In William Shakespeare’s play “Othello” the use of
animal imagery was evident throughout the telling of
the story. Shakespeare explained several characters
actions by comparing them to similarities in animals.
The characters in “Othello” were often depicted as
having animal-like characteristics. Some characters
were even compared to animals by other characters in
the play. By defining characters in terms of these
characteristics one can get a clear description of what
the character is doing or saying as compared to certain
animals.
In this paper I hope to give examples of animal
imagery used in “Othello” that assist in explaining the
play. The specific examples I present will describe a
character either as seen by himself or by a fellow
character.
The first use of animal imagery I noted occurred
came in Act One when Iago, Othello’s standard bearer,
has awaken Brabantio, who was a Venetian senator and
the father of Desdemona, to tell him that Othello has
taken his daughter Desdemona, and as they speak is
making love to her. Iago was attempting to instigate a
fight between Othello and Brabantio, using Desdemona as
the bait. Iago stated, “Your heart is burst. You have
lost half your soul. Even now, now, very now, and old
black ram is tupping your white ewe” (p. 13). In that
statement Iago was comparing Othello to an old black
ram by comparing Othello’s skin color to that of the
black ram’s, and the white ewe, a young female sheep,
to Desdemona. Shakespeare was trying to illustrate in
his writing the act of and old black man making love to
a young white woman. The use of a black ram and a
white ewe to compare Othello and Desdemona helped in
the visualization of their affair.
Shakespeare displayed animal imagery again in Act
Two when Cassio was explaining to Iago that if he had
as many mouths as Hydra, a many headed monster slain by
Hercules, he could silence the many questions asked of
him. In this Shakespeare presented Cassio as being
burdened by many questions that he could not answer all
at once, but if he had as many mouths as Hydra it would
be more accessible for him to do so. Cassio said, “I
will ask him for my place again; he shall tell me I am
a drunkard! Has I as many mouths as Hydra, such an
answer would stop them all” (p.101). Cassio was
explaining to Iago that if he went to Othello now...
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...eceptive tears. Desdemona, in the eyes of
Othello, was not sorry, but was rather hiding something
from him. Shakespeare’s use of animal imagery here was
similar to his earlier uses. Shakespeare was trying to
display a woman, who in the mind of her husband, was
crying tears of deception. Othello had let his mind be
so altered by Iago’s lies, that he had even began to
believe everything he said. This action of Othello was
fueled by his earlier animal-like change caused by
Iago.
In conclusion, Shakespeare’s use of animal imagery
in “Othello” was crucial to the description of the
story. In “Othello” certain scenes would have been
harder to understand or relate to if it was not for the
animal imagery related to it. Shakespeare’s comparison
of characters to certain animals is unlike any other’s.
Shakespeare’s portray of a character’s emotions and
thoughts through animal imagery helped in the
understanding of that particular scene. Lastly,
without the vivid comparisons of animals and
characters, this play would undoubtedly have been more
complicated to both interpret and understand.
Works Cited
Shakespeare, William. Othello. Toronto: Pocket Books, 2008.
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Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
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