Edward Zwick's Film, Glory
“Glory”, the excellent war film about the first black regime, showed how a group of black men who first found bitterness between each other, rose above it and became one to form a group of black men that marched with pride not animosity. When dealing with a great film that involves African Americans, the roles have to be filled by strong black actors. Edward Zwick falls nothing short of this. The two black roles are filled by Denzel Washington and Morgan Freeman. This war film seemed to be just like every other war film. Meaning that mostly all war movies have the singing among troops and playing cards or in this case, craps. This helps the viewer see past the soldier, and see the real person and notice their human as well. This paper will show how Zwick used different characters, racial wars, music, and camera to portray what really goes on during a time of war.
In “Glory” there are very different meanings to all the unique characters. Matthew Broderick, who plays Colonel Shaw, has many different meanings behind his character. The opening scene when he is lying on the battlefield he is feeling like he is in a living hell. When he is awakened the next morning, the first thing he sees is the sun. The sun looks like a narrow path of light, maybe resembling new life. Colonel Shaw, believing he was in a living hell, was awakened by a new heaven. Shaw, believing that he should of also died for his country, takes the responsibility of leading the first black regime and going back to the living hell for where he once was. Denzel Washington plays the next character, Private Trip. Trip is the rebel of the crew and talks like he has been through everything. Throughout the film, Zwick emphasizes Trip’s feet, which are badly scared, bruised, and cut. The bruised feet symbolize the journey that he has gone through since the age of twelve when he first ran away from home. This is very deep because since the age of twelve he has been on his own and there had to be bigger battles to fight than the war he was in getting himself into at the time. The feet also symbolize all the training that the troops are doing and they are not being rewarded with proper attire such as uniforms. The third main character is Sergeant Major John Rawlins played by Morgan Freeman. He at first is part of the regime and then is appointed Sergeant. He is the i...
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...stage and the troops being on the ground, this shows that Shaw has the power over them and that the troops are inferior to him. Throughout the movie Shaw is on and off his horse. When he is on his horse doesn’t talk to the soldiers and when he does the camera angle shows him looking down, again showing more power. When off the horse he talks to the troops and treats them as not only troops but also as human beings the camera now is at conversation level, showing that Shaw and the troops are both there for the same purpose which is war.
“Glory” is an excellent movie not only on the screen but also behind the scenes. A better understanding is developed when the movie is watched from a critical point of view. There is a better understanding of the racial issues and how Zwick portrays the white and black issues by the different positions of the camera. Zwick shows an incredible camera view at the end when they all are one running for the fort and all the racial issues are erased. There is no better movie to review when you have to look behind the scene and get the true meaning, and in “Glory” the war against each other is erased and the unity rises above all negative issues.
Wallace Terry has collected a wide range of stories told by twenty black Vietnam veterans. The stories are varied based on each experience; from the horrific to the heart breaking and to the glorified image of Vietnam depicted by Hollywood. Wallace Terry does not insinuate his opinion into any of the stories so that the audience can feel as if they are having a conversation with the Vietnam Veteran himself. Terry introduces the purpose of the book by stating, “ Among the 20 men who portray their war and postwar experiences in this book. I sought a representative cross section of the black combat force.”(p. XV) Although the stories in this book were not told in any specific order, many themes became prominent throughout the novel such as religion, social, and health.
The movie “Glory” tells the history and the story of the 54th Massachusetts Infantry. It became the first black regiment to fight for the North in the Civil War. The Regiment was made up of black soldiers – some were Northern freemen, some were escaped slaves. The leader was General Robert Gould Shaw, the son of Boston abolitionists. The men of the 54th Regiment proved themselves worthy of the freedom for which they fighting, and the respect of their fellow white soldiers.
Glory earned an impressive three Academy Awards due to its exceptionally talented cast and arguably some of the most realistic and memorable Civil War reenactments ever shot. The soundtrack, cinematography, and acting captivated my attention with a combination of triumph and tragedy. These men were fighting to free their very own race which adds to the emotion and sentiment this movie invokes.
Black soldiers were among the bravest of those fighting in the Civil War. Both free Blacks in the Union army and escaped slaves from the South rushed to fight for their freedom and they fought with distinction in many major Civil War battles. Many whites thought Blacks could not be soldiers. They were slaves. They were inferior. Many thought that if Blacks could fight in the war it would make them equal to whites and prove the theory of slavery was wrong. Even though Black soldiers had to face much discrimination during the Civil War, they were willing to fight to the death for their freedom. In the movie “Glory“ the director focused on the African Americans in the north that fought in the 54th regiment led by Colonel Robert Gould Shaw. During the time of the Civil War, the African Americans that fought in the 54th regiment were often treated unfairly but there were always nice people that backed them up.
The movie Glory is about Colonel Robert Shaw coming back from the fighting in the war and leads the first African American regiment in the Civil War, the 54th Massachusetts. The movie focuses on Captain turned Colonel Robert Shaw coming back from battle and training an African American regiment along with his friend Captain Cabot Forbes. The movie focuses on four African Americans, Sargent Rawlins, Thomas Searles, Jupiter Sharts, and Tripp, following their journey into a united division in the US military. The movie begins with Shaw in the Battle of Antietam, where he passed out due to his injuries and wakes up with the conflict over. Afterwards, he returns home in Massachusetts, showing signs that the battle had slightly traumatized him. Shaw meets Frederick Douglass there and is told that he will be the first to lead a colored regiment, the 54th Massachusetts. When he is told of this news, he asks his friend Cabot Forbes to assist him as his second in command. Shaw’s first volunteer for the 54th Mass. is other close friend Thomas Searles. After sending word of a colored regiment, many African Americans sign up, specifically Rawlins, Searles, and Tripp. However, Lincoln sends an order saying that any black person that takes arms in the war would either return to slavery or be put to death. Even though they face the threat of death, none of the soldiers-in-training leave. This scene is important since it demonstrates how much they are willing to sacrifice in order to get their freedom. The soldiers’ training begins and in order to train everyone correctly, Shaw brings in Col. Mulcahy. At this point of the film, some of the scenes can be viewed as Shaw being introduced to racism due to superiorit...
