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essay on dover beach by matthew arnold
depiction of Victorian age in literature
depiction of Victorian age in literature
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Perceptions in Matthew Arnold's Dover Beach
Matthew Arnold’s “Dover beach” describe the way in which perceptions are mislead society. The use of metaphors, symbolisms, allusiveness, technical quantities, and imagery assist the speaker’s thought regards between what is seen and what is real. Dover beach was written during Victorian era. Which brought civilization based on industry, value and money. This is the time which people start questioning the existence of God. The speaker observed the plight of Victorian era. And he sought an answer to the problems which he and world faced with. Arnold express the dejection of lost civilization, anticipate its future, and try to acquire its solution
The speaker begins straightway with visual and auditory imagery when describing “ the sea is calm”. This image implies that there is a life out there but it is smothered by darkness. And the cliff is sparkling in the moonlight. The speaker invite his companion to “come to the window” (line6) to see the night air. He says this as the unending wave come in and go out back out again. His emotion bring feeling of sorrow. The speaker says even Sophocles a great Greek philosopher of the past heard his eternal sadness. The sea is coming in and going out. He thought of its like the struggles with life constant demand. The uses of metaphor when he call the faith of all people “ the faith of the sea”(21). He says the world used to be full of faith. But now the speaker no longer believes that the world is in full of faith. He hear the wave but he only feels sorrow. So he need his loves’ for reassurance that everything will be all right, that he can trust her completely. However the tone underneath prevent hem to believed that. The poet is comparing the world in which we live to the perfect life we want to have. Finally the speaker says with out peace, love, and joy the world contain no goodness and uncertainty. Since we have no faith in God, we must have each other with war and darkness approaching. The theme that you must have faith in someone if not in God to help deal with the difficulties our world can create.
In “Dover Beach”, Arnold uses an exquisitely calm ocean filled with tension to present a position of appearance verses reality. “Dover Beach” is about a beautifully calm sea, although when looking underneath the surface, it is a world full of hidden turbu...
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...man did not, as the churches claimed, have a privileged place if earthly creation, as the image of God, but was merely part of an age-old biological process of the survival of the fittest. Rather than being a little lower than the angels, man was somewhat more developed than the ape. The theory was devastating and destroyed the Christian vocations of many. Perhaps the best way for the modern reader to gain some sense of the impact of this experience is to go to the poetry that grew out of the loss of religious belief
Arnold’s plead is also his solution to a world of confusion and chaos. he believes, or optimistically wishes he could believe, that he can take refuge in an internal peace between him and his lover. By saying this, Arnold must believe there is no hope for civilization, and no solution to its problems. On a darkened plain the people cannot truly see what is going on, which draws back to Arnold’s idea that people of the Victorian Age acted without reflection. The darkness is caused by a chaotic world where truth is blind to those who look on it, and the people who look upon the world do not reflect on what they see. Thus, the darkness is attributed to confusion
The juxtaposition of the Titanic and the environment in the first five stanzas symbolizes the opposition between man and nature, suggesting that nature overcomes man. The speaker characterizes the sea as being “deep from human vanity” (2) and deep from the “Pride of Life that planned” the Titanic. The diction of “human vanity” (2) suggests that the sea is incorruptible by men and then the speaker’s juxtaposition of vanity with “the
Why did Ray Bradbury choose the poem “Dover Beach” by Matthew Arnold? Ray Bradbury chose the poem “Dover Beach” by Matthew Arnold, because at the time when Guy Montag reads it, he is questioning his faith similarly to Matthew Arnold. Also, the poem “Dover Beach” expresses Fahrenheit 451 Guy Montag’s sadness and unhappiness with the world. Lastly, this poem represents the loss of love, and hopelessness that Montag feels.
The ocean is mysterious to mankind. The unfathomable vastness of the ocean intrigues humanity into exploring it. In life, the immense possibilities that lie in the future compel us to reach for the stars. In the poem “The Story” by Karen Connelly, an individual willingly swims into deep waters even though they are fearful of what may exist in the waters. The swimmer later finds out that their fears were foolish, which illustrates the human tendency to venture into the unknown. The theme conveyed in this poem is that life is like a rough, uncertain, uncontrollable ocean that we must find get through with experience.
Connie knew that as long as she stays inside she will be safe; however, she can’t turn away from the temptations that Arnold is offering. The more Connie resists, the more frustrated, impatient, and aggravated Arnold becomes. It is then that Arnold introduces a diabolical symbolism when he says “I ain’t made plans for coming in that house where I don’t belong but just for you to come out to me, the way you should. Don’t you know who I am?” (Oates 173). In that statement, Arnold symbolizes a creature that possesses supernatural powers, having the ability to dominate Connie by addressing her in a demeaning way. Arnold, at this point in the story beings to take form into a being that must make himself appear more significant than anything or anyone that’s important in Connie’s life
Challenging the accepted order of society always brings a wave of criticism and contempt. In Ernst Mayr's One Long Argument, he aggressively brings to the forefront of debate the notion that his predecessors had heatedly argued for years, that man is not a divinely created creature, but rather just another animal in a state of constant change. Examining the path Charles Darwin, had followed in his attempt to better understand the evolutionary path of man, noted biologist Ernst Mayr explains Darwinian theory in respects to not only evolution but also in respect to the belief that man is somehow a creature made of a higher divinity than all else. And it is this challenge of man's role as something divine that caught me as being quite profound.
