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literary analysis of epic of gilgamesh
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Epics are characterized by longevity of text, a poetic style, and an account of the accomplishments of a legendary hero. Herbert Mason’s interpretation of an extract of the Epic of Gilgamesh lacks a large amount of text and the legendary hero so common in later epics such as Odyssey and Beowulf. Because the later epics are considered to be based on the Epic of Gilgamesh it is important to consider why, in Mason’s translation, is there a lack of an impressive amount of text and of a legendary hero. While it is effortless to attribute the missing characteristics of the story to the translation, the events of the story suggest that Mason's translation could have been more extensive. In lieu of the suggestion, Mason incorporates Enkidu into his translation of Gilgamesh to build the characteristics of a legendary hero, Gilgamesh. His efforts to accomplish the building of Gilgamesh as a hero appear in the beginning and end of events in Gilgamesh's story.
The epic begins with a description of Gilgamesh, “as king, Gilgamesh was a tyrant to his people” (Mason 15). In a way, Gilgamesh is formed into a believable antagonist in the second stanza of the story. The excerpt goes on to say,
He demanded, from an old birthright,
The privilege of sleeping with their brides
Before the husbands were permitted.
Sometimes he pushed his people half to death
With work rebuilding Uruk's walls,
………………………………………
They had grown tired of his contradictions
And his callous ways . (Mason 15-16).
Gilgamesh is described as a tyrant with immorality and insensitivity. However, later in the text, he meets a man he believes is similar to him, Enkidu. While their first encounter shows the antagonistic side of Gilgamesh, “[Gilgamesh] lunged at Enkidu” (Mason...
... middle of paper ...
...fying a change in character. Gilgamesh becomes an epic hero.
Even though Gilgamesh recounts the construction of a legendary hero, it is parallel to other epics in a sense. Odysseus in Odyssey was an established warrior, having fought in the Trojan War. However, even he developed benevolence character traits, attributed to heroes. In Gilgamesh, Gilgamesh is a malevolent tyrant, and Enkidu, a leader of the animal kingdom, guides him along a path to heroism. Through the passage of the story, Gilgamesh develops vigilance, courage, and a sense of good and evil. He loses his arrogance. It is possible that the Epic of Gilgamesh does not end within the limits of Herbert Mason's translation. Gilgamesh may use his acquired heroic characteristics in later stories like Odysseus.
Works Cited
Mason, Herbert. Gilgamesh: A Verse Narrative. Boston: Houghton Mifflin, 2003. Print.
Gilgamesh is not only a character of a story; he is actually a portrayal of people and how they act out of human nature. He, like many of us, does not want his existence to end when he leaves this world. He is not content with what he has, good looks, money, and power, and desires more in life. The Epic of Gilgamesh is a story that we, as people, can relate to. There are similarities between Gilgamesh’s journey and our own journey through life. Some of the texts that will be compared with The Epic of Gilgamesh, are the Bible, and Mark Twain's The Adventures of Huckleberry Finn. The characters of these stories are all have that burning desire to be successful in life, which we can relate to. These texts span across different time periods and societies illustrating how human nature, particularly the desire to obtain more than one possesses, plays a significant role throughout written and present human history.
