Setting in James Joyce's Araby
In the opening paragraphs of James Joyce's short story, "Araby," the setting takes center stage to the narrator. Joyce tends carefully to the exquisite detail of personifying his setting, so that the narrator's emotions may be enhanced. To create a genuine sense of mood, and reality, Joyce uses many techniques such as first person narration, style of prose, imagery, and most of all setting. The setting of a short story is vital to the development of character.
In the opening paragraph, North Richmond Street is introduced as "blind," and "quiet", yet on it rests another house which is unoccupied. The narrator states that the house is, "Detached," from the others on the street, but that, "The other houses on the street, conscious of decent lives within them, gazed at one another with brown imperturbable faces" (379). This creates an image of isolation, and uncertainty, for the one uninhabited house. The image of the lone house, lays in the shadows of the crowd of other houses who stand so remarkably calm, and collected. This enhances the image of the adolescent narrator, and perhaps foreshadows, his blind inclination towards self discovery on the road of life.
The image also evokes that of the uncomfortable affect a group of peers may cast upon the isolated teen. Will steady doses of rejection and alienation drive the narrator to darker days ahead? He lives with his aunt and uncle, and there is no mention of his real parents. Whether he was abandoned, unwanted, or orphaned remains a mystery. In fact it may be that the narrator simply has no outlet through which to exercise his fragile emotions and thoughts. He has friends, but none to any degree of intimacy, his playful innocence pron...
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...y perception of the reader, with the placement of the physical aspects conveying double meaning. Briefly foreshadowed, the religiousness with which he experiences his boyhood fancy, has all but abandoned and betrayed him. He recognizes the, "...silence like that which pervades a church after a service" (382). The bazaar has been emptied all the life within in it and become a cold inhospitable environment. The narrator is left again in his isolation in the middle of the bazaar, failed and dejected. He states, "Gazing up into the darkness I saw myself as a creature driven and derided by vanity; and my eyes burned with anguish and anger" (383). Perhaps it is life itself that is the religious experience worth living for, but one evolving from the inner spirit of the self in a great moment of epiphany.
Works Cited:
Joyce, James. “Araby”. Kirszner and Mandell 226.
According to Edgar V. Robert’s (b.1928), in his twelfth chapter from Writing about Literature titled “Writing about Tone: The Writer’s Control over Attitudes and Feelings” (1961) the theory of tone refers to the methods by which writers and speakers reveal attitudes or feelings. In both the short stories “The Greatest Gift” (1943), by author Philip Van Doren Stern (1900-1984) and “Araby” (1914), by author James Joyce (1882-1941) the tone is shown by the attitudes the authors set through the protagonist of each story.
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focus for a sole work that I first put my eyes on, one I inherently
The disturbing event begins as Bailey Goodman, a seventeen-year old, along with four of her fellow cheerleaders celebrating the graduation weekend swerved into oncoming traffic, hitting a tractor-trailer and her sports vehicle bursting into flames. Five days earlier, the five teenagers had just graduated from high school looking forward to the beginning of their adult lives.
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I noticed a lot of auditory imagery in "Araby" that helped to enhance the meaning of the story. The first is the description of the sound in the streets when the young man is walking by thinking of the girl he loves. He hears the "curses of laborers," the "shrill litanies of shop boys," and "nasal chantings of street singers." All of these images, besides just making the street seem busy, also make it seem like an unpleasant and intruding scene, almost like you would want to cover your ears and hurry through as fast as possible. This compliments perfectly the boy's imagination that he is "carrying his chalice safely through a throng of foes." In the scene where the boy is in the priest's house late at night, the auditory imagery helps contribute to the sense of drama. "There was no sound in the house," but outside boy heard the rain "impinge upon the earth" with "fine incessant needles of water." The choice of words here makes the rain seem almost as if it is hostile. You can hear the force and fury of the storm, and this makes the emotions the boy is feeling seem even more intense.
It has been such a joy reading “The Norton Introduction to Literature” by Kelly J. Mays. Of all the stories that I was assigned to read, one story in particular stood out to me because of how the author used words to create a vivid image in my mind. The story I’m talking about is “Araby” by James Joyce. James Joyce does a great job creating vivid images in the readers mind and creates a theme that most of us can relate. In this paper I will be discussing five scholarly peer reviewed journals that also discusses the use of image and theme that James Joyce created in his short story “Araby”. Before I start diving into discussing these five scholarly peer review journals, I would like to just write a little bit about “Araby” by James Joyce. James Joyce is an Irish writer, mostly known for modernist writing and his short story “Araby” is one of fifteen short stories from his first book that was published called “Dubliners”. Lastly, “Araby” is the third story in Dubliners. Now I will be transitioning to discussing the scholarly peer review journals.
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How the Setting Reinforces the Theme and Characters in Araby. The setting in "Araby" reinforces the theme and the characters by using imagery of light and darkness. The experiences of the boy in James Joyce's The "Araby" illustrates how people often expect more than ordinary reality can. provide and then feel disillusioned and disappointed.
In the story “Araby”, by James Joyce the narrator talks about life on North Richmond Street. The narrator lives with his aunt and uncle in an apartment that a former priest, who had died, had lived in. The priest left behind many books and the boy would often go and read them. The boy (narrator) became friends with a boy named Mangan, and develops a crush on his sister. He watches her almost every day. “Every morning I lay on the floor in the front parlor watching her door.” (Page 1137) He had never spoken to this girl until one day she approached him. She asked him if he is going to the Araby. She explains to the boy how she cannot go and he assures her that he will go and bring her back something. However through a series of events the boy is late to the bazaar and realizes his pocket change falls short. The boy in James Joyce’s “Araby” learns that life throws us curves, day dreams are much more pleasant than harsh reality, and he forever will remain a prisoner of his modest means and his city.