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interpretation of grendel by john gardner
understanding of existentialism
interpretation of grendel by john gardner
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John Gardner's Grendel
The archeologist's eyes combine the view of the telescope and the view of the microscope. He reconstructs the very distant with the help of the very small. - Thornton Wilder
These words, uttered by Thornton Wilder regarding his play Our Town express the antithesis of nihilism, a philosophy which stresses the lack of objective truth. Nihilism, as well as existentialism and a host of other philosophies are boldly explored in Grendel, a novel by John Gardner. The antagonist Grendel travels on a journey of self-discovery, eventually becoming a nihilist, only to be gallantly disproved by the hero Beowulf. In the end Gardner proves that the virtues of individuality and meaning triumph over meaningless violence and destruction.
While Gardner presents countless philosophies and thoughts in Grendel, the two most prominent are nihilism and existentialism. The monster Grendel begins life as an existentialist. After leaving his mother's cave, he is introduced to a vast, confusing world. As a defense against the rest of the universe, Grendel establishes existentialism as his philosophy. Grendel is initially confused about the things around him, but soon encounters humans, creatures who seem to share a common language and thought. He tries to decipher meaning out of the humans by watching them. Grendel witnesses the early evolution of Hrothgar's kingdom, watching them "season after season ... from the high cliff wall" (37) conquering each other and other kingdoms, quickly expanding into a powerful empire.
In Chapter 5, Grendel falls in the lair of the Dragon. Through his convers...
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... is evident when he says "I knew them, had watched them; yet the things he said seemed true." (47) The shaper embodies the summit of the Thane's greatness. His death later brings great sadness throughout the kingdom. "The people listen silent and solemn to the old shaper's song on the young man's lips." (147)
Without the shaper to sing lies of his greatness, Hrothgar is no longer a great king. The Thanes have already conquered as much as they can, and the kingdom is now in a state of maintaining its power. Overall sadness at the death of the shaper, lack of motivation and threats upon the thrown drive the kingdom into a period of decline. Hrothgar is no longer the proactive young king he used to be. Instead, "puffy-eyed, he gets up, and in a kind of stupor goes to the meadhall to piss." (136)
The philosophies expressed in the Beowulf epic complement the exploration of existentialism throughout the modern work, Grendel, by John Gardner. Both works portray different perspectives of the same story, involving the same characters; Beowulf, the ancient Anglo-Saxon hero who destroys Grendel, and Grendel, the monster who terrorizes Hrothgar’s hall. Beowulf and Grendel act as archetypes that explore humanity’s perception of the world. In the Anglo-Saxon epic, Beowulf and his companions represent good, and the monsters, including Grendel, represent evil. When Beowulf kills Grendel, the world is less evil, but since Beowulf’s companions die in the struggle, the world is also less good. Ultimately, the two forces of good and evil will destroy each other, but the story maintains that God will interfere and save mankind from destruction. In Gardner’s story, the progression of society begins when mankind creates a monster and then creates a hero to fight the monster. Once the greater power of the hero had been established, once the conflict’s resolution strengthened society’s power, than a greater monster developed ...
John Gardner's revolutionary style is not encompassed by a single genre; instead, he mixes first-person narrative and several different literary styles to give the "Ruiner of Meadhalls" a unique voice. The use of first-person narrative is essential to convey Grendel's spiritual growth. Were it not for Grendel's often self-deprecatory tone, which varies from mocking - "big shaggy monster intense and earnest, bent like a priest at his prayers" (72) - to bitter and cynical - "I, Grendel, was the dark side. The terrible race that God cursed" (51) - Grendel would be impossible to relate to. Even Grendel's bouts of insanity - (whispering, whispering. Grendel has it occurred to you my dear that you are crazy?)" are easily understood.
In the book, Grendel by John Gardner, Grendel shows that existentialism is significant in his life. Many of his decisions are based on the thought of whether they have a meaning behind it or not. He tries to be nihilistic and think that the world has no meaning but he ends up being existentialist as he cares about how his choices will be perceived. There are different characters that have existentialism in their lives which allows them to function throughout their world. This book promotes existentialism because the different main characters take on their unique roles throughout the book and create their own meaning.
Authors often have to choose between concentrating on either plot or social commentary when writing their novels; in John Gardener's Grendel, the plot becomes is a secondary consideration. Grendel's exploits provide the reader with a clear understanding of the strong opinions the author carries and can be seen clearly as a narrative supporting nihilism in its many forms. The reader easily perceives the blatant religious subtext in the guise of corrupt priests and the foolish faithful. The notion of the old being wise is unacceptable to Gardener along with any notion of hero idolization. Within his novel, Gardner expresses his views concerning religion, wisdom and nature.
One of the prevalent themes John Gardner mentions in the story of Grendel is that perceptions of reality between people are different. Gardner reveals to readers throughout the novel that words, events, experiences, and beliefs forge character’s realities. In Grendel perception of reality greatly affects people’s actions, their viewpoints towards life, and decisions. For example, Grendel’s perception of reality is that the world is solely mechanical and is created with his words.
