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The Myth of Prometheus & Frankenstein
compare and contrast frankenstein and prometheus
The Myth of Prometheus & Frankenstein
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Comparing Mary Shelley's Frankenstein and the Prometheus Myth
Mary Shelley's Frankenstein is subtitled "The Modern Prometheus", and rightfully so. Prometheus, the Titan of Greek mythology that created man and gave them fire, is a fitting symbol for Victor Frankenstein, the man who created a "monster" and gave him life. The most obvious aspect of the similarity between Frankenstein and the Prometheus myth is the underlying theme - both stories deal with ill-fated actions with tragic consequences. The classic Prometheus stories, as told by Aeschylus, Percy Bysshe Shelley and summarized by Edith Hamilton, contain symbolic and thematic elements that closely parallel Mary Shelley's "modern Prometheus."
Prometheus' creation of man parallels Frankenstein's own creation. Prometheus, whose name means forethought, was very wise, wiser even than the gods...Epimetheus[Prometheus' brother] gave all the best gifts to the animals-until no good was left for man. Prometheus, then, took over the task of creation and thought out a way to make mankind superior. He fashioned them in a nobler shape than the animals, upright like the gods; and then he went to heaven, to the sun, where he lit a torch and brought down fire. (Hamilton 71)
Just as there was "no good left for man" in the Prometheus myth, Frankenstein's creation was fashioned from animal parts, the "dissecting room and the slaughter house" and created by a man who "dabbled among the unhallowed damps of the grave" and "tortured the living animal to animate the lifeless clay" (Mary Shelley 33). Again, the allusion to "lifeless clay" relates to Prometheus, who supposedly fashioned mankind out of clay. This reference to clay also emphasizes the lack of detail describing Victor Franke...
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... and actions are less noble than that of Prometheus, but perhaps that only puts more emphasis on him as the modern version. He personifies that self-glorification so often found and desired in today's society, and undoubtedly in Shelley's.
Works Cited
Hamilton, Edith. Mythology: Timeless Tales of Gods and Heroes. New York: Mentor, 1942.
Norton, Dans and Peters Rushton. Classical Myths in English Literature. New York: Greenwood Press Publishers, 1969. P. 311-316.
Shelley, Mary Wollstonecraft. Frankenstein; or, The Modern Prometheus. Ed. D.L. Macdonald and Kathleen Scherf. Peterborough: Broadview Press, 1994.
Smith, Johanna M. Forbidden Knowledge or "Sad Trash"? HTTP://www2.centenary.edu/forbidden/smith. February 1, 1999.
Mullen, Patrick. The Creation of Man by Prometheus. HTTP://members.tripod.com/`greekmyth/creationman.html. January 31, 1999.
Battles such as Vimy Ridge, the Second Battle of Passchendaele and the Battle of the Somme were some of the worst battles that the world can find Canadian's. Our northern nation had boasted over 600,000 soldiers to the battlefields whilst also providing vital manufacturing facilities and training soldiers from across the world. The strong imperial bond between Canada and the 'Motherland' was an important factor in Canada's decision to participate wholeheartedly in World War I, and influenced many in their decision to join the army. Most Canadians felt a strong connection to the British Emp...
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
Many stories have progressed enough to be the topic of conversation from time to time. The novel, Frankenstein or The Modern Prometheus has different relationships to many other topics. The author of the story, Mary Wollstonecraft Shelley who was born almost 200 years ago bringing with her the age of horror (Edison 5), used biographical strategies to write Frankenstein. Also, as time progressed, Frankenstein became a well-known story. It was turned into many different films that depicted the time period that it happened to be from. One final relationship that Frankenstein has happens to be the way that everyone can draw morals from the story, no matter what the reader’s age, or how the reader’s life has evolved.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
Prometheus was caught stealing fire from the Gods to give to his creation. When Zeus caught him, in his anger, Prometheus was sentenced to an eternal punishment of having his liver eaten by an eagle. Every night after the eagle finished it’s deed, the liver would regrow and the punishment would repeat. After Victor gave the precious gift of life to his monstrous creation, his eyes opened from the blindness of his obsession. That obsession was trying to break through all odds in science and give life to a being that didn’t have it. “Who shall conceive the horrors of my secret toil as I dabbled among the unhallowed damps of the grave or tortured the living animal to animate the lifeless clay?” (Shelley 58) Victor abandons his creation out of fear and hate, which leaves the monster isolated. Because of the lack of presence and care from his creator, the monster seeks revenge. "Frankenstein! you belong then to my enemy--to him towards whom I have sworn eternal revenge; you shall be my first victim." (Shelley 136) Over the course of time, the monster murders several of Victor’s family and friends that are cared deeply for. As more and more of the murders take place, Victor is overwhelmed with the same torture and isolation that the monster
Victor Frankenstein and Prometheus both rebelled against God’s pure process of birth by nature to create their own forms of life. Victor thought that “a new species would bless him as its creator and source”(Shelley 58). Prometheus molded his human race out of his bare hands. Victor “found so astonishing a power placed within his hands”(Shelley 47). This connection in the emphasis of their hands accentuates their similar subversive acts of defiance. In addition to
In literature, authors frequently utilize myths and archetypes to help convey character, situations, and themes to readers. Likewise, Mary Shelley employs several archetypes in Frankenstein to better relate her message. The Greek myth of Prometheus as well as The Rime of the Ancient Mariner by Samuel T. Coleridge foreshadow the plot development in her story. She similarly delineates the Creature as a monster, outcast, and scapegoat archetypes to foretell his character type as well as his actions and role in the story. All in all, Mary Shelley utilizes several myths and archetypes to foreshadow the plot development and characters in her novel Frankenstein.
