The story “The Yellow Wallpaper” by Charlotte Perkins Gilman is about a female narrator who is suffering from some form of post partum depression that spirals out of control as her husband tries to help by secluding her, in the middle of nowhere for three months. Since the woman is already admittedly unsound, the seclusion makes her fixate severely on yellow wallpaper in her bedroom. Eventually as her story progresses, her fixation becomes an obsession and the wallpaper begins to do things completely improbable. Eventually it becomes impossible to distinguish the facts from the fiction buried amidst her madness. By the end of her story, you realize that nothing this narrator is writing is reliable; because all the people around her notice her mental illness, her stories is as unstable as she is, and eventually she completely looses all grasp on reality. The people surrounding the narrator all seem to agree she is suffering from some form of insanity that manifests itself in delusions, while she never references one character who thinks she is sound. She admits early on her husband John is “John is practical in the extreme[.]”(Schwiebert 224). This makes him an extremely credible witness to what is going on. John and the narrator’s brother are Physicians which both have diagnosed her with a form of mental instability, which they believe is temporary. Unfortunately, John like most physicians of his time believes the best medicine is seclusion, which becomes are narrators worst enemy. Just because he mistreats her illness doesn’t mean John misdiagnoses her. In a world where treatments for mental illness ranges from exorcism to electroshock therapy our narrator is lucky it wasn’t a few years later where John might have had her lov... ... middle of paper ... ...he says can be taken at face value. In the beginning, our Narrator doesn’t seem so far off her rocker until you remove the layers to her story and her sickness becomes overwhelmingly apparent. It is highly unlikely that the narrators friends and family our wrong at first, and that she omitted important details from her account instead of imagined them later, and people don’t get trapped or become one with wallpaper thus making the Narrator unreliable. The Narrator has to loose herself in order for us to realize she wasn’t completely herself. Maybe our Narrator is reliable but what she has become, in spite of Jane, now is not. Her story unfolds as colorful as the wallpaper and contains the same disturbing hue. No one should ever remove wallpaper before 1978 because it usually exposes lead based paint, our narrators attempt only exposes something much sicker.
"The Yellow Wallpaper" by Charlotte Perkins Gilman is a story about a woman’s gradual descent into insanity, after the birth of her child. The story was written in 1892 after the author herself suffered from a nervous breakdown, soon after the birth of her daughter in 1885. Gilman did spend a month in a sanitarium with the urging of her physician husband. "The Yellow Wallpaper" is a story about herself, during the timeframe of when Gilman was in the asylum.
Due to Jane’s husband enforcing a life in confinement due to her nervous breakdowns, it only takes a little time for the isolation to drive her mad. In the beginning of the story, it is clear that the narrator, Jane, suffers from post-natal depression, which is a common effect after childbirth. The way Jane sees her living quarters is much different than it actually is. She imagines the rings on the walls, the torn up wallpaper, and the bars on the windows as a nursery or a school for boys, when those features actually lead the audience to realize that it is a room for the mentally ill. Her husband, also her physician, believes that in order for her metal illness to be cured is to forbid her from exercising her imagination, working, and to keep her locked away. However, his theory proves to be wrong when her mind begins to see a world inside the wallpaper, caused by the abuse from confinement. Although her husband is doing this for what he thinks is best for her well
The Narrator of The Yellow Wallpaper In “The Yellow Wallpaper” the narrator becomes more depressed throughout the story because of the recommendation of isolation that was made to her. In this short story, the narrator is detained in a lonesome, drab room in an attempt to free herself of a nervous disorder. The narrator’s husband, a physician, adheres to this belief and forces his wife into a treatment of solitude. Rather than heal the narrator of her psychological disorder, the treatment only contributes to its effects, driving her into severe depression.
Jane's treatment leads her to insanity. When this story was written, there was neither the medicine nor the treatment methods that we have today. If Jane was in today's
The narrator finally achieves an authoritative position in her marriage, with John unconscious and her creative imagination finally free of all restraints. Her continual “creeping” over his prone body serves as a repeated emphasis of this liberation, almost as if the narrator chooses to climb over him to highlight his inferiority over and over again” (Harrison). John was a weak person, Jane suffered from a nervous disorder which was made way worse by the feelings of being trapped in a room. The setting of the nursery room with barred windows in a colonial mansion provides an image of the loneliness and seclusion she experienced. Periods of time can lead to insanity. Maybe her illness wasn’t that bad but he made it worse on her part because he was a sick husband. Some critics have argued “Is the narrator really liberated? We’re inclined towards saying “no”, given that she’s still creeping around the room and that her psyche is broken”
Jane’s new home seems to make her feel very uncomfortable from the beginning of “The Yellow Wallpaper” when she states “that there is something queer about it.” She says that John tells her the vacation home will be a good place for her, but even seems unsure of that proclamation herself (Gilman 956). Jane begins to describe her environment and speaks of how she is unsure of exactly what the room was used for before her arrival. She speaks of bars on the windows and strange rings on the wall. More significantly she speaks of the “repellant” and “revolting” wallpaper on the wall that seems to disturb Jane a deal more than any of the other odd décor in the room. She also speaks of how the children must have really hated it and that is why is has been peeled off in places (Gilman 957). The wallpaper continues to bother Jane throughout “The Yellow Wallpaper”, but Jane also begins to dislike her husband.
