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representation of women in shakespeare's
kates monologue the taming f the shrew
characterization of women in shakespeare's
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William Shakespeare's The Taming of the Shrew The battle between these two characters thus becomes much more than a
merely physical one and moves into the realm of wit-combat with a
carefully thought out central theme-matrimonial relationships-which
gives structural form and meaning to the entire play.
Themes
Basically the play deals with the traditional comic situation in which
a shrewish woman is tamed into a wife who is submissive to her
husband. This constitutes the main action of the play - the taming of
the shrewish wife. But Shakespeare does more than merely that. He
gives the character of the shrew multidimensional qualities so that
she is not merely the conventional creation of the medieval and
renaissance anti-feminist.
Kate has good reason for her shrewish disposition, and indeed one
wonders whether Shakespeare's own preference might not have been for
her, rather than for her sweetly tractable sister, Bianca.
In addition to the taming theme there is also a carefully contrived
composition of differing attitudes toward marriage, wooing, and
wedding. First, Shakespeare shows the rough and tumble matching of
Kate and Petruchio, a match founded on mutual respect by the end of
the play. Second, in the matching of Bianca we have aspects of the
mercenary modes of betrothal often practiced in Shakespeare's own day,
though Bianca finally marries for love, not money. Third, in the
marriage of Hortensio and his widow we have what looks like an
unabashed marriage for money on Hortensio's part, and probably for
physic...
... middle of paper ...
...He agrees to marry Katherine sight unseen
At the banquet following Hortensio's wedding to the widow, the three
new husbands stage a contest to see which of their wives will obey
first when summoned, everyone expects Lucentio to win. Bianca,
however, sends a message back refusing to obey, while Katherine comes
immediately. The others acknowledge that Petruccio has won an
astonishing victory, and the happy Katherine and Petruccio leave the
banquet to go to bed. the other characters are shocked to see that
Katherine seems to have been "tamed"-she obeys everything that
Petruccio says and gives a long speech advocating the loyalty of wives
to their husbands. When
At the banquet following Hortensio's wedding to the widow, the three
new husbands stage a contest to see which of their wives will obey
first when summoned
William Shakespeare's The Taming of the Shrew and Movie Ten Things I Hate About You
Upon reading Shakespeare’s The Taming of the Shrew and Henry V, I have noticed that the issue of gender ideology and identity has been an intriguing study in both Shakespearean comedies and histories. These traditional Western views have, in a sense deemed which roles are appropriate and socially acceptable, in regards to both males and females. This practice of ‘social typecasting’ has given men and women certain socially acceptable characteristics, which has influenced how they should think and act. In this essay I take an in-depth look regarding how Shakespeare dealt with gender identity, and if certain characters in The Taming of the Shrew and Henry V accepted their socially predetermined gender identity or if they rejected it.
Examine the different ways in which Shakespeare presents the attitude towards marriage in the play, ‘The Taming of the Shrew.’
Petruchio physically asks her to sit on his lap “come sit on me” in a
Kate in William Shakespeare's The Taming of the Shrew Katharina or Kate, the shrew of William Shakespeare's The Taming Of
find a wife. "I come to wives it wealthy in Padua; If wealthy, then happily in
In Shakespeare's comedy, The Taming of the Shrew, Shakespeare has a woman as one of the story's main characters. Katherine Minola (Kate) is off the wall, and kinda crazy. Because of her actions, the “male centered world” around her doesn't know what to do with her.
Battle of the Sexes would have been another appropriate title for this play because the entire play is women verses men, men verses women. This battle of the sexes shows no boundaries between the rich and poor, young or old, man or women. The basis of all the rivalry stems from the fact that the men in this play look at the women as if they were objects, instead of human beings with feelings. This theory that women are merely objects creates an environment that the women have to adapt to and survive in and the environment of a person will depict what he or she will become, resulting in a battle between the sexes.
