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art in different cultures
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The British Avant-Garde: A Philosophical Analysis ABSTRACT: British Avant-Garde art, poses a challenge to traditional aesthetic analysis. This paper will argue that such art is best understood in terms of Wittgenstein¡¦s concept of "seeing-as," and will point out that the artists often use this concept in describing their work. This is significant in that if we are to understand art in terms of cultural practice, then we must actually look at the practice. We will discuss initiatives such as the work of Damien Hirst, most famous for his animals in formaldehyde series, and that of Simon Patterson, who warps diagrams, e.g., replacing the names of stops on London Underground maps with those of philosophers. Cornelia Parker¡¦s idea that visual appeal is not the most important thing, but rather that the questions that are set up in an attempt to create an "almost invisible" art are what are central, will also be discussed. Also, if we concur with Danto¡¦s claims that "contemporary art no longer allows itself to be represented by master narratives," that Nothing is ruled out.", then it is indeed fruitful to understand art in terms of seeing-as. For application of this concept to art explains what occurs conceptually when the viewer shifts from identifying a work, as an art object, and then as not an art object, and explains why nothing is ruled out. Much of contemporary art, as many have noted, has posed a challenge to much of traditional philosophical aesthetic analysis. British Avant-Garde art is no exception. This paper will argue that the "British Avant-Garde" art is best understood in terms of Wittgenstein¡¦s concept of "seeing-as,"(1) and will also point out that the artists and their critics often implicitly or explicitly u... ... middle of paper ... ...reas the various false views of language can be stated or lend themselves to assertion, the true view is something that has to be seen - it remains a view."(33) And so analogously, in aesthetics the true view is something that has to be seen, and so any analysis of the British Avant-Garde or any other movement ultimately must be seen. And so we might argue that this is one reason why the empirical or practice in aesthetics is so important because in order to see the true view in aesthetics or the true view with regard to particular works, we must actually see or hear aesthetic objects. We might emphasize Wittgenstein¡¦s advise that we must not theorize as to how a word functions or analogously as to how an art work functions, but to look at its use and learn from that, that we need to look at particular art objects in order to productively theorize about art.(34)
World War II opened up several opportunities for African American men during and after the war. First of all, the blacks were able to join the military, the Navy and the Army Air Corps’ (Reinhardt and Ganzel 1). The African Americans were allowed to join the military because they were needed, but they would be trained separately and put in separate groups then the white men because America was still prejudice. (Reinhardt and Ganzel 1). The same went for the African Americans that joined the Navy, only they were given the menial jobs instead of the huge jobs (Reinhardt and Ganzel 1). African Americans that joined the Army Air Corps’ were also segregated (Reinhardt and Ganzel 1). The Army Air Corps’ African American also known as the Tuskegee Airmen were sent to the blacks university in Tuskegee for their training (Reinhardt and Ganzel 1). They became one of the most well known groups of flyers during World War II th...
The Tuskegee Airmen were a fine example of many who had fought for equality between blacks and whites as well as many who had sought opportunity for blacks in those times, and had a high number of achievements and awards during their time in the military.
Whether he ran a failed Orange-Juice business, or lost his high school election for student body president (history.com), Richard Nixon was a good leader, man, husband, and father. Because of the watergate scandal, his reputation was lost, but Richard had the greatness to be the man he is known for. Some of Richard’s achievements “Never let your head hang down. Never give up and sit down and grieve. Find another way. And don't pray when it rains if you don't pray when the sun shines” (brainyquote.com).From his early years, to his presidency, to his death Nixon had many fails and victories throughout his life and career.
New cells are often produced in the body during growth and development. In addition, new cells also develop as the body repairs and remodels its tissues after an injury. These new cells come from mesenchymal stem cells (MSCs), which are considered as multipotent cells. MSCs are found in various parts of the body during growth and development, but in adults, they are present in the bone marrow, where they later differentiate, mature and migrate to become more specialized cells with unique functions. These cells' potential to develop into bone cells, cartilage cells, muscle cells and fat cells makes their role in regeneration, repair and remodelling important, especially when the body undergoes the normal process of aging or recovers from disease or injury.
Barasch, Moshe. Modern Theories of Art, 1 From Winckelmann to Baudelaire. New York and London: New York University Press, 1990. Print.
Richard Milhous Nixon, 37th President of the United States, became the only American President to ever resign from office on August 9th, 1974. The contributing factors that led to his resignation cannot be boiled down to any single event. Rather, his coarse personality and unorthodox viewpoints led to his political retreat. The very existence of the Watergate scandal, a key event in the downfall of Richard Nixon as president, can be attributed to his overwhelming paranoia and his legitimate belief that some of his political enemies were evildoers. To overcome these enemies, he felt that he needed use any and every political weapon at his disposal to secure his place as president, with no regard to the legality of such measures. Nixon also believed that as president of the United States he was allowed to break certain laws and that he was exempt from investigation. Each of these traits alone is not uncommon in other politicians and world leaders; it's the combination of these factors that led to Nixon's resignation.
