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Shakespeare's historical plays
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Analysis of Shakespeare
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The True Character of Isabella in Measure for Measure
Some critics of Shakespeare’s play, Measure for Measure, judge Isabella as "a narrow minded but passionate girl afflicted with an irrational terror of sex" (Barton, 546), "a young, immature woman" demonstrating "moral absurdity and cruelty" (Nicholls, 478), whose actions are scarcely defensible. A classmate of mine asked, "Why doesn't Isabella just sleep with Angelo? What's the big deal?" These statements reveal that these people have no understanding or sympathy for Isabella’s position: socially, morally or physically.
Perhaps I take the issue of Isabella’s character so seriously because I played the role of Isabella in our college’s production of the play. Preparing and playing a Shakespearean role onstage leads to a kind of understanding of that character that no other activity can match. When we professors encourage our Shakespeare students to work toward an interpretation of a play by imagining how they might play various roles, we are approaching that kind of understanding. When we ask them to view various productions, or read about the performances of different actors in the same role, we add to their sense of what the play means "from within." But especially when we ask them to read a scene aloud, or, even better, to prepare an in class performance, they learn something of what Shakespearean actors know: the full motivations and actions, thought, and feelings of an individual character. From those details, even amateur actors learn more about the conflicts and resolutions of the whole play.
Therefore, in order to balance the still frequent condemnation of Isabella's thoughts and actions, I want to share with you some of the discov...
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...ines. London: Bell, 1879.
Kathleen McLuskie. "The patriarchal bard: feminist criticism and Shakespeare: King Lear and Measure for Measure" in Political Shakespeare: New Essays in Cultural Materialism, ed. Jonathan Dollimor and Alan Sinfield. Ithaca and London: Cornell University Press, 1985, 88-108.
Graham Nicholls. Measure for Measure: Text and Performance. Houdmills: Macmillan Education Ltd., 1986.
Carol Rutter. Clamorous Voices. Shakespeare's Women Today. New York: Routledge, 1989.
William Shakespeare. Measure for Measure, ed. Brian Gibbons. Cambridge: Cambridge University Press, 1991.
__________. Measure for Measure, ed. N. W. Bawcutt. Oxford: Clarendon Press, 1991.
__________. Measure for Measure (The Arden Shakespeare), ed. J. W. Lever. London & New York: Routledge, 1965.
Cedric Watts. Measure for Measure. London: Penguin, 1986.
In equation with the Elizabethan era, Shakespeare offers us a male dominated society in his renowned tragedy, Othello. Consequently, this definitely persuades a negative attitude and demeanor towards the women of the times. The female characters in the play: Desdemona, Emilia, and Bianca; play relevant roles in contributing to one’s understanding of this exhausted Elizabethan view. In contrast to the larger portion of the play, Emilia, spouse to the scandalous Iago, takes an opinionated stand for Desdemona in relation to her wholesome gone sour relationship with the Moor of Venice, Othello. I recognize Emilia’s “Betrayal lecture” as a justified outlook in accordance with today’s period and events surrounding Desdemona’s and Othello’s fatal misunderstanding.
Pitt, Angela. “Women in Shakespeare’s Tragedies.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Shakespeare’s Women. N.p.: n.p., 1981.
Callaghan, Dympna. Shakespeare Without Women: Representing Gender and Race on the Renaissance Stage. New York, Routledge. 2000
Wayne, Valerie. “Historical Differences: Misogyny and Othello.” The Matter of Difference: Materialist Feminist Criticism of Shakespeare. Ed Valerie Wayne. Ithaca, NY: Cornell University Press, 1991.
Warren, Roger. Shakespeare Survey 30. N.p.: n.p., 1977. Pp. 177-78. Rpt. in Shakespeare in the Theatre: An Anthology of Criticism. Stanley Wells, ed. England: Oxford University Press, 2000.
Wayne, Valerie, ed. The Matter of Difference: Materialist Feminist Criticism of Shakespeare. Ithaca, Cornell University Press, 1991.
Wayne, Valerie. “Historical Differences: Misogyny and Othello.” The Matter of Difference: Materialist Feminist Criticism of Shakespeare. Ed Valerie Wayne. Ithaca, NY: Cornell University Press, 1991.
Pitt, Angela. "Women in Shakespeare's Tragedies." Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint of Shakespeare's Women. N.p.: n.p., 1981.
According to Elizabethan society, the center of Olivia’s dilemma with her marriage was ensuring her wealth, not marrying a man she loved (Joseph 170). Social class increases division among individuals in society. This play “ is not the story of a Juliet's or an Orlando's love .., but of the very realistic struggles and intrigues over the betrothal of a rich Countess, whose selection of a mate determines the future” (170). Readers looking past these boundaries created by class and gender, can find striking similarities in emotions characters have for each other. The personal struggles the characters face in this play demonstrate the obstacles that individuals faced because of their gender or place in the social hierarchy.
Wayne, Valerie. “Historical Differences: Misogyny and Othello.” The Matter of Difference: Materialist Feminist Criticism of Shakespeare. Ed Valerie Wayne. Ithaca, NY: Cornell University Press, 1991.
Orgel, Stephen, and Sean Keilen. Shakespeare and Gender. New York: Garland Pub., 1999. Online text.
Miranda’s character in the play represents the ideal woman of Elizabethan era. She is portrayed as a goddess among the men. “Most sure, the goddess/Oh whom these airs attend!”(1.2.425-426). Fer...
... Critical Interpretations, ed. Harold Bloom (New York: Chelsea House Publishers, 1987) 43. For further discussion on renaissance gender performance and identity politics among Shakespeare's cross-dressed heroines, see Michael Shapiro's Gender in Play on the Shakespearean Stage: Boy Heroines and Female Pages (Ann Arbor: The University of MIchigan Press, 1994).
"O cunning enemy that, to catch a saint, with saints dost bait thy hook." A disturbing tale of suspense, dark comedy and corruption, Shakespeare's Measure for Measure explores sexuality, morality and the law, exposing the abuse of authority in high places amid the seething underworld of Vienna. This essay will explore Isabella’s moral dilemma.
Leininger, Lorie Jerrel. “The Miranda Trap: Sexism and Racism in Shakespeare’s Tempest.” The Woman’s Part: Feminist Criticism of Shakespeare. Eds Carolyn Ruth Swift Lenz et al. Urbana: University of Illinois Press, 1983. 285-294