When given the opportunity to gain dominance over humans, man thirsts for everlasting power. Argentine writer Julio Cortazar argues that “Human history is the sad result of each one looking out for himself” (Blair). Mere desire can easily be twisted into a dangerous obsession due to the egotistic human tendency to never be fully satisfied. For example, the slaughter of the Jews under Adolf Hitler, which is considered one of the most apocalyptic chapters of history, resulted out of Hitler’s necessity for sovereignty over others. Man obtains the inclination to use any possible means available in pursuit of personal gain, disregarding any negative consequences to others. The penalties of this are emphasized by Romantic author Nathaniel Hawthorne in his short stories “Rappaccini’s Daughter” and “The Birth-Mark”. The antagonists, Giovanni and Aylmer, demonstrate their manipulation of their authority over women in order to pursue their perpetual infatuation with scientific experimentation. The ability to exercise their self glorifying ambitions while simultaneously controlling human life threatens Romantic ideals of individualism, idealism, and love for nature in its purest form.
Exemplifying the thrill inherent in exerting dominance over another, both stories portray Aylmer and Rappaccini as God-like. The females, Beatrice and Georgiana, become the subjects of Rappaccini and Aylmer’s inquisitiveness, allowing them to be altered through the exploitation of science into subservient counterparts. In Hawthorne’s time, a patriarchal society was deeply valued. This allowed for the control of females economically, psychologically, and socially, which Beatrice is a replica of. Rappaccini tells her to perform an otherwise hazardous task to ...
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...a contributing individual of society. Similarly, the narrator of “The Birth-Mark” reveals that “we know not whether Aylmer possessed this degree of faith in man’s ultimate control over Nature” (“The Birthmark” 631). Though remaining omniscient throughout the story, the narrator admits that he has limited knowledge of Aylmer’s thoughts, which is an instance of Hawthorne hinting the boundaries of man’s power and intellect. While it is essential that man unearths the hidden perplexities of the world, there is a limit. Once humans surpass this limit, chaos occurs because of the corruption of earthly equilibrium. Hawthorne finds the relationship between pleasure and power is inherently evil because man cannot perceive themselves to be greater than one another or greater than nature; each man is equal and one with nature. Self-empowerment will only generate malevolence.
In the short story, “The Birthmark” Nathaniel Hawthorne uses the characters, foreshadowing, symbolism, and other rhetorical devices to alert people of the consequences of man having the power to control and alter nature. Additionally, through his skillful usage of diction, Hawthorne warns of the effects of seeking perfection through science. In “The Birthmark”, Aylmer, a man devoted entirely to science, marries Georgiana, a beautiful young woman with a single imperfection. Georgiana’s imperfection bears the resemblance of a tiny crimson hand and is visible on her left cheek. The birthmark becomes the object of Aylmer’s obsession and he resolves to use his scientific prowess to correct “what Nature left imperfect in her fairest work.” He succeeds in removing the birthmark; however, he unfortunately causes his wife’s death in the process. Through “The Birthmark”, Hawthorne suggests that nothing paradisiacal can exist on this earth, and that being imperfect is just part of being human.
Hawthorne's "The Birth-Mark" deals with the discrepancy between the strength of nature and the strength of science. Hawthorne's protagonist, Alymer, represents the world of science, whereas the strength of nature is represented by the birth-mark on Alymer's wife Georgiana's face. Alymer becomes obsessed with her birth-mark and, using his scientific knowledge, attempts to remove it. In this essay, I will show that Alymer's obsession results from his scientifically influenced way of thinking in categories, and also from his arrogant perfectionism, two character traits which are shown in this excerpt from the text. These character traits interfere with his moral conscientiousness and eventually caquse his downfall at the end of the story.
In Nathaniel Hawthorne’s short story “The Birth-Mark,” Aylmer, a married scientist, believes himself to be above nature. Acting on these beliefs, he prepares
Hawthorne. “The Birthmark.” The Norton Anthology of Short Fiction. R.V. Cassill, Richard Bausch. 7th ed. New York: W.W. Norton, 2006. 648-660.