Gilgamesh is an example of someone who had many flaws and faced many struggles but, in the end, changed his attitude and became a better person. In the beginning of Gilgamesh, he is described as doing whatever he wants and being juvenile in a way. For example, in the text it says, “he was their shepherd, yet powerful, superb, knowledgeable and expert, Gilgamesh would not leave young girls alone, the daughters of warriors, the brides of young men.” With his second half, Enkidu, they entered into the first step in becoming a hero according to Campbell, the separation, by going on an adventure. At this point in the story, Gilgamesh is very arrogant. While traveling to Cedar Forest, Gilgamesh tells Enkidu, “let me go in front of you, and your voice call out: ‘Go close, don’t be afraid!’ If I should fall, I should have won fame. People will say, Gilgamesh grappled in combat with ferocious Humbaba… ensure fame that will last forever.” Next is stage two, the initiation, of the Campbell’s hero journey. Gilgamesh undergoes a trail to begin his transformation, he must fight the Bull of Heaven. Gilgamesh’s supportive side is starting to show when he tells Enkidu that they will win if they fight together. After killing the Bull of Heaven, Gilgamesh’s confident attitude is shown once again. The next trial he faces is the death of Enkidu. He starts to show emotion when he says, “for you Enkidu, I, like your mother, your father, will weep on your plains… I will lay you to rest on a bed of loving care… and I myself will neglect my appearance after your death.” At this point his character has been greedy and then he showed his fear and supportive side. The last stage in the hero’s journey is the return. Enkidu’s death sent Gilgamesh on an adventure to fight death. From this adventure he learned his biggest lesson from Utnapishtim. He learns to appreciate life, and
The main character in the novel is Gilgamesh. Gilgamesh is a character who is very self-confident. He feels that he is superior to others, due to the fact that he is two-thirds god, and one-third man. This arrogance leads to his being cruel at the beginning of the story. Gilgamesh is described as, ãtwo-thirds of him divine, one-third human... Gilgamesh does not allow the son to go with his father; day and night he oppresses the weak... Gilgamesh does not let the young woman go to her mother, the girl to the warrior, the bride to the young groomä (tablet I, column ii, 1, 12-13, 27-28). Gilgamesh is a man with no equal, so he feels superior.
Enkidu and Gilgamesh were the main characters in the Epic of Gilgamesh. In the city of Uruk, King Gilgamesh was a merciless ruler, a strong man, and had long, beautiful hair. Under Gilgamesh’s rule, the people asked the gods to generate their tyrannical king’s competitor. To cease Gilgamesh from dominating people, Enkidu was developed. Enkidu was a hairy-bodied man raised by animals. He was prepared to accept the challenge. The two men were almost iden-tical in their courage and physical abilities. Gilgamesh had a vision ...
In order to lessen the fear of that power being used for crude purposes, Gilgamesh enacts a civilizing campaign of Enkidu. The prostitute sent to seduce Enkidu is done with the intent that “the wild beasts that shared his life in the hills will reject him” (Gilgamesh 64). Though meaning the literal animals of the forest Enkidu originally lived with, this line may also serve a metaphorical purpose as well. The “wild beasts” or thoughts of pure animal reason also are assumed to leave Enkidu’s mind and Enkidu realizes “wisdom was in him, and the thoughts of a man were in his heart” (Gilgamesh 65). Gilgamesh’s own creation appears to have been done with civilizing intent. After all, Gilgamesh is decidedly two-thirds god and one-third man (Gilgamesh 61). However, Gilgamesh’s motivations lead him to take actions to the detriment of his people. This is particularly true in regards to leadership. Previous to discovering Enkidu, it appears Gilgamesh’s actions are thoughtless towards his own people including enforcing the doctrine of prima nocta (Gilgamesh 68). After learning that everlasting life is not his destiny, Gilgamesh takes his own self-aggrandizing actions and reverses them. These motivations direct him to enact his great building projects. As the civilizing of Enkidu was defined in the parameters of participating in social
The main character in the book The Epic of Gilgamesh, is Gilgamesh himself. In the beginning of the book one realizes that Gilgamesh is an arrogant person. Gilgamesh is full of himself and abuses his rights as king. He has sexual intercourse with the virgins of his town and acts as though he is a god. Throughout the story, many things cause Gilgamesh to change. He gains a friend, he makes a name for himself by killing Humbaba, and he tries to become immortal because of the death of Enkidu. Through these main actions his personality changes and he becomes a better person.
Gilgamesh, The Epic of. Vol. A. The Norton Anthology of World Literature. Ed. Martin Puchner, et al. 3rd ed. New York: W. W. Norton and Company, 2012. 95-150. Print.
