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Romanticism Embodied by Frankenstein
Romanticism Embodied by Frankenstein
Romanticism Embodied by Frankenstein
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Mary Shelley, with her brilliant tale of mankind's obsession with two opposing forces: creation and science, continues to draw readers with Frankenstein's many meanings and effect on society. Frankenstein has had a major influence across literature and pop culture and was one of the major contributors to a completely new genre of horror. Frankenstein is most famous for being arguably considered the first fully-realized science fiction novel. In Frankenstein, some of the main concepts behind the literary movement of Romanticism can be found. Mary Shelley was a colleague of many Romantic poets such as her husband Percy Shelley, and their friends William Wordsworth and Samuel Coleridge, even though the themes within Frankenstein are darker than their brighter subjects and poems. Still, she was very influenced by Romantics and the Romantic Period, and readers can find many examples of Romanticism in this book. Some people actually argue that Frankenstein “initiates a rethinking of romantic rhetoric”1, or is a more cultured novel than the writings of other Romantics. Shelley questions and interacts with the classic Romantic tropes, causing this rethink of a novel that goes deeper into societal history than it appears. For example, the introduction of Gothic ideas to Frankenstein challenges the typical stereotyped assumptions of Romanticism, giving new meaning and context to the novel. Mary Shelley challenges Romanticism by highlighting certain aspects of the movement while questioning and interacting with the Romantic movement through her writing.
The preceding Enlightenment period had depended upon reason, logic and science to give us knowledge, success, and a better society. The Romantics contested that idea and changed the formula...
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...Mary. Frankenstein. Edited by D.L Macdonald and Kathleen Scherf. 3rd ed. Buffalo: Broadview Press, 2010. Print.
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Mary Wollstonecraft Shelley, was the daughter of the radical feminist, Mary Wollstonecraft, and the political philosopher, William Godwin, and the wife of the Romantic poet, Percy Bysshe Shelley. Through these familial affiliations, she was also acquainted with Lord Byron, Samuel T. Coleridge, and other literary figures such as Charles and Mary Lamb. Surrounded by such influential literary and political figures of the Romantic Age, it is not surprising that as an adolescent, at the age of 19, she wrote Frankenstein. Though critically a failure, (British Critic,1818 and Monthly Review, 1818) the novel has never been out of print and has been translated into numerous languages. What is surprising, however, is the enormous body of knowledge contained in the novel. The novel contains references to the fields of literature, poetry, science, education, politics, history, and mythology. How did such a young girl, living a life considered morally objectionable to society and harassed by family and financial burdens, acquire such a vast amount of knowledge in all fields of study that encompassed the important issues of her day? Through examination of biographical information and Mary Shelley's journal entries, we will be able to answer this question. Following, I also plan to highlight Mary Shelley's knowledge of literature with primary emphasis on the works studied by the monster in relation to his origins as well as Mary Shelley's.
Her parents were two of its pioneers, and her husband was one of its well-respected contributors. Frankenstein remains her best known contribution to the body of Romantic literature, and it, too, was well-rooted in the movement. Embedded in it are classic elements of the Romantics - an all-to-human monster that quests for love, journeys to exotic places, and a plot that twists and turns on the events of human interactions. It uses these elements to suggest an answer to the Romantic question, how devastating can the effects of science and reason be on the human condition if they are allow to progress
Gothic is a style of writing which features the element of fear, death, horror and gloom. In addition, it has the romantic effect like nurture, high emotion, and individuality. The use of gothic has been used by many video producers as well as many literature writers to effectively pass their information to both viewers and readers. Therefore, the use its use can be traced back during the middle ages up to the present time. This paper explores the impact and how gothic has been used and being used in some of the literature work of some authors as well how the use of gothic can be traced in the contemporary literature.
Ferguson, Carol. "LECTURE: THE ENLIGHTENMENT AND THE ROMANTIC ERA." The Richard Stockton College of New Jersey. Web. 18 Aug. 2010. .
Romanticism was a rebellion, in a sense, from the intellectualism and formality of the Enlightenment. This movement began in Europe in the mid-eighteenth century and eventually spread through Europe and North America over the course of the next century. During this time, a novel written by a young English woman would come to define the science fiction genre and is read by students even today. Mary Wollstonecraft Shelley’s Frankenstein; or, The Modern Prometheus, first published in 1818 when the author was just 20 years old, has had far-reaching influence in culture and literature over the last 200 years. It is generally thought of as the first sci-fi story in the Western canon and is one of the most well-known examples
Frankenstein by Mary Shelley is a complex novel that was written during the age of Romanticism. It contains many typical themes of a common Romantic novel, such as dark laboratories, the moon and a monster; however, Frankenstein is anything but a common novel. Many lessons are embedded into this novel, including how society acts towards anything different. The monster fell victim to the system commonly used by society to characterize a person by only his or her outer appearance.
The Enlightenment caused the Romanticism period to come about due to the withdrawal of reason and greater concentration on feelings and emotions. The Enlightenment also greatly influenced the creation of political documents early in the US’s
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited by: D.L. Macdonald & Kathleen Scherf. Broadview Editions. 3rd Edition. June 20, 2012
The literary elements of remote and desolate settings, a metonymy of gloom and horror, and women in distress, clearly show “Frankenstein” to be a Gothic Romantic work. Mary Shelley used this writing style to effectively allow the reader to feel Victor Frankenstein’s regret and wretchedness. In writing “Frankenstein” Mary Shelley wrote one the most popular Gothic Romantic novels of all time.
Shelley, Mary. Frankenstein. Ed. D.L. Macdonald and Kathleen Scherf. Orchard Park, NY: Broadview Press, 1999.
Shelley, Mary. “Frankenstein.” In A Norton Critical Edition. New York: W. W. Norton & Company, Inc. 1996.
Frankenstein by Mary Shelley is a gothic science fiction novel written in the romantic era that focuses on the elements of life. The romantic era was sparked by the changing social environment, including the industrial revolution. It was a form of revolt against the scientific revolutions of the era by developing a form of literature that romanticize nature and giving nature godliness. This element of romanticized nature is a recurrent element in Frankenstein and is used to reflect emotions, as a place for relaxation and as foreshadowing. Frankenstein also includes various other elements of romanticism including strong emotions and interest in the common people.
The Enlightenment was a period of increased literacy and public interest in literature and arts that promoted learning through reason and logic (134). Romantic wr...
Within each book, authors express their own opinions and views. In Frankenstein, being written during the period of Romanticism, the author, Mary Shelley, expresses her own thoughts of the plot, through nature. Nature, in Romanticism, is seen as not only beautiful, but extremely truthful, also nature connects humans to a spiritual, God-like figure.