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My big fat greek wedding synopsis
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My big fat greek wedding synopsis
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Throughout the novel, Plain Truth, by Jodi Picoult, we as the reader are presented an inside look into the many boundaries that are placed on the main character, Katie Fisher. While one could argue that the majority of the boundaries were placed on her because of her religion there are also boundaries present that were placed on her because of her parents. Katie Fisher's life pressures are much similar to those of a young student named Neil in the movie Dead Poets Society, where he endures daily pressures that turn into a problem he cannot overcome. The same situation of a family boundary is echoed in the movie, My Big Fat Greek Wedding. Picoult suggests that there are many different boundaries that can be placed on an individual, including a possible religion, their family, or maybe even themselves, but regardless of why the boundaries are there or who they may be from, having too many boundaries never leads to a desirable outcome. And depending on who controls the boundaries one follows ultimately determines how one decides to cope with undesirable situations.
In the novel, Plain Truth, author Jodi Picoult follows the life of a young girl, Katie Fisher who because of her religion is not able to many of the things girls her age are normally allowed to do. Katie has to work on her family's farm and wear certain clothes. Because of her religion she is to marry an Amish man and continue to be faithful to her religion. If Katie were to ever cross this boundary she would be placed under a "bann" which meant she couldn't eat with her family or many other things. (Picoult 20) When Katie ends up becoming pregnant with a baby whose father is not Amish, Katie forces herself to believe she is not pregnant and refuses to tell anyone. On...
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...s throws the ball, fails and "throws like a girl." The young boy who believes girls could never handle a football the correct way is shown up by "Virginia Dare" who ends up throwing the ball further than any boy could. Once this happens the boy says, "she forgot she was a girl", suggesting that no girl could have thrown a ball that far. The boy is shocked, the boundaries that he had in his mind that no girl could cross, crossed it by changing his mind about girls and what they are capable of. Sometime the boundaries one sets for their self can be changed by a simple action of another person but sometimes it takes years to figure out that the boundaries one sets for itself weren't the right ones to follow.
As one has seen boundaries have led to lying, death, and realization.
Can we be successful with the boundaries, or are these boundaries the very reason we fail?
In the short story Doe Season, by David Michael Kaplan, the nine-year-old protagonist, Andrea, also known as Andy, the tomboy goes out on a hunting trip and endures many different experiences. The theme of coming of age and the struggle most children are forced to experience when faced with the reality of having to grow up and leave childhood behind is presented in this story. Many readers of this story only see a girl going hunting with her father, his friend Charlie, and son Mac, because she wants to be one of the guys. An important aspect of the story that is often overlooked is that Andy is going hunting because she doesn't want to become a woman because she is afraid of the changes that will occur in her body.
Is the world one see around them really how it is or are they being deceived?
The most striking example of this, is of course the secret of the incest. But throughout the novel, there is an interplay of social imperatives and individual expression, a power struggle of discourses. This struggle is hidden under a shiny hard surface maintained by patriarchal control, as when Jess left for Canada to avoid the draft and "slipped into the category of the unmentionable" (6), or in Ty's own desires having to be "camouflaged with smiles and hopes and patience" until he becomes his own mask; "casting no shadow, radiating no heat" (306).
Before we told our daughters that they could be anyone, or anything they wanted to be, we told them that they could only be what was acceptable for women to be, and that they could only do things that were considered "ladylike." It was at this time, when the nation was frenzied with the business of war, that the women of the All-American Girls Professional Baseball League decided that they could do and be whatever it was that they chose. These women broke free of the limitations that their family and society had set for them, and publicly broke into what had been an exclusively male sport up until that time.
As clever as human beings are, we still rely on social groups for survival. We evolved to live in cooperative societies, and for most of human history we depended on those groups for our lives. Like hunger or thirst, our need for acceptance emerged as a mechanism for survival. But when we don't have that, we tend to become disconnected from society, which ultimately leads to social rejection. Being socially rejected can also be the reason why people commit horrific acts. In the novel Nineteen Minutes, Jodi Picoult shows that being socially ostracized can affect someone's life significantly.