“The Yellow Wallpaper” by Charlotte Perkins Gilman is a story that gives an uncommon look at point of view. Gilman gives us a narrator that comes across as reliable at first but later challenges our initial understanding. We read about our nameless protagonist through a series of journal entries. The story is written in first person unreliable because we are unable to to trust our narrator due to her mental illness; she informs us that she has “temporary nervous depression - with hysterical tendency ”(273). Through her mental deterioration we see her thoughts, feelings, and different emotions from a perspective we typically aren't familiar reading about. The well rounded character shows us what it was like for women at that time while keeping
“The Yellow Wallpaper:” a Symbol for Women As the narrator presents a dangerous and startling view into the world of depression, Charlotte Perkins Gilman introduces a completely revitalized way of storytelling using the classic elements of fiction. Gilman’s “The Yellow Wallpaper” combines a multitude of story elements that cannot be replicated. Her vast use of adjectives and horrifying descriptions of the wallpaper bring together a story that is both frightening and intensely well told. Using the story’s few characters and remote setting, Charlotte Perkins Gilman presents the wallpaper as both a representation of the narrator and the story’s theme, as well as a symbol for her descent into the abyss of insanity. As the story opens, the suspiciously unnamed narrator and her husband, John, temporarily move into a new home (226).
“The Yellow Wallpaper” is the story of a woman descending into psychosis in a creepy tale which depicts the harm of an old therapy called “rest cure.” This therapy was used to treat women who had “slight hysterical tendencies” and depression, and basically it consisted of the inhibition of the mental processes. The label “slight hysterical tendency” indicates that it is not seen as a very important issue, and it is taken rather lightly. It is also ironic because her illness is obviously not “slight” by any means, especially towards the end when the images painted of her are reminiscent of a psychotic, maniacal person, while she aggressively tears off wallpaper and confuses the real world with her alternative world she has fabricated that includes a woman trapped in the wallpaper. The narrator of this story grows obsessed with the wallpaper in her room because her husband minimizes her exposure to the outside world and maximizes her rest.
The short story “Yellow Wallpaper, “written by Charlotte Perkins Gilman in 1892, narrates the story in the first person through parts, as if they were entered as a memoir. She is a woman who is going through a type of paranoiac post-partum depression, after the birth of her child. It can also be observed also a type of bipolar disorder in her. The impact of the classic The “Yellow Wallpaper” is huge, the shock of its truth is unpredictable. Gilman’s suffering suffocates everyone around her. She is locked up in a bedroom, as she describes in one of the passages that she writes, seeing “barred windows for children” and “rings and things on the wall.” Clearly it can be seen
In “The Yellow Wallpaper”, the author, Charlotte Perkins Gilman, through expressive word choice and descriptions, allows the reader to grasp the concepts she portrays and understand the way her unnamed narrator feels as the character draws herself nearer and nearer to insanity. “The Yellow Wallpaper” begins with the narrator writing in a journal about the summer home she and her husband have rented while their home is being remodeled. In the second entry, she mentions their bedroom which contains the horrendous yellow wallpaper. After this, not one day goes by when she doesn’t write about the wallpaper. She talks about the twisting, never-ending pattern; the heads she can see hanging upside-down as if strangled by it; and most importantly the
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions society places on her as a woman have a worsening effect on her until illness progresses into hysteria.
"The Yellow Wallpaper" by Charlotte Perkins Gilman is a self-told story about a woman who approaches insanity. The story examines the change in the protagonist's character over three months of her seclusion in a room with yellow wallpaper and examines how she deals with her "disease." Since the story is written from a feminist perspective, it becomes evident that the story focuses on the effect of the society's structure on women and how society's values destruct women's individuality. In "Yellow Wallpaper," heroine's attempt to free her own individuality leads to mental breakdown.
Although both protagonists in the stories go through a psychological disorder that turns their lives upside down, they find ways to feel content once again. In Charlotte Gilman's "The Yellow Wallpaper," a nervous wife, an overprotective husband, and a large, damp room covered in musty wallpaper all play important roles in driving the wife insane. Gilman's masterful use of not only the setting, both time and place, but also of first person point of view, allows the reader to process the woman's growing insanity. The narrator develops a very intimate relationship with the yellow wallpaper throughout the story, as it is her constant companion. Her initial reaction to it is a feeling of hatred; she dislikes the color and despises the pattern, but does not attribute anything peculiar to it. Two weeks into their stay she begins to project a sort of personality onto the paper, so she studies the pattern more closely, noticing for the first time “a strange, provoking, formless sort of figure that seems to skulk about behind that silly and conspicuous front design” (Gilman). At this point, her madness is vague, but becoming more defined, because although the figure that she sees behind the pattern has no solid shape, she dwells on it and
In the short story, the Yellow Wallpaper, the narrator chooses to write about a married woman in a new home who ultimately falls down into a spiral of insanity. The Yellow Wallpaper centers primarily on the narrator and her discovery in the room she must stay in to rest. There she sees a yellow wallpaper that soon begins to take the form of a woman who is trapped, and is shaking the wallpaper in order to get out. The narrator continues trying to figure out the wallpaper and its pattern until eventually deciding to rip the wallpaper off in an attempt to free the creeping woman trapped inside. Thus, the narrator in the Yellow Wallpaper suffers a mental collapse by going insane in her attempt to understand the wallpaper which can be attributed