The ancient Mesopotamian writing, The Epic of Gilgamesh, gives readers insight into the traditions and customs of the people who wrote it. Like all epics, The Epic of Gilgamesh is the story of a heroic national figure: this epic gives the story of the life of Gilgamesh from his birth as two-thirds god, one-third man to his death. Throughout the epic the importance of loyalty is addressed. In The Epic of Gilgamesh readers see that loyalty is the most important aspect of a Mesopotamian relationship and that there are always consequences for violating trust.
The “Epic of Gilgamesh” is a historic story of the king of Uruk, Gilgamesh. The story portrays the short lived friendship of Gilgamesh and Enkidu. The story begins as Shamat the prostitute seduces Enkidu and convinces him to go to the city of Uruk and meet Gilgamesh. From that moment on, the two were very close. They planned a trip to the forest of cedars to defeat the monster known as Humbaba so that Gilgamesh could show his power to the citizens of Uruk. However, Enkidu tried vainly to dissuade Gilgamesh in going to the forest. Despite Enkidu’s plead, the two continued on their adventure to the forest where Humbaba lives. Once they arrived, they found the monster and killed him.
Some of Gilgamesh’s qualities are that he had a “beauty… surpassing all others” and was “two thirds… god and one third man” (13). Before Enkidu, Gilgamesh acted horribly. He was a terrible ruler and a terrible man. Gilgamesh was not all good, for example, “his lust leaves no virgin to her lover, neither the warrior’s daughter nor the wife of the noble…” (13). He was a terrible ruler. Gilgamesh was arrogant, but very powerful in his country. His people had no choice but to listen to him. They were forced to go along with his unlawfulness and stubbornness.
In many literary works we see significant transitions in the hero's character as the story is developed. This is also true in the Epic of Gilgamesh with its hero, Gilgamesh. In this narrative poem, we get glimpses of who Gilgamesh is and what his purposes and goals are. We see Gilgamesh act in many different ways -- as an overbearing ruler resented by his people, a courageous and strong fighter, a deflated, depressed man, and finally as a man who seems content with what he's accomplished. Through all of these transitions, we see Gilgamesh's attitude toward life change. The goals he has for his own life alter dramatically, and it is in these goals that we see Gilgamesh's transition from being a shallow, ruthless ruler to being an introspective, content man.
Everyone has qualities that are heroic and noble, and everyone has their flaws. No matter who they are, or how perfect others think they are, people still have some negative qualities that can hurt their heroic ones. In the book, The Epic of Gilgamesh, by Benjamin Foster, both Gilgamesh and Enkidu had positive and negative characteristics that affected the outcome of their journey and their adventures they experienced throughout their lives.
Throughout the Epic of Gilgamesh, Gilgamesh is described as being a hero, “who knew the most of all men” (Gilgamesh, pg. 3). He is described as “two-thirds a god” (Gilgamesh, pg. 4) and “the strongest one of all, the perfect, the terror” (Gilgamesh, pg. 4). Due to Gilgamesh’s great recognition, he lacks a peer, someone who is able to challenge him. However, Enkidu is formed to test Gilgamesh’s abilities. Gilgamesh and Enkidu eventually grow a strong companionship. The bond between the two characters is the most important aspect in Gilgamesh. Gilgamesh and Enkidu act as each other’s counterparts throughout the novel.
---. “The Development and Meaning of the Epic of Gilgamesh: An Interpretive Essay.” Journal of the American Oriental Society 121.4 (2001): 614-622. JSTOR. Web. 28 Feb 2014.
The Epic of Gilgamesh is a moving tale of the friendship between Gilgamesh, the demigod king of Uruk, and the wild man Enkidu. Accepting ones own mortality is the overarching theme of the epic as Gilgamesh and Enkidu find their highest purpose in the pursuit of eternal life.