Stallman, Laura. Survey of Criticism of 'Rappaccini's Daughter' by Nathaniel Hawthorne {with class response and discussion}. 29 Many 2000 <http://www.vcu.edu/engweb/eng372/rappcrit.htm>.
Howard, Jeffrey. "Nathaniel Hawthorne's The Birth-mark." Explicator 70.2 (2012): 133-136. Academic Search Complete. Web. 31 Jan. 2016.
There are numerous instances of ambiguity in Nathaniel Hawthorne’s “The Birthmark”; this essay hopes to explore critics’ comments on that problem within the tale, as well as to analyze it from this reader’s standpoint.
“The Tell-Tale Heart is one of Edgar Allan Poe’s greatest fictional short stories. It is known for its repulsive and insane homicide; a very wild and thrilling tale. Likewise, Nathaniel Hawthorne’s well-known novel, The Scarlet Letter, is famous for its directness on sexual conflict. Both writings possess similarities with regards to modified characters, connected symbolism, and significant midpoints. Due to these comparisons, it is quite certain that Hawthorne found inspiration in writing The Scarlet Letter after reading “The Tell Tale-Heart”.
In four of Hawthorne's stories there is a struggle for power and control as a vehicle to obtain perfection or beauty. In "The Artist of the Beautiful", "Rappaccini's Daughter", "The Birthmark" and "The Prophetic Pictures" the characters are controlled by their desire for perfection in their creations, but they do not achieve their goals without sacrifice.
In “The Birthmark,” Aylmer is the force of evil that wants to change Georgiana, who is an innocent character. She eventually comes to believe in his opinions and he corrupts her self-image. Aylmer thinks he can make Georgiana perfect and change what Georgiana got naturally. As previously mentioned, he eventually causes Georgiana’s death with this search for perfection. Hawthorne takes advantage of tying in his ideals with the story to illustrate, once again, that striving for physical perfection can be
Lang, H.J. “How Ambiguous is Hawthorne?” In Hawthorne – A Collection of Critical Essays, edited by A.N. Kaul. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
The advancement of industrialism, economic growth, science and medicine, and wars all donated to the contributions of many writers during the Romantic Movement. This is true of Nathaniel Hawthorne’s, short story, “The Birthmark”. The obsession with perfection is just as evident today; as it was back in the 18th and 19th centuries. The detrimental effects of amplifying science and romance are clearly defined between the relationships of Aylmer, his wife Georgiana, and Aminadab -his assistant in his lab. Romantic literature puts a higher significance on the value of intuition and imagination instead of fixating on objective reasoning.
Egoism is a teleological theory of ethics that sets the ultimate criterion of morality in some nonmoral value (i.e. happiness or welfare) that results from acts (Pojman 276). It is contrasted with altruism, which is the view that one's actions ought to further the interests or good of other people, ideally to the exclusion of one's own interests (Pojman 272). This essay will explain the relation between psychological egoism and ethical egoism. It will examine how someone who believes in psychological egoism explains the apparent instances of altruism. And it will discuss some arguments in favor of universal ethical egoism, and exam Pojman's critque of arguments for and against universal ethical egoism.
In Nathanial Hawthorne’s “The Birth-Mark,” Aylmer, a crazed, “mad-scientist,” seeks to remove the scarlet handprint birthmark from his wife, Georgiana’s cheek. From the opening of the work, the third person narrator describes Aylmer’s obsession with science and the adverse effects it has had on his social life. Aylmer is tied up in this battle within himself and with his assigned association between the natural and the spiritual world. He wishes to have as much control over these colliding worlds as possible, granting himself god-like power and control in the process. In the art of manipulating nature through science, Aylmer believes he is able to alter the spiritual aspects of the natural as well. Aylmer’s focus on spirituality is Hawthorne’s way of commenting on mankind’s fixation on sin and redemption.
Hawthorne, Nathaniel. " Rappaccini's Daughter." Nathaniel Hawthorne's Tales. Ed. James McIntosh. New York: W. W. Norton and Company, 1987.