In order to illustrate the main theme of her novel “Frankenstein”, Mary Shelly draws strongly on the myth of Prometheus, as the subtitle The Modern Prometheus indicates. Maurice Hindle, in his critical study of the novel, suggests, “the primary theme of Frankenstein is what happens to human sympathies and relationships when men seek obsessively to satisfy their Promethean longings to “conquer the unknown” - supposedly in the service of their fellow-humans”. This assertion is discussed by first describing the Promethean connection. Thereafter, the two forms of the myth, Prometheus the fire-stealer and Prometheus the life-giver are reviewed in the context of Shelly’s use of the myth in her novel and their relationship to the main theme. Finally, the character of Frankenstein as a modern Prometheus of the scientific age is discussed in the context of English Romantic literature.
In Mary Shelley’s Frankenstein, Victor Frankenstein and the monster that he creates are very similar. For example, Victor creates the monster to be like himself. Another similarity is that the anger of both Victor and the monster is brought about by society. One more parallel between Victor and the monster is that they both became recluses. These traits that Victor and the monster possess show that they are very similar.
In the novel Frankenstein by Mary Shelley, Shelley portrays Victor Frankenstein as an ashamed, selfish, and weak creator; when compared to the other creation stories of “Genesis” and the “Myth of Prometheus” these flaws are even more apparent. In the stories of “Genesis” and “Myth of Prometheus” God, and Prometheus provided for their creation by giving them the means to survive whether it be giving them fire or a perfect Garden they could live in (Genesis 1:1 - 3:24 [King James Bible]); however, the story of Frankenstein and his monster is unlike them because when Frankenstein's’ monster (creation) comes to life he abandons it saying “.. Breathless horror, and disgust..” (Shelley 35) talking about his shame to create such a horrid, ugly abomination.
One of the most famous pieces of Gothic literature is none other than the story of Frankenstein; or, The Modern Prometheus authored by Mary Shelley and published in the year 1818 in England. The novel deals with Victor Frankenstein, a Genevan scientist who creates a hideous creatures through an experiment, but soon regrets his actions and suffers consequences from his creature. Categorized also as a Romantic novel and a horror novel, the story deals with emotion and imagination, nature, and the haunted mind and soul. Throughout the first half of the Frankenstein novel, Shelley hints at the dangers of nature of mankind through the aspirations and actions of Victor Frankenstein and through the effects mankind has on Frankenstein's monster.
Stories are often so similar to each other that people are able to compare the two stories. After reading and discussing Mary Shelley’s Frankenstein and reviewing the story of Prometheus, I have concluded that the two tales have two identical characters: Victor Frankenstein, a scientist whose experiment goes terribly wrong, and Prometheus, a Titan. Because of these characters, the stories have triggered curiosity in a profuse amount of people, and these people have formed varying opinions of the two stories in relation to each other, all of which have advantages and disadvantages. I believe Frankenstein by Mary Shelley does deserve the alternate title “The Modern Prometheus” as they share several components.
Prometheus was a Greek God that gave fire to humans. Humans see him as one of the greats, meanwhile, the gods see him as a betrayer. The same observation can be said of Dr. Frankenstein. Whether it is entirely true, is left up to the audience's discretion. The idea that creation of life is bad, isn’t often argued as a bad thing. Like creating a baby, most people are excited of the prospect of bringing a child into the world. Couldn’t the same be said of a creation made by man? Dr. Frankenstein thought his creation would be the foremost of science; however, after completing his work, he despised it. Frankenstein can be seen as the modern Prometheus for three reasons; his creation was unparalleled
What is the creation of Frankenstein? Firstly, it is a creature artificially created by a person from parts of the body of deceased people and remotely resembling the person himself. Secondly, this being is self-conscious, learning, developing, and also able to feel. Thinking began to appear in him almost from the very moment of its creation, self-awareness, in the process of his acquaintance with nature and the surrounding world, which he perceived categorically enough, and language. The result of his observations of the inhabitants of the hut near which he founded his home. “ By degrees, I made a discovery of still greater moment. I gaunt that those people possessed a method of communicating their experience and feelings to one another by
In the novel Frankenstein by Mary Shelley, the author uses the pursuit of revenge to characterize, and she uses symbols to show the significance of the characters actions. The title Frankenstein is significant because that’s the creator of the monster’s name, and the old title The Modern Prometheus is significant because there are parallels between the main character and Prometheus the greek myth. The title is significant but the older title is the most significant because the author is saying that Victor Frankenstein is the modern version of the greek myth. Mary Shelley’s background is also a factor in why she decided to write a book like this. First off, she was bored and wanted to write a scary story, and secondly, she was a part of the