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Tension in David Lean's Great Expectations
In this essay I will be analysing the opening scene of David Lean's
version of 'Great Expectations' to see how tension is brought to the
screen. Great Expectations is a novel wrote by Charles Dickens in 1861
but set in 1812. The film version I will be analysing was produced in
1945.
In the scene I will be analysing, it shows a young boy, Pip visiting
the grave of his parents. While Pip is in the graveyard an escaped
convict grabs him and questions Pip and when he finds out that he is
living with a blacksmith he demands Pip to get him a file so he can
free himself and some "whittles" which are scraps of food. The scene
ends with Pip running off home. I will also be analysing the opening
credits and the short section where Pip as an elder reads the first
paragraph from the novel out to explain who he is. The techniques I
will be analysing in this scene are mise en scene, camera angles,
sound and lighting.
The first of these I will be analysing is mise en scene. Mise en scene
is everything that is put into the scene. This can make a big
difference to the signals we receive and can make us interpret the
scene in a set way. The first scene is set in a graveyard on a
deserted marsh land area; both of these settings are very spooky and
often associated with bad things. This immediately gets you on edge.
On one of the trees in the grave yard there appears to be a face this
gives you a felling that this place is strange and something is likely
to happen. The way Pip enters the graveyard shows that the place is
somewhere he doesn't want to be in. this is as he runs into the
graveyard and wh...
... middle of paper ...
...ll the effects he uses work very well to
give the viewer that effect that something is going to happen. I feel
all the techniques are needed in order to get the effect it does,
without the use of one of them they wouldn't be as effective. All the
techniques used create a spooky and frightening atmosphere and when
this is the atmosphere tension gets built up automatically. If I were
directing this movie I would build it up slower so the audience will
be more interested in what is going to happen and the tension will be
even greater. Apart from that I think everything is very good maybe I
would have the sight of Magwitch in the bushes to get people more
involved with it or have the sound of his chains rustling and Pip
looking around to see what it is. Then when Pip tries to run a way
Magwitch would jump out and stop him.
.In the opening scene of the film is set in a petrol station . The
Run Lola Run, is a German film about a twenty-something woman (Lola) who has 20 minutes to find $100,000 or her love (Manni) will be killed. The search for the money is played through once with a fatal ending and one would think the movie was over but then it is shown again as if it had happened ten seconds later and changed everything. It is then played out one last time. After the first and second sequence, there is a red hued, narrative bridge. There are several purposes of those bridges that affect the movie as a whole. The film Run Lola Run can be analyzed by using the four elements of mise-en scene. Mise-en-scene refers to the aspects of film that overlap with the art of the theater. Mise-en-scene pertains to setting, lighting, costume, and acting style. For the purpose of this paper, I plan on comparing the setting, costume, lighting, and acting style in the first red hued, bridge to that of the robbery scene. Through this analysis, I plan to prove that the purpose of the narrative bridge in the film was not only to provide a segue from the first sequence to the second, but also to show a different side of personality within the main characters.
David Lean takes advantages of this story to carry out a film critic and with it; he wants to reveal how England was at post-war times. It remains a vital decisive point in the history of the British cinema. After postwar period the course of doing films changed automatically, from this time onwards filmmaker focus on recreate the atmosphere in which England and its population were living.
Pip says he must stay with Magwitch in his time of need he says this
Mise-en-scène is a vital function in film which allows us to glean a deeper significance than mere action and dialogue can convey. We react to the signs, symbols, and icons within a film because they are imbedded deeply into our collective subconscious. Our history of visual storytelling predates language and it is a tradition that is innately human and universally recognized, even if the viewer is unaware of the elements of mise-en-scène and the way in which they are constructing the emotional and psychological context of a film’s story.
Pip happens to meet a convict who doesn’t seem to come to be a nice
It was the start of the 1920s, World War 1 had just ended, and racial tension among societies—especially, in the black and white society—began to increase. The Roaring Twenties began throughout the nation and the New Negro Movement erupted within the black culture. Authors understood the events that were happening in the United States and began to publish novels relating to the events. F. Scott Fitzgerald who wrote The Great Gatsby does an outstanding job in helping the reader understand the conditions of the Roaring Twenties, along with a great job in depicting the tension within in the white society. Native Son, written by Richard Wright, is a perfect example that provides the reader with an image of how in both the black and white society
Self Conflict in Great Expectations Througout his novel, Dickens explored the constant struggle Pip faces as he realizes the dangers of being driven by a desire for wealth and social status. Pip attempts to achieve greater things for himself while holding on to important morals and values. Pip always feels a loyalty to Joe, his "ever the best of friends." This, along with the realization that his true priorities should be those that love him, guides Pip through changes in his character and directs him through his internal struggle.
Another way that Pip shows his discontent with his present life is by not wanting to be a blacksmith when it would be very practical for him. Pip's brother-in-law is a blacksmith which would make it easy for him to learn the trade. Also, Miss Havisham agreed to pay for his apprenticeship, yet Pip insists that he is better than that and is upset by that fact that he is just a commoner. He states his dissatisfaction" with my home, my trade and with everything" (773). Pip also turns away Biddy when she is something that is obtainable to him. Biddy is somebody in the story that really loves Pip, yet he turns her away and uses her to get what he wants. Pip also gives the impression that he is better than Biddy when he is no less a commoner than she is.
Pip that he was going to change and that he will never be seen in the
In the opening chapter, we feel sorry for Pip as we find out that his
When Pip was a child, he was a contented young boy. He wanted to grow
In the beginning, Pip, an orphan, considers himself to be a common laboring boy, but he has a
The Forge was a place of harmony and safety, and had the loving mood for Pip. However, as he became a gentleman, he made the decision of abandoning Biddy and Joe. This transformed the Forge into a place with a heavy atmosphere that represents guilt and shame for Pip and reminds him of his selfish decisions. When he goes there, he feels guilt, and Biddy’s attitude towards him changed, in that he calls him Mr. Pip and is less personal with him. Pip’s mentality also changed with London’s mood and influence as he now thinks money is the solution to most problems.
During the nineteenth century, British society was dominated and ruled by a tightly woven system of class distinctions. Social relations and acceptance were based upon position. Charles Dickens utilizes Great Expectations as a commentary on the system of class and each person's place within it. In the character of Pip, Dickens demonstrates the working class' obsession to overthrow their limitations and re-invent new lives. Dickens also uses Pip and various other characters to show that escape from one's origins is never possible, and attempting to do so only creates confusion and suffering. Ultimately Dickens shows that trying to overthrow one's social rank is never possible; only through acceptance of one's position is any semblance of gentility possible.