Timeless themes of equality, truth and perseverance are presented in this heartwarming tale of one courageous softball player and the wiffle bat that she adored. It all begins one summer day shortly after Tegan's sixth birthday. The scene opens with the young girl enviously watching a group of children play wiffle ball in the park across the street from her grandmother's house. She furtively glances behind her at the kitchen entrance and listens to the sounds of lunch preparations while contemplating the distance to the door. With a determined look in her eye, she takes a shaky deep breath and dashes out to the park to join the game, all the while looking back and wondering what her grandma would say. She approaches the field and stands by the rusty fence behind the plate. One of the older girls – she looks about ten or twelve – spots Tegan and invites her to join in. The kids show her how to swing the bat and the pitcher starts to toss the ball in her direction; they let her keep swinging until she hits one. When she does, the light wiffle ball catches the wind, floats high in the air, swirls around a bit, and lands two inches from Tegan's feet. After staring at the ball in wonder, she looks up and a slow smile spreads across her face. The other kids laugh and Tegan joins in with glee. The boy at first base looks at his watch and yells, "Hey, it's lunch time," causing all the wiffle ball players to scatter and race home in search of food. The girl that invited Tegan to play tells her to come back tomorrow in the morning to play a game with them and Tegan agrees with an enthusiastic nod of the head. She turns to run back for lunch, and sees her grandmother waiting by the fence.
The film “A League of Their Own,” depicts a fictionalized tale of the All American Girls Professional Baseball League. This league was started during World War II when many of the Major Leagues Biggest stars were drafted to the war. MLB owners decided to start this league with hopes of making money while the men were overseas fighting. Traditional stereotypes of women in sports were already in force before the league even begins. One of the scouts letts Dottie, one of the films main characters she is the perfect combination of looks as well as talent. The scout even rejects one potential player because she is not as pretty as the league is looking for even though she is a great baseball player. The player, Marla’s father said if she was a boy she would be playing for the Yankee’s. Eventually Mara’s father is able to convince the scout to take Marla to try outs because he raised her on his own after her mother died. Her father says it is his fault his daughter is a tomboy. In this case the film reinforces the traditional stereotype that mothers are in charge of raising their daughters and teaching them to be a lady, where fathers are incapable of raising girls to be anything other than a tomboy. The focus on beauty also reinforces the traditional stereotype that men will only be interested in women’s sports when the females participating in
The boundary between turbulence and order, a zone said to have no rules, like the Walls family. They didn’t live life like everyone else, there were no set rules they made or followed, and for the most part, the Walls family didn’t even follow the law. The Walls children’s life was built upon not having their parents tell them what to do and what not to do. Throughout the memoir, The Glass Castle, Jeannette endured many situations where she and her family are either pushing the boundary or are more on one side of it. Put simply, the Walls family epitomizes the line that separates chaos and control.
