Lorraine Hansberry's play, A Raisin in the Sun, relates the story of a working-class African-American family with dreams. They are willing to rebel against the position that society has forced on them because of their race and class in order to fulfill their dreams. Walter Younger is a chauffeur who "can find no peace with that part of society which seems to permit him and no entry into that which has willfully excluded him" (Willie Loman 23). He wants to rise into wealth and live as his employer, Mr. Arnold, does. Walter feels as if he is going crazy at times. He tells Mama, "sometimes it's like I can see the future stretched out in front of me-just plain as day.... Hanging over there at the edge of my days. Just waiting for me- a big looming blank space-full of nothing.... But it don't have to be" (73-4). James Draper explains Walter's inability to act out in his work " Black Literature Criticisms," saying:
The American ghetto hero may give up and contemplate his misery in rose-colored bars to the melodies of hypnotic saxophones, but revolution seems alien to him in his circumstances (America), and it is easier to dream of personal wealth than of a communal state wherein universal dignity is supposed to be corollary. Yet his position in time and space does allow for one other alternative: he may take his place on any one of a number of frontiers of challenge. Challenges (such as helping to break down restricted neighborhoods) which are admittedly limited because they most certainly do not threaten the basic social order. (Draper 214)
Walter's sister, Beneatha, who is studying at a local university to be a doctor, fights many of her own social battles. At college, she finds "a place, as her family cannot, among othe...
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...oday by minority families.
Works Cited and Consulted:
Domina, Lynn. Understanding A Raisin In The Sun. Conneticut. Greenwood Press, 1998.
Draper, James P. Black Literature Criticisms. Detroit: Gale Research Incorporated, 1992.
Hansberry, Lorraine. A Raisin in the Sun. New York: Signet, 1988.
Hansberry, Lorraine. "An Author's Reflections: . Willie Loman, Walter Younger, And He Who Must Live" The Village Voice - Aug 12, 1959. Web 23 May 2015
https://news.google.com/newspapers?nid=1299&dat=19590812&id=09pHAAAAIBAJ&sjid=NYwDAAAAIBAJ&pg=6584,6415280&hl=en
Rose, Philip. "YOU CAN'T DO THAT ON BROADWAY: 'A Raisin in the Sun' and Other Theatrical Improbabilities" Limelight Editions; 1st edition. 2004
Wilkerson, Margaret B. "The Sighted Eyes and Feeling Heart of Lorraine Hansberry." Black American Literature Forum 17.1 (1983): 8-13.
World War Two triggered a significant change in the attitudes that people had towards one another. With all the death and destruction, one would assume that the lives of the citizens of Bexley would be run by fear during this terrible time, especially as Bexley happened to be an area that received a great deal of bombing. However, this was not the case. A temperament known as the ‘Blitz Spirit’ was widely adopted, encouraging the citizens of Bexley to rally together and face the war with courage and optimism.
The novel, “The Hot Zone”, by Richard Preston, is an extraordinary tale about a virus called the Ebola virus. The author interviews a number of different people that all had encounters with the virus and records their stories. He is very interested by what they tell him and throughout the novel he is always seeking to find more information about it. There were many different encounters in this book but in my summary I am going to explain the ones that interested me the most.
In “Bring Back Flogging”, Jeff Jacoby argues why the current criminal justice system in America is not effective or successful. As a solution, he suggests that America should bring back the old fashioned form of punishment once used by the puritans, flogging, as an alternative to imprisonment (198). This article originally appeared in the op-ed section of the Boston Globe newspaper. Therefore, the primary audience of this article is people who want to read arguments about controversial topics and have probably read some of his other articles. His argument that the current criminal justice system is not working is extremely convincing. He appeals to pathos and uses statistics to prove that thesis and to persuade the audience.
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Hansberry, Lorraine. A Raisin in the Sun. The Bedford Introduction to Drama. Ed. Lee A. Jacobus. Boston: Bedford/St. Martin’s, 2001. 1274 – 1310.
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The good news is that mothers can eat anything they want without causing upset stomach in their breastfed babies. Although some foods such as cabbage, broccoli, spices and garlic are known to be gas formers in the mother's digestive system, these foods will not affect the milk they produce.
In Bring back flogging, Jeff Jacob argues that the current criminal justice system in America is not effective or successful. He then suggests that America should bring back the old fashioned form of punishment once used by the puritans, flogging, as an alternative to imprisonment (198). Also, he says that corporal punishment is a better way to punish criminals since it is less costly for the state (98). He appeals to pathos and uses statistics to prove his thesis and persuade the audience. His argument that the current criminal justice system is not working is extremely convincing; however, he gives no reason why corporal punishment is the best alternative to imprisonment and never offers any other options. Additionally, he does not make
Helene Bertha Amelie (Leni) was born on 22 August 1902 in Berlin. Leni lived in a comfortable middle-class family. Since a young age Leni has had a passion for dance. Leni’s dancing career began in the 1920s, during the Weimar republic that saw the birth of a culturally and politically diverse nation. Max Reinhardt, a prominent producer hired Leni as a dancer. Leni soon extended her talents to choreography. Her dancing career suffered due to a continuos knee injuries and one in particular in 1925, when she performed Prague. However, her life was going to under go a dramatic change that would lead her to acting and finally directing. Suddenly the image of a man climbing a jagged mountain came into focus. The colourful poster was promoting a movie with predictive name “Mountain of Destiny”. Leni instantly became entranced with the movie and soon went off to meet Arnold Fanck who would open the world of cinema to Leni. She stared in six of his movies, such as The Holy Mountain, The Big Jump and the White Hell of Pitz Palu, where she was portrayed as the hero and where her physical proficiency was displayed (which has always been a male domain). Franck had become her mentor and it been his opening scene of the ‘The magic mountain’ that Hitler admired.
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