‘The Death of the Moth” by Virginia Woolf
Death is a difficult subject for anyone to speak of, although it is a part of everyday life. In Virginia Woolf’s “The Death of the Moth”, she writes about a moth flying about a windowpane, its world constrained by the boundaries of the wood holding the glass. The moth flew, first from one side, to the other, and then back as the rest of life continued ignorant of its movements. At first indifferent, Woolf was eventually moved to pity the moth. This story shows that life is as strange and familiar as death to us all. I believe this story was well written and will critique the symbolism, characters, and the setting.
Woolf uses symbolism in her essay when she speaks of the moth and its journey towards death. Eventually the moth settles on the windowsill and Woolf forgets it until she notices it trying to move again, but this time its movements are slow and awkward. It attempts to fly but fails, and falls back down to the sill, landing on its back, tiny feet clawing at the air as it tries to right itself. Woolf reaches out to help when she realizes that it is dying stating “the helplessness of his attitude roused me. It flashed upon me that he was in difficulties; he could no longer raise himself; his legs struggled vainly. But, as I stretched out a pencil, meaning to help him to right himself, it came over me that the failure and awkwardness were the approach of death” and she was reluctant to interfere with this natura...
In the Time of the Butterflies is a historical fiction novel by Julia Alvarez based on events that occurred during the rule of Trujillo in the Dominican Republic. This book shows the hardships the Mirabal Sisters had to go through while being part of an underground effort to overthrow the dictatorship of Trujillo. It also shows that ultimately, it was their courage that brought upon their own death. Alvarez wants us to understand anyone and everyone has the potential to be courageous.
For class we read “The Death of the Moth” by Virginia Woolf and “The Death of a Moth” by Annie Dillard. This was the first time I had read either of these essays and I have found a new respect for their style of writing. I think that the amount of detail that they put into the two essays was astonishing. But, what impressed me the most was the difference between the types of detail.
Defiance in the name of freedom against the political clutch of a powerful dictator can bring about the consequence of inhumane punishment and loss, however, by preserving and telling the story of a great loss, one honors the memory of sacrifice and can find closure, making the cause worth the fight. The legitimacy of this statement is evidently valid when paired up behind the sacrifice of the three Mirabal sisters in the book by Julia Alvarez: In The Time of The Butterflies. Is any life worth living trapped in fear of harm or even death? How much misery and suffering can one tolerate from a higher power, before they seize opportunity to rise against the greater force. What triggers, and to what severity, drive one to the last resort of risking everything, including their life, in amends for something better; the liberating taste of freedom from fear? Can the quality of life even become so unbearable to generate such a gamble?
A beautiful, captivating, and revolutionary story, In the Time of the Butterflies, was written by Julia Alvarez and is a true account about struggle, courage, and love between four sisters, their families, and the people they encountered in their lives. This captivating story is so easy to relate to, as it’s written by a woman, about women, for women. What comes across clearly throughout the story is the Mirabal sisters’ passion for the revolution and how it overwhelmed their lives and the lives of anyone that was involved, or came into contact, with them. This resulted in the sisters being better revolutionaries than mothers, wives, sisters, or daughters. Their passion for the revolution is what drove them the most and what ultimately drove them to involuntarily put their families’ lives at risk. They participated, and were involved in the revolution in spite of the risk of imprisonment and torture. The Mirabal sisters fought until death for what they believe in and the benefit of their country.
Both Virginia Woolf and Annie Dillard are extremely gifted writers. Virginia Woolf in 1942 wrote an essay called The Death of the Moth. Annie Dillard later on in 1976 wrote an essay that was similar in the name called The Death of a Moth and even had similar context. The two authors wrote powerful texts expressing their perspectives on the topic of life and death. They both had similar techniques but used them to develop completely different views. Each of the two authors incorporate in their text a unique way of adding their personal experience in their essay as they describe a specific occasion, time, and memory of their lives. Woolf’s personal experience begins with “it was a pleasant morning, mid-September, mild, benignant, yet with a keener breath than that of the summer months” (Woolf, 1). Annie Dillard personal experience begins with “two summers ago, I was camping alone in the blue Ridge Mountains of Virginia” (Dillard, 1). Including personal experience allowed Virginia Woolf to give her own enjoyable, fulfilling and understandable perception of life and death. Likewise, Annie Dillard used the personal narrative to focus on life but specifically on the life of death. To explore the power of life and death Virginia Woolf uses literary tools such as metaphors and imagery, along with a specific style and structure of writing in a conversational way to create an emotional tone and connect with her reader the value of life, but ultimately accepting death through the relationship of a moth and a human. While Annie Dillard on the other hand uses the same exact literary tools along with a specific style and similar structure to create a completely different perspective on just death, expressing that death is how it comes. ...
her grandmother) and grief, Viramontes successfully paints an endearing tale of change. “The Moths” emphasizes the narrator’s oppression by her
The relationship between life and death is explored in Woolf’s piece, “The Death of a Moth.” Woolf’s own epiphany is presented in her piece; she invites her reader, through her stylistic devices, to experience the way in which she realized what the meaning of life and death meant to her. Woolf’s techniques allow her audience to further their own understanding of death and encourages them consider their own existence.