Tragedy, irony and modernism are only a few interpretations of the valued play The Taming of the Shrew by the respected writer William Shakespeare. However, one of the most intriguing and popular of these analyses is comedy. Shakespeare is recognized for writing several plays with comedic genres, a few of which include Much Ado About Nothing and The Comedy of Errors. Comedy, being a complex genre, is composed of many different concepts. This particular play can be interpreted as a Shakespearian comedy, a screwball comedy, a farce, or slapstick.
Plato argued that comedy blends pain with pleasure. How do you respond to this view in reference to The Taming of the Shrew? Has Shakespeare crafted The Taming of the Shrew so that the audience feels both emotions?
The Taming of the Shrew by William Shakespeare is a play that is ahead of its time in its views toward gender roles within society. Katherine is a woman who is intelligent, and is not afraid to assert her views on any given situation. She is paired with another obstinate character in Pertuchio. The Marriage formed between the two is a match made in heaven for two reasons. First Because Katherine is strong enough to assert her views, and more importantly, she realizes when she should assert them. The second reason the bond survives is that Petruchio is strong enough to accept the fact that Katherine has a mind and, more importantly he loves her for that reason. Petruchio cleverly weaves the relationship into the framework of society without compromising the integrity of the relationship. Petruchio does this by comparing Katherine’s at attitude to repulsive clothing. Carefully and calculatingly, Petruchio forges a relationship that is envied by all who witness it.
Some have made the claim that Shakespeare was pro-feminist and did all he could to illuminate the wrong done to women of his time by creating some overwhelmingly misogynistic characters. This was his way of showing men the errors of their ways and shaming them into showing women more respect. This is an interesting hypothesis for a number of reasons. First of all, there are no signs that it worked, if Shakespeare did indeed intend to reform men. Could the Bard, supposing that he was trying to shame men into changing, influence men in this manner? Can we blame him if he failed? Secondly, and by far more interesting to me, is that, in some cases, feminists seem to be more interested in martyring the Bard than in promoting feminist agendas What proof do we have that Shakespeare was really that enlightened?
In The Taming of the Shrew, the concept of love is a means of emotional manipulation, and manipulation is nothing more than a means of control between men and women. William Shakespeare critiques the patriarchal social structure by ironically employing the manipulative stance Petruchio takes towards winning Katherine as his wife by charming her with words and manipulating her psychologically, and then taming her after their marriage through legal, physical, financial, and psychological control and manipulation. Though Petruchio may think he yields power over his wife, Katherine uses obedience as a tool of manipulation and has the control of the household, as can be seen by her ironic speech at the end of the play, where she claims women must serve their men. Shakespeare uses the irony of a man using manipulation as a tool for control to magnify the significance of the power women yield through manipulation, thus proving that men and women engage in a power-shifting struggle.
A long time ago, a drunken man fell asleep outside an alehouse. This man, Christopher Sly, was discovered by a mischievous lord who took him into his home. The witty lord then convinced Sly that he was a lord, as well. The lord then put on a play for him. The play, The Taming of the Shrew, was about the two young daughters of Baptista. The youngest daughter, Bianca, wished to wed but her father, Baptista, would not allow this until his eldest daughter, Katherina, was married. Under normal circumstances, it would be easy to find a husband for Katherina with all her beauty, but all her beauty was covered by her shrewd personality. By this time Bianca's suitors were growing very impatient, so they decide to team up and find a husband for Katherina. In jest they mentioned their plan to a friend, Petruchio, who surprisingly agreed to marry Katherina. All her beauty and wealth were enough for him. Katherina reluctantly was wed to Petruchio and she was taken to his home to be tamed. With Katherina out of the way, Bianca was now allowed to marry Lucentio, who offered her father the highest dowry for her. In the final scenes of the play, Katherina proves that she is tamed by winning an obedience contest at a dinner party. Katherina is now even more in accordance with her wifely duties than Bianca. A fare is a type of comedy based on a ridiculous situation. The Taming of the Shrew, an eminent example of a farce, is the first of three farces written by Shakespeare.
in this play, women are used as a symbol of male power, or lack of it.