In Twelfth Night, by William Shakespeare, gender identity and alternative sexualities are highlighted through the depiction of different characters and personalities. In the play, Viola disguises herself as a man thereby raising a merry-go-around of relationships that are actually based on a lie rather than actual fact. Viola attracts the attention of Olivia since she thinks that Viola is a man but even more fascinating is the fact that Orsino is attracted to Viola although he thinks that she is a man. In another twist Viola is attracted to Orsino and has fell in love with him although their love cannot exist since Orsino thinks that Viola is a man.
Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were the only way for African-Americans to express the deep pain that the white population placed in front of them. Singing, dancing and acting took many African-Americans to a place that no oppressor could reach; considering the exploitation of their character during the 1930's-1960's acting' was an essential technique to African American survival.
The play opens with Orsino, the Duke of Illyria, expressing his deep love for the Countess Olivia. Meanwhile, the shipwrecked Viola disguises herself as a man and endeavors to enter the Duke’s service. Although she has rejected his suit, the Duke then employs Viola, who takes the name of Cesario, to woo Olivia for him. As the play continues, Cesario falls in love with the Duke, and Olivia falls in love with Cesario, who is really Viola disguised. Maria, Olivia’s servant woman, desires to seek revenge on Malvolio, Olivia’s steward. “To the delight of Sir Toby, Olivia’s uncle, and his friend Sir Andrew, Maria comes up with a plot to drop love letters supposedly written by Olivia in Malvolio’s path. When she does, they observe him, along with Fabian, another servant, as Malvolio falls for the bait. Believing that Olivia loves him, he makes a fool of himself” (Napierkowski 3).
Going back throughout history, tattoos have long been associated with criminals. Unfortunately, there is not specific date when tattoos where first performed (McCarron 86). You may say that it all started when Cain was "marked" as a murderer by God (DeMello). It is true that there are links to certain tattoos, gangs and
The protagonist of Twelfth Night is Viola, the central character in the play, a likeable, resourceful and attractive young woman. At the beginning of the story, Viola is shipwrecked with her brother Sabatian. Fearing that Sebastian is dead, she decides to dress like a man in order to get a job with Duke Orsino. Viola, in love with Orsino, is asked by Orsino to court a woman for him. She finds herself in an unusual love triangle.
Although Viola might be able to relate to Olivia's grief at first, her love for Orsino is so great that she cannot understand why Olivia would deny him. When Olivia expresses affectio...
William Shakespeare's, Twelfth Night has many themes, but appearance vs. reality is the theme that illustrates a different picture from two perspectives, there are many characters behind their masks and disguises. Some are hiding love behind these disguises and some are trying to show their love through a different disguise. They both still being servants are using disguise differently. Malvolio, servant of Olivia, falls in love with the trap (the letter) thinking his lady likes him, and to show his love he uses a different appearance to express it. Viola, servant of Orsino, falls in love with him, but secretly, not wanting to express her love for him, because of her disguise as her barrier for that case. Viola/Ceasario is wearing a disguise and secretly loves Orsino. Malvolio, on the other hand, is also a servant but still changes his appearance to express love for the great lady Olivia. This essay will prove that disguises and appearances are symbolic of the characters named Viola and Malvolio and are differently used for both.
Twelfth Night consists of a large number of love triangles, however many characters are too indulged in love that they are blind to the untrue, and the weakness of their relationship, they are deceived by themselves and many people around them ( ex. Malvolio is tricked by Sir Andrew, Feste ,Sir Toby and Maria),but there are certain incidents where the love is true and two characters feel very strongly about one another. In the play, Viola and Orsino have the most significant relationship. The way they interact with each other causes the complexity on which the play is all about, their relationship turns from strangers to friends then lovers .In the First Act Viola is not honest with Orsino because she disguises herself as a male servant named Cesario in order to get closer to the duke. Orsino. Orsino quickly trusts Cesario and sends him to Olivia to declare Orsinos Love for her, the girl he most dearly loves. This quick bond is the fast example of their relationship. At the beginning of the play, Viola thinks her brother (Sebastian) is dead (after they’re deadly boat crash, where they get separated) when actually he is alive and thinks she is dead, Viola always seems to have a part missing from her which shows her bond with Sebastian is strong, and a part of her but in a brotherly/sisterly way rather than a proper relationship like viola and orsino, At the end of the play they meet and both fall in love , Viola with Orsino and Sebastian with Olivia.
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
Throughout Twelfth Night, disguise and mistaken identity works as a catalyst for confusion and disorder which consistently contributes towards the dramatic comic genre of the play. Many characters in Twelfth Night assume disguises, beginning with Viola, who disguises herself as a man in order to serve Orsino, the Duke. By dressing his protagonist in male garments, Shakespeare creates ongoing sexual confusion with characters, which include Olivia, Viola and Orsino, who create a ‘love triangle’ between them. Implicitly, there is homoerotic subtext here: Olivia is in love with a woman, despite believing her to be a man, and Orsino often comments on Cesario’s beauty, which implies that he is attracted to Viola even before her male disguise is removed. However, even subsequent to the revealing of Viola’s true identity, Orsino’s declares his love to Viola implying that he enjoys lengthening the pretence of Vio...