Sylvia Plaths poem, Sow, depicts a beast of mythic proportions through various images, comparisons, and specific word choices. By presenting the sow from both the point of view of its owner, neighbor, and of the speaker, Plath paints a vivid picture of farmyard decadence that the reader can relate to.
The short story “The Moths,” written by Helena Maria Viramontes, tells a story between a granddaughter and a grandmother who both share a symbolic connection between each other. The story is in a first person narrative, told by the author, and her experience taking care of her ill grandmother while facing gender and religious oppression in her own home. The author is very distant from her own family mainly because she does not meet the expectations that her parents have embedded for her. There is a motif of rebirth throughout the story told by the author by symbolizing the significance of the gray moths. The vivid imagery of moths in Helena Maria Viramontes’ short story “The Moths” symbolizes the connection between life and death.
The subject of death is one that many have trouble talking about, but Virginia Woolf provides her ideas in her narration The Death of the Moth. The moth is used as a metaphor to depict the constant battle between life and death, as well as Woolf’s struggle with chronic depression. Her use of pathos and personification of the moth helps readers develop an emotional connection and twists them to feel a certain way. Her intentional use of often awkward punctuation forces readers to take a step back and think about what they just read. Overall, Woolf uses these techniques to give her opinion on existence in general, and reminds readers that death is a part of life.
Mrs. Marian Forrester strikes readers as an appealing character with the way she shifts as a person from the start of the novel, A Lost Lady, to the end of it. She signifies just more than a women that is married to an old man who has worked in the train business. She innovated a new type of women that has transitioned from the old world to new world. She is sought out to be a caring, vibrant, graceful, and kind young lady but then shifts into a gold-digging, adulterous, deceitful lady from the way she is interpreted throughout the book through the eyes of Niel Herbert. The way that the reader is able to construe the Willa Cather on how Mr. and Mrs. Forrester fell in love is a concept that leads the reader to believe that it is merely psychological based. As Mrs. Forrester goes through her experiences such as the death of her husband, the affairs that she took part in with Frank Ellinger, and so on, the reader witnesses a shift in her mentally and internally. Mrs. Forrester becomes a much more complicated women to the extent in which she struggles to find who really is and that is a women that wants to find love and be fructuous in wealth. A women of a multitude of blemishes, as a leading character it can be argued that Mrs. Forrester signifies a lady that is ultimately lost in her path of personal transitioning. She becomes lost because she cannot withstand herself unless she is treated well by a wealthy male in which causes her to act unalike the person she truly is.
Woolf shifts from describing the process of writing to describing an obstacle. Woolf encapsulates the essence of female expectations by citing the Angel in the House. The Angel in the House references a narrative poem written in the nineteenth century to describe the ideal Victorian woman. Woolf illustrates the Angel in the House “as shortly as [she] can” in order to acknowledge her audience and to make her speech brief and comprehensible for the listening women. Through employing anaphora, Woolf explains, “she was intensely sympathetic...intensely charming...utterly unselfish…” These descriptions are standards for women which the Angel in the House embodied. Woolf expands the audience’s understanding of the Angel in the House by providing concrete examples of her self-sacrificing nature. This is juxtaposed with Woolf’s behavior; Woolf purchased a Persian cat instead of using her earnings to purchase something more practical. Her impractical tendencies are contrasted with the selflessness of the Angel in the House, outwardly depicting that Woolf challenged her expectations as a woman. Woolf employs profound imagery to describe her haunting by the Angel in the House, “The shadows of her wings fell on my page; I heard the wrestling of her skirts in the room.” Through appealing to both visual and auditory senses, Woolf develops the Angel in the House from a creation of her subconscious into a concrete being, which is how she viewed it. Woolf finds the Angel in the House so intolerable she kills it in an act of “self-defence,” claiming that the Angel in the House would have killed her if she had not killed her first. Woolf definitively states, “She died hard,” which is emphatic
The fly can also be seen as an interruption in the narrator's process of dying. The fly can be heard buzzing above the "Stillness in the Room." The fly also comes between the speaker and the light in the last stanza of the poem, which is another disturbance in the speaker's dying process. The fly can also be seen in an ironic light. The speaker, like all of us, is expecting death to be an important, grandiose experience in our lives. Her own death, however, is interrupted by something as insignificant as a fly. The insignificant quality of the fly could represent the commonplace nature of death and the relative irrelevance of the death of one person. The fly is unimportant, an...
The extensive descriptions of Mrs. Dalloway’s inner thoughts and observations reveals Woolf’s “stream of consciousness” writing style, which emphasizes the complexity of Clarissa’s existential crisis. She also alludes to Shakespeare’s Cymbeline, further revealing her preoccupation with death as she quotes lines from a funeral song. She reads these lines while shopping in the commotion and joy of the streets of London, which juxtaposes with her internal conflicts regarding death. Shakespeare, a motif in the book, represents hope and solace for Mrs. Dalloway, as his lines form Cymbeline talk about the comforts found in death. From the beginning of the book, Mrs. Dalloway has shown a fear for death and experiences multiple existential crises, so her connection with Shakespeare is her way of dealing with the horrors of death. The multiple layers to this passage, including the irony, juxtaposition, and allusion, reveal Woolf’s complex writing style, which demonstrates that death is constantly present in people’s minds, affecting their everyday
Katherine Mansfield explores profoundly the world of death and its impact on a person in her short story, "The Garden Party."