaithful by virtue of being undependable or deceitful. Set in Messina, Sicily, Shakespeare’s Much Ado About Nothing is a very popular play generally viewed as one of his happiest comedies and is often performed in theatres. However, the playfulness and cheerfulness of the play is haunted by a cloud of melancholy which tells readers of the potential dangers and pain that can result from miscommunication, deceit and treachery. This play has two entwining plots; one revolves around the wooing of Hero by Claudio, which is momentarily disturbed by Don John, the villain in the play. The other plot revolves around Beatrice and Benedict who are in love with each other but keep engaging in witty arguments and “merry war” (Cook 190). The play mainly focuses on the problematic relationship between Claudio and Hero unlike that of Benedict and Beatrice which is more reliable. False reports, hearsay and rumours play a major role in the development of the play’s dual plots. This paper looks into the successive theme of inconstancy of the human nature in Shakespeare’s Much Ado About Nothing and remarks on how a person can make foolish and regrettable decisions when they fail to make sober considerations.
Hamlet and Much Ado About Nothing While Hamlet and Much Ado About Nothing have the same author, they both have similarities and differences in themes. Some people live their life looking for love and never finding it, it is often said that you will find love when you least expect it. Both plays have common beliefs of love, marriage, however, death is viewed very differently. Love in Hamlet is often depressing, even though love is wanted by all. What is the point in loving somebody if they are going to die anyway?
Throughout the play Much Ado About Nothing, Don Pedro had an extremely active role as matchmaker for the other characters. He designed the plot at the masquerade party to make Hero fall for Claudio, and he orchestrated the garden scene to make both Beatrice and Benedict believe that the other was deeply in love. Despite Don Pedro’s commendable skill with matching other people, he ends up without a partner at the end of the play after having been denied by Beatrice. When the whole misconception surrounding Hero’s unfaithfulness has been cleared, the music starts up, the characters pair up, and everyone begins to dance in a grand celebration.
When Benedick hears that Claudio has fallen in love for Hero, he is enraged. He thought that Claudio would live a bachelor’s life like him. Benedick tells him that men who are in love are not masculine. Near the end of Act IV, Benedick’s complete change is evident when Benedick chooses love over friendship. Benedick challenges Claudio, previously his closest friend in the world, to duel to the death over Claudio’s accusation as to Hero’s unethical behavior. After Beatrice complains to him about Claudio’s mistake, Benedick gives in, “Enough, I am engaged. I will challenge him.” At this point, there is no doubt that Benedick has switched his allegiances entirely over to Beatrice. But then again, Benedick was relieved that Hero was proved guilty so he would not have to fight his close friend Claudio.
In Shakespeare's Much Ado About Nothing, Beatrice and Benedict rant about marriage for most of the beginning of the play, while Claudio raves about how wonderful it will be being married to Hero. Yet in the end, Claudio exchanges his marriage to Hero for an opportunity to bash her in public, while Beatrice and Benedick marry despite that they were mortal enemies for most of the first three acts. How did the situation swing around to this degree? Beatrice and Benedick had been using the most extreme metaphors to demonstrate their scorn of each other and of marriage, and Claudio had been doing the same to demonstrate his love of Hero. Not only did none of these three characters mean what they were saying, but meant the reverse, and the people that plotted to bring them together or pull them apart plotted because they understood on some level what each really wanted.
themes is Love. There can be many facets of love found in the play. It