Even though an individual’s response is subjective, hermeneutical aesthetics focuses on interpretive incompleteness as part of the way human, viewers of artworks included, are in the world. An artwork is always experienced in the present from a particular present point of view and its interpretation is the transmission of meanings across time. In this way the artworks discussed in this thesis bear witness to particular historical events and allow for possible projections of those past events into the future. Contemporary life is permeated with a diversity of visual information. In such an atmosphere the hermeneutic approach provides a way of understanding the applications of the meaning we make of visual input. In light of it, the responsibility of both artist and viewer is among the issues discussed in the last part ‘Beyond Horizons’. Here the perspective moves to weave together the threads of ideas and issues that have been identified in the ‘Fusion of Horizons’ section, and reflects on aspects that reverberate beyond the shifting possibilities within the
The movie “The Tuskegee Airmen”, made in 1995, follows a African-American man, Hannibal Lee, as he gets accepted to be part of the Tuskegee Airmen. On his way to the base, he meets many black and white soldiers, training to become pilots for air battles. Lee made many friends and also enemies while staying at the base. The white soldiers are always putting down Lee and his comrades, saying how blacks can’t do anything to help the war. However, as World War II progresses, the African men prove to everyone that they can do the same thing as the white men, giving them a reputation as the Tuskegee Airmen. In the movie, these black men assisted their country while going through many discriminations and deaths of many friends.
In order for Groupon to combat the problems they are currently having with marketing, the company needs to increase the forms of marketing which they currently use. This can include the use of Facebook ads, billboards, radio ads, etc. Also, Groupon needs to offer deals to individuals who are outside of their target market (i.e. males and individuals over the age of 34). Groupon also needs to work on the overall structure of the company. In order to satisfy both companies and consumers, Groupon should cancel deals which do not meet the minimum number. Also, Groupon should expand the industries which offer deals. If you offer deals on sporting events, breweries, etc. then the company would be able to reach the individuals which are outside of their target market.
...ay of advertisement can capture the attention of users and if the advertisement content is so attractive, the users will further process to Groupon to look at the deals.
Mr. Berger states in his essay, “The reciprocal nature of vision is more fundamental than that of a spoken dialogue. And often dialogue is an attempt to verbalize this- an attempt to explain how, either metaphorically or literally, “you see things” (120). This statement is a use of the rhetorical strategy, ethos, which is what Mr. Berger uses to gain influence and trust with the academic audience that he is intending to instill new knowledge in. This is a strong use of ethos that leads into how art is viewed so
In Confronting Images, Didi-Huberman considers disadvantages he sees in the academic approach of art history, and offers an alternative method for engaging art. His approach concentrates on that which is ‘visual’ long before coming to conclusive knowledge. Drawing support from the field of psycho analytics (Lacan, Freud, and Kant and Panofsky), Didi-Huberman argues that viewers connect with art through what he might describe as an instance of receptivity, as opposed to a linear, step-by-step analytical process. He underscores the perceptive mode of engaging the imagery of a painting or other work of art, which he argues comes before any rational ‘knowing’, thinking, or discerning. In other words, Didi-Huberman believes one’s mind ‘sees’ well before realizing and processing the object being looked at, let alone before understanding it. Well before the observer can gain any useful insights by scrutinizing and decoding what she sees, she is absorbed by the work of art in an irrational and unpredictable way. What Didi-Huberman is s...
It is necessary to theorize our society critically if we are to have a vehicle for correctly informed transformative practice. The problem is that much of what is called critical theory today is rooted in ideas developed by Herbert Marcuse, Max Horkheimer, Theodor W. Adorno, and Georg Lukacs. What I want to argue here is that their work has tended to formulate a particular approach to aesthetic educationand a unique version of a philosophical humanismwhich is then presented as critical theoryagainst the debilitating fragmentation ...
Most employers would like to hire people who have at least a bachelor’s degree in computer science, systems software engineering or computer information systems with knowledge of, and experience with, a variety of computer systems and technologies. Graduate degrees are wanted for some of the more difficult jobs.
Conceptual art is an avant-garde art form which began in the mid-1960s and was stimulated by Marcel Duchamp’s DADA movement and the minimalist movement. It focuses more specifically towards the concept behind the artwork rather than the aesthetics and physical product whilst embodying the notion that art can exist as an idea even with the absence of a physical object to represent its’ concept. It initially instigated when artists pushed the limits to minimalism and questioned the next reduction to art – would it be no art at all, or as it turned out to be, art which exists as an idea. Duchamp’s idea was that the art process and the emotional output was far more important than the final product, influenced the development of Conceptual art and allowed artists to document their works as an input to the final outcome. As Conceptual art is rarely linked to an object, it is associated with the acknowledgement of human actions and the effects, responses and consequences. Through the close study of Robert Smithson’s ‘Spiral Jetty,’ George Segal’s ‘Walk, Don’t Walk,’ and Kenneth Dewey’s ‘Museum Piece,’ reveal the ideas of Duchamp’s DADA art in their respective forms of Conceptual art.