The sea, this "water of the Gulf," is the deepest, most mysterious place Edna has ever explored. Until now, Edna had lived her life on the "white beach," a perfectly virginal island of blind men leading even more blind women. But Edna dips her toes into the dark waters and now she wishes to leave the island and swim out to a better place; or soar overhe...
Marvellously developing a superficial dimension to the concept of isolation, the proportion of the buildings to the size of the text depicts a sense of helplessness and smallness amidst the excitement of the outside world. Additionally, this desolation is delineated further by the stark contrast between the muted shades of the beach to the vivid colours of the ‘Lost Thing’, accentuating the disposition of the creature. Likewise, the monotone minor tonality of the non-diegetic sounds within the piece disperse an atmosphere of discord and dismay, and as a less stable tonic, generates clear connotations of distress and detachment. Nonetheless, this melancholy setting is redirected by the modulation to a major tonality, emphasising the ‘Lost Thing’s new-found joy, disclosure and openness with it surroundings. Thereby, ‘The Lost Thing’ delves the complexity of adult isolation through ‘childish’ interpretations of disparity and singularity, communicated through abstract
The foreshadowing statements made by Arnold when he says that he wants to "come inside you where it 's all secret" and show her "what love is like" (1104). No matter what Connie says or does, Arnold keeps talking, but reveals nothing about himself. He never physically forces Connie to join him, but his words have the same force and pull as actions, like the ones he only threatens to take. It is easy to support the sense that he has no good intentions. Arnold also threatens her family, while making his intentions quite clear. “It 's all over for you here, so come on out. You don 't want your people in any trouble, do you?”
Understanding poetry as a criticism of life, Arnold uses it as his platform to wage a battle against the personal havoc that was wrought by the new age. Thus, Arnold captures the essence of the Victorian Era through his poetry by addressing the intellectual concerns of his time, especially about religion, science, and the inner turmoil that believing in the two caused.
The theme explored in this paper will revolve around the contrast between the book and the movie “The Beach”. The book titled The Beach was written by Alex Garland, while, the movie The Beach is directed by Danny Boyle. This is a story about a guy, Richard, who is a backpacker making his first trip to Bangkok. In Bangkok, he meets a French couple Etienne and Francoise, and another guy named Daffy, who is a little bit ‘crazy’. Richard tried to initiate a conversation with Daffy, however, this showed no interest in talking to him. Next day, he finds a map on his door that provides him with the route to a secret beach that is away from the busy world, which of course, happens to be a forbidden sight. As Richard is the type of guy who loves and
The Seafarer highlites the transience of wordly joys which are so little important and the fact thet we have no power in comparison to God.
The author shows the reader the sea just as the sailor does as death, but more than death
One of the ways Fahrenheit 451 can be related to Arnold’s Dover Beach is by connecting the absense of true love in both of them. Throughout the book, Montag slowly realizes that he does not truly love his wife Mildred. In the beginning, Montag believes that he truly loves Mildred. However, as the book goes on, he meets Clarisse, and begins to change his way of thought. He slowly begins to wake up from the dream world that he is living in. As he begins to know Clarisse, he slowly realizes that Mildred does not share the same deep passion for life that he does. At the beginning of the Sieve and the Sand, Montag frantically reads books to gain more knowledge. Mildred complains and kicks the books around, showing that her and her husband are growing apart. At the end of the book, Montag is talking to Granger, and says "... Even if she dies, I realized a moment ago, I don't think I'll feel sad (155)". This shows that Montag does not care for his wife as much as he thought he did before. In the poem, Arnold states "…a land of dreams ...hath really neither joy, nor love, nor light". The world in Arnold’s poem is a land of dreaming. While people are dreaming of true love and joy, there is none in the real world that you live in once you wake up from the dream. Once the “confused alarms of struggle and flight” wake you up, you realize that the world is really void of love and happiness. The world in Arnold's poem is a world parallel to that of Bradbury's: Both are worlds that do not contain love or light, as much as people in them would like to believe otherwise.
Matthew Arnold begins his poem by describing a calm, beautiful scene. Dover Beach is lying "fair" in the moonlight. It is high tide and he sees the coast of France and "the cliffs of England... / Gleaming and vast, out in the tranquil bay." All seems lovely and quiet. According to Baum's research on the date and circumstances of the poem, Arnold is probably speaking to his new bride (86) as he says, "Come to the window, sweet is the night-air." But gradually the reader senses a shifting of mood and tone. Now he describes the "line of spray... / Where the sea meets" the land as "moon-blanched." And the tide, tossing pebbles as it comes, is a "grating roar" with a "tremulous cadence slow" that "bring[s] / The eternal note of sadness in." This melancholy mood grows deeper as he thinks of man's long span of history-- "The turbid ebb and flow / of human misery."
Freudian theory would call this poem a conflict between the pleasure principle "craves only pleasures...ignoring moral and sexual boundaries established by society" and the reality principle "that part of the psyche that recognizes the need for societal standards and regulations." (Bressler, p. 180) "The Buried Life" adequately portrays this inner struggle between the self and society, between was is felt and what is acceptable. I believe that is what Arnold was attempting, to enlighten his readers of this inner struggle and sense of self in a time when strong moral character was being questioned.