As a result of not receiving help when the bull was attacking him, Grendel develops a new theory: “I alone exist. All the rest, I saw, is merely what pushes me, or what I push against, blindly—as blindly as all that is not myself pushes back. I create the universe, blink by blink” (Gardner 21-22). Grendel’s questioning of his way of living marks a transformation of Grendel into a mature character who gains knowledge from his experience with the bull, concluding that the world revolves only around him. The utilization of ‘I’ portrays that his growing isolation from the absence of his mother during the bull attack is what permits him to believe that he is superior to everyone else and the only worthy creature to exist. This foreshadows his ultimate purpose in life which is to kill mankind. Grendel, as the creator of the world, holds the ultimate power to decide who will live, lacking the perspective that there is a higher force other than himself. In other words, the experience Grendel acquires from the bull attack enables him to mature and obtain insight on the truth of his
hough the story of Grendel and Beowulf is a good versus evil story in the original epic poem, John Gardner shows another side to Grendel in his novella, Grendel. Throughout this novella, Grendel is seen still as a monster, but a monster with a story to tell. He is a character one can empathize with, especially when he states things such as “My heart was light with Hrothgar’s goodness, and leaden with grief at my own bloodthirsty ways (Gardner 48)” which show that he has a conscience under his fearsome look. That being said, Grendel is influenced by many characters throughout the novella, the two most notable being the dragon and the Shaper. The Shaper was the most influential in Grendel’s story because of Grendel’s first reaction to the
Merrill, Robert. "John Gardner's Grendel and the Interpretation of Modern Fables." American Literature 56.2 (1984): 162-180.
Grendel by John Gardner, a novel based on the epic poem Beowulf, was originally published in 1982. It looks at the story from the perspective of the monster, Grendel. It helps the reader empathize with Grendel and think of original story in a new way. Gardner portrays Grendel as the stereotypical misunderstood monster that turns to violence after being isolated and misunderstood form the normal people. This story is driven forward by acts of cruelty, from both the humans and Grendel. When Grendel first discovers the humans, he discovers a new kind of cruelty. Not only the creatures like him, but especially to each other. Grendel then discovers the joy of being cruel to others; he becomes more and more like the humans he despises. Finally, Grendel
The technological advances are increasing each year, and electronics are not the only things upgraded. The food eaten in the United States has also been touched by science in the form of GMOs. Although GMOs have been in the US food industry for almost twenty years, consumers should have the right to know what is in our food with mandatory GMO labeling.
Throughout the renowned novel Grendel, author John Gardner illustrates a captivating characterization of the monster Grendel. While the reader may initially brand Grendel as a sadistic villain, Gardner gradually reinforces the complexity of this character, to the extent where a pressing question arises and begs the reader’s attention--is Grendel truly evil? As the story progresses, it becomes evident that Grendel simply does what he knows to do, as a monster, in addition to doing what he can do, as an emotional being which often lacks favorable choices. Furthermore, Grendel’s status as an evil beast relies entirely on morals, which are wholly subjective. Essentially, because of the complicated nature of naming a creature “good” or “bad,” and
Humans look for some key equation through which they might tie all of the experiences of life and feel the satisfaction of action toward a goal, rather than the emptiness of which sometimes consumes the activities of our existence. However, humans may never find some great pure meaning beyond their mundane existences, because there is none. What there is to be found, however, is the life itself. Humans seek to find meaning so that emptiness will not pervade every thought, every deed, with the coldness of reality as seen by an unemotional eye. Without color, without joy, without future, reality untouched by hope is nothing more than an empty void. Man’s search for meaning is depicted in John Gardner’s Grendel, as Grendel’s perspective and philosophy
The monster Grendel is the ironic eye through which the action is viewed and from this perspective he provides the reader with never-ending examples of buffoonery and self-parody. Often his claims reveal the Sartrean component in his makeup: "I create the whole universe, blink by blink"(Gardner 22). Gardner,of course,wants to make a point here about solipsism. There is more to the objective world than Grendel's ego. Naturally the universe still exists when Grendel closes his eyes. Likewise, when Grendel says "I observe myself observing what I observe", (Gardner 29) ,he reminds us of Sartre's view of the self-reflective nature of consciousness. As he said in his interview, Gardner planned to parody Sartre's ideas in Being and Nothingess in these sections of the novel.
When we encounter the Dragon, we learn that he can see the entire future. This shows that he can see whether or not life has meaning. Existentialism is introduced when the Dragon says, “Dragons don’t mess with your piddling free will” (Page 63). The theory of existentialism is that you determine your own purpose. Humans serve a purpose until they die. When they die, their purpose dies as well. However, the story also tackles nihilism within a few pages. Nihilism is based on the belief that life is meaningless and has no purpose, whatsoever. The Dragon shows that he believes this when he says, “A brief pulsation in the black hole of eternity. My advice to you.. My violent friend, is to seek out gold and sit on it” (Page 74). Introducing both concepts within a chapter shows a struggle that the author, John Gardner, has faced. Witnessing the death of his young brother, who was only 7 years old. Someone so pure and youthful had died before he could do anything with his life. Gardner’s struggle is way more understandable once you learn about his personal life. He had to wonder whether or not life had a purpose from a young age. These are vital components to the story of Grendel and show how Gardner took his own experiences and used them to make his own variation of the famous epic,
to fight in the center of the arena, but have a sudden change of mind