Worse, when women swallow the emptiness, loneliness, and naked violence that comes with their gender performance, their ability to develop self-awareness on matters such as academic, sexual, reproductive, safety, and health care rights no longer exists. When characters such as Ruth from Green Girls come to believe that womanhood means being on display and having to perform their roles as women in public spheres despite the feelings of wanting to shield oneself from strangers, they lose their freedom and become fettered to performative roles. Their performance of gender becomes, as Butler mentions, the result of both subtle and blatant coercions. These coercions offer a script of life that women must follow in order to remain the star of their
While it may seem that society’s restrictions continually halt the way one progresses in life, the ability to defy the odds and overcome them truly defines a person’s courage. This fact is evident in the novel, All the Light We Cannot See, by Anthony Doerr, where an orphan named Werner is continuously forced to participate in cruel Nazi practices because his enrollment in the Hitler Youth is the only way he is able to get the proper education to become an engineer. Similarly, in Keeping the Faith, directed by Edward Norton, a local rabbi named Jake is restricted from publically dating his childhood best friend, Anna because of the fact that she is not Jewish. First off, characters originally alter their views and behaviour due to their circumstances,
David Foster Wallace’s “Good People,” is a very touching, powerful story about a young, unwed, Christian couple facing an extremely difficult decision and the moral and religious implications that may result. As the story begins, we are allowed into the head of Lane Dean, a college student, as he sits on a park bench with his girlfriend, Sheri. Lane and Sheri find themselves faced with an unplanned pregnancy, which causes them to battle with several moral and religious dilemmas. Both of them are devout Christians who have built their moral beliefs upon God and their religious upbringing. Although torn Sheri schedules an abortion, which weighs on Lane deeply. Lane, frozen in fear and not having the courage to freely talk to Sheri about the situation, has a conversation with her in his own head which leads him to question love, morals, religion and life. As they face this unwanted pregnancy, Lane, controlled by fear realizes that sometimes in life certain situations are too complicated to solely be answered within the rigidity of religion. People are human and regardless of how strong their faith in religion is, the battle between right and wrong will forever exist. Ultimately, Sheri decides to carry the child, which Lane assumes is a statement of Sheri’s faith in him. Inspired by her leap of faith, Lane decides to break free from the fear, muster up some courage and ultimately makes a leap of faith of his own and decides to give loving her a try. Lane’s epiphany leads to the central idea that sometimes it takes breaking the confines of fear and having faith in love or in another person to win the battle between right and wrong, which Wallace conveys beautifully.
Within every story or poem, there is always an interpretation made by the reader, whether right or wrong. In doing so, one must thoughtfully analyze all aspects of the story in order to make the most accurate assessment based on the literary elements the author has used. Compared and contrasted within the two short stories, “Girl” by Jamaica Kincaid, and John Updike’s “A&P,” the literary elements character and theme are made evident. These two elements are prominent in each of the differing stories yet similarities are found through each by studying the elements. The girls’ innocence and naivety as characters act as passages to show something superior, oppression in society shown towards women that is not equally shown towards men.
... disregard the female team as real (Marshall, 1992). Similarly, Jimmy aggressively handles his conversations with the female ball players. For instance, his initial reaction when a ball player messed up was yelling and directly stating what they did wrong; specifically, Jimmy’s reaction towards Evelyn resulting in her crying (Marshall, 1992). Later, Jimmy approaches Evelyn shaking angrily yet calmly offers constructive criticism resulting in a smile and a nod (Marshall, 1992).
The story "Two Kinds" by Amy Tan is about a mother and daughter who have strong conflicting ideas about what it means to have a sense of self. This may be partly due to the mother growing up in China, which is a very different culture than the American culture where endless opportunities are available to anyone who wants to pursue them. Jing-mei's mother wants her daughter to be the best, a prodigy of sorts, and to have the kind of life, full of hopes and dreams that she did not have. In the beginning of the story Jing-mei liked the idea of becoming a prodigy however, the prodigy in her became impatient. "If you don't hurry up and get me out of here, I'm disappearing for good." It warned. "And then you'll always be nothing" (500). After disappointing her mother several times Jing-mei started to detest the idea of becoming a prodigy. The idea Jing-mei's mother had for her to become a prodigy was too much pressure for a small child and was something that Jing-mei was clearly not ready to be. As a result the pressure that her mother laid upon her only made Jing-mei rebel against her mother and she resisted in giving her best. Jing-mei did this because she only wanted her mother's love and acceptance for who she was not only what she could become. Furthermore, Jing-mei's point of view of being the kind of person that one can be proud of was very different from her mother's point of view.
The old and new attitudes toward sexuality and the proper behavior of women is very apparent in the play called A Doll House. The play shows how each woman has sacrificed who they were for the men and the other people in their lives. The play also shows how men see women in general. Several characters give up who they thought they were meant to be, because of the social aspect in their lives. Society has always placed a burden on women as who they are supposed to be as wives, mothers, and as adult women. Women were seen as the inferior sex in the past and in the present. Things have changed over the years as women earn more and more freedom and rights that men have had for a very long time. The sacrifices that are made in this play speak to how things work for women in society. Women give up their right to happiness because they feel obligated to change who they are to help someone else.