William Shakespeare's Romeo and Juliet
Although the story of Romeo and Juliet is over 500 years old, it is as relevant and appealing today as it was when first performed.
Although dated, the story of Romeo and Juliet still holds great appeal and relevance to today’s society, despite the differences in morals and values between William Shakespeare’s audience 500 years ago, and Baz Luhrmann’s audience today. The arising issues of order and authority, fate and love entertain/ed and appeals/ed to both viewers in different ways.
Shakespeare’s original play, Romeo and Juliet reflected the important Elizabethan concerns in relation to authority, law and order, making it relevant to the audiences’ morals and values of the time, as well appealing and entertaining.
Shakespeare explored the consequences of order breaking down in society, demonstrated through many characters’ disobediences, with the result of chaos and ultimate consequence being the deaths of Romeo and Juliet.
All characters were disobedient in some way, including Romeo and Juliet themselves. For instance, they both deceived their parents by getting married, Romeo killed Tybalt and Juliet faked death. Other characters, such as Tybalt, Mercutio, Montague and Capulet boys, went against the orders of the Prince by continuing violent actions in the city of Verona. The Friar and the Nurse are also guilty because they aided the young lovers’ immoderate actions - their meetings and marriage.
Shakespeare offers the simple solution to this chaos as being obedient by respecting authority, law and order, being responsible with power as well as to be punished for their sins. This punishment is ultimately seen at the end of the play following the deaths of Romeo and Juliet. All characters have been hurt by this, hence being punished for their disobediences; “All are punished!” – the Prince.
In this sense, Shakespeare’s play sets morals for the Elizabethan era, displaying the results of disobedience, violence and chaos.
Luhrmann’s modern appropriation of the play also deals with authority, law and order, however instead of setting morals and offering solutions, it is relevant in that it displays a different viewpoint on modern society. He displays the world as being hectic and very fast, focused mainly on wealth and power, having lost sight of true values such as love, compassion and moral t...
... middle of paper ...
... continuous, but particularly apparent in the use of water as a symbol of purity and harmony. During the ‘balcony’ scene, the water plays a major role in the connection between the lovers. It is a symbol of their unity and reciprocated love.
This symbol of peace and harmony is then tainted by the death of Tybalt as he falls into a pond after being killed by Romeo. This scene also uses sequences of flashbacks to Romeo and Juliet in the pool, memories of the purity and cleanliness of Romeo’s conscience.
It is then non-existent in the scenes of Romeo in the very dry, baron landscapes of Mantua. This symbolises the loss of his true love, and also any peace and harmony he knew before being banished.
Other romantic symbolism in the film includes the extreme close-up shots of Romeo and Juliet when they are together, for example, in the tomb, repeated shots of the wedding ring – a physical symbol of their love.
Together, Shakespeare’s original play and Baz Luhrmann’s modern appropriation is a relevant and appealing insight into the Elizabethan era as well as modern society. By comparing the two, it is made obvious the changes and differences in morals and values over 500 years.
Next, we begin to summarize Juliet’s secretive personal life through her eyes. Within her eyes are place two hearts: one fully intact and the other broken apart. The symbolism behind the two simple drawings stands for love and loss. Love and loss seem to be a constant theme throughout Shakespeare’s tragic romance. Perhaps due to being written in the Elizabethan era, where death and suffering were enjoyable to audiences. During the play, Juliet falls in love with her husband and loses many such as Mercutio, Tybalt and in the end, even her beloved Romeo. “O serpent heart hid with ...
being in love with Rosaline. Mean while, at the Capulet home, Paris asks approval to
Fyodor Dostoevsky’s Crime and Punishment begins with Rodion Romanovich Raskolnikov living in poverty and isolation in St. Petersburg. The reader soon learns that he was, until somewhat recently, a successful student at the local university. His character at that point was not uncommon. However, the environment of the grim and individualistic city eventually encourages Raskolnikov’s undeveloped detachment and sense of superiority to its current state of desperation. This state is worsening when Raskolnikov visits an old pawnbroker to sell a watch. During the visit, the reader slowly realizes that Raskolnikov plans to murder the woman with his superiority as a justification. After the Raskolnikov commits the murder, the novel deeply explores his psychology, yet it also touches on countless other topics including nihilism, the idea of a “superman,” and the value of human life. In this way, the greatness of Crime and Punishment comes not just from its examination of the main topic of the psychology of isolation and murder, but the variety topics which naturally arise in the discussion.
Dostoevsky, Fyodor. Notes from Underground: A New Translation, Backgrounds and Sources, Responses, Criticism. Norton Critical Edition. New York: Norton, 1989.
Romeo and Juliet, written by William Shakespeare, is a tragic love story about two young lovers who are forced to be estranged as a result of their feuding families. The play is about their struggle to contravene fate and create a future together. As such, it was only a matter of time before Hollywood would try and emulate Shakespeare’s masterpiece. This had been done before in many films. Prominent among them were, Franco Zeffirelli’s 1968 “Romeo and Juliet” and Baz Luhrmann’s 1996 “William Shakespeare’s Romeo & Juliet.” Both films stay true to the themes of Shakespeare’s original play. However, the modernised Luhrmann film not only maintains the essence of Shakespeare’s writings, Luhrmann makes it relevant to a teenage audience. This is done through the renewal of props and costumes, the reconstruction of the prologue and the upgrading of the setting, whilst preserving the original Shakespearean language. Out of the two, it is Luhrmann who targets Romeo & Juliet to a younger audience to a much larger extent than Zeffirelli.
The tone of “Notes from Underground” is sharp, strange and bitter. The bitterness of the book is traced to the multiple personal misfortunes the author suffered as he wrote his novel. Through these personal tragedies it can be argued that the author presented the position of the “underground man” through his own experiences. Additionally, the research holds the second belief that the novel’s presentation of “underground man” is founded on the social context the novel addresses (Fanger 3). Through this, it was found that Dostoevsky presented the suffering of man under the emerging world view directed by European materialism, liberalism and utopianism. As he began writing his novel, Dostoevsky had been directed by the romantic error that looked at utopian social life and the social vision of satisfying and perfecting regular life for man. The failure for the society to gain these achievements was as a result of the distant liberalism and materialism that reduced the power of reasoning and...
Dostoevsky, Fyodor. Notes from Underground: A New Translation, Backgrounds and Sources, Responses, Criticism. Norton Critical Edition. New York: Norton, 1989.
Mise en Scene is excellently exhibited by using the visual representation of water in the film, or the absence thereof in desert exile scenes in order to convey Shakespeare’s theme of love. In the movie, the well known balcony scene is turned into a midnight swim. Juliet is drawn to the pool when she is comprehending that Romeo is the son of her family’s enemy. During the pool scene Romeo and Juliet pledge their love for one another and express the idea that their love is infinite. The lovers are seen swimming and kissing inside
Fyodor Dostoevsky's remarkable insight into the psychology of man is seen here in the development of Raskolnikov's dream on the beating of a horse by drunken peasants. The dream is significant on several planes, most notably in the parallel of events in the dream with Raskolnikov's plan to murder the old pawnbroker. It also serves as perhaps the most direct example of the inseparable tie between events of the author's life with the psychological evolution of his protagonists, as well as lesser characters, through the criminal minds of Raskolnikov, Rogozhin, Stavrogin, and Smerdyakov, and into the familial relationships of The Brother's Karamazov.2
The story of Romeo and Juliet had many tragic, yet meaningful events that somewhat constructed what we know today as, “The tragic love story of Romeo and Juliet.” In fact, all of those ‘tragic yet meaningful events’ are all the deaths of Mercutio, Tybalt, Romeo, and Juliet. All of the tragic, meaningful events show what theme the story portrays. Romeo and Juliet itself is a well-known so called ‘love’ play/story, but when you really ‘dig deeper’ into it you will soon come to realize that it is more of a death play than a love play. Romeo and Juliet could be considered more of a death play than a love play because, majority of the events that happened were violent and the violence resulted in death; the only two people who showed ‘love’ throughout the story was Romeo and Juliet. It is clearly shown that death brought nothing but sorrow, sadness, and problems to Romeo and Juliet from beginning to end. Analyzing the story, it is obviously shown that death is written all over Romeo and Juliet, and that all the deaths of certain characters formed Romeo and Juliet itself. Therefore, with that being said, the theme that will be most strongly portrayed is death.
Romeo and Juliet is a tragedy of an ancient feud where the children of two families at war fall deeply in love with each other. Set in the 16th century William Shakespeare’s play has many different themes running throughout it, which include love, hate, death and conflict. The play opens with a fight but ends with suicide that creates peace between both families who unite from their losses. The conflict, violence and aggression in the play happen from revenge and an ancient family grudge. An audience from the 16th century would have enjoyed Romeo and Juliet because of the real life drama and tragedy the play goes through. The patriarchal society gave women absolutely no rights and they had to obey their man’s ordering a patriarchal system. The theme of conflict is revealed as the characters argue over Juliet’s disobedience.
Romeo and Juliet is a romantic love story about a young lad named Romeo who has fallen in love with Lady Juliet, but is unable to marry her because of a long-lasting family feud. The play ends in the death of both these characters and the reunion of the friendship between the families. Romeo is in love with Juliet, and this is a true, passionate love (unlike the love Paris has for her or the love Romeo had for Rosaline) that nothing can overcome, not even the hatred between their two families that is the reason for the death of their two children. Throughout the play, Shakespeare thoroughly explores the themes of both true love and false love and hatred. Without either of these themes, the play would loose its romantic touch and probably would not be as famous as it is today.
In Notes from Underground, Dostoyevsky relates the viewpoints and doings of a very peculiar man. The man is peculiar because of his lack of self-respect, his sadistic and masochistic tendencies, and his horrible delight in inflicting emotional pain on himself and others. Almost instantly the reader is forced to hate this man. He has no redeeming values, all of his insights into human nature are ghastly, and once he begins the narrative of his life, the reader begins to actively hate and pity him.
In the tremendous play of ‘Romeo & Juliet’, Shakespeare’s ways engages the audience straight away. The astounding methods he uses hooks the audience into the play and allows them to read on, wondering what will happen. The tragic love story of Romeo & Juliet, as mentioned in the prologue, sets a variety of themes throughout Act 1 Scene 5. Many of the recognisable themes are: youth and age, revenge, forbidden love, fate, action and hate. The main idea of the play is a feud that had been going on between two families, The ‘Montagues and Capulets’, the son of the Montagues and the daughter of the Capulets fall in love and the story tells us how tragic, death, happiness and revenge find them throughout the play.
Although Luhrmann’s loyalty to the original story may be questioned, his film has proven to be entertaining and successful. The film has outpaced the other adaptations of Romeo and Juliet and other Shakespearean plays as can be seen from the approximately 30 million dollars that it made through tickets and box office sales. Just as there are avid followers of the original tale by Shakespeare, Luhrmann’s version has a big fan base which, since its release 1996, has seen the film reach cult status and it can be said that Luhrmann has modernized Romeo and Juliet just as it can be said that he has ruined a brilliant masterpiece that was fine the way it was.