The Illusion of Escape in The Glass Menagerie
In The Glass Menagerie by Tennessee Williams, the characters exhibit a state of delusion that originates from their dissatisfaction with their lives. Tom seeks adventure in the movies. Amanda reminisces often about her days as a Southern Belle. Laura sits in a dream world with her glass collection, and Jim basks in the praises of his high school glory. In their respective ways, they demonstrate their restlessness. The quotation from Thoreau, "The mass of men lead lives of the quiet desperation," applies to the characters in that they are all unhappy, but take no action to improve their situation in any significant way.
Tom, as the narrator, explains to the audience the progression of the play and allots this with "the pleasant guise of illusion." When he speaks to the audience, the events he relates are in the past, and he has realized how distanced his family had been from real life. Through the play, he is angry and bitter because of his duty to his sister and mother. His father absconded, leaving Tom as the sole provider, a title neither wanted. Tom is not prepared to settle down and feels as though he "makes a slave of himself." Whether or not he had the ability to create a separate life for himself, Tom feels placed in a "nailed up coffin." He is tortured by boredom in the warehouse and aches for his own vision of life. He remarked to Laura that he did not know how anyone could "[get] himself out of a coffin without removing one nail." A primary source of his desperation is the fact that he know that if he leaves he will destroy Laura, and he does not want that. He is inactive on his own behalf for a long time, feeling enclosed by a life he cannot stand. He is...
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... They scurry around trying to end their suffering, but they impede each other's efforts through their individual ones. These people seem doomed to their fates: to run away, to live in the past, or to exist continually in a intangible world.
Works Cited and Consulted
Bloom, Harold. Introduction. Tennessee Williams. Ed. Harold Bloom. New York: Chelsea House, 1987. 1-8.
King, Thomas L. "Irony and Distance in The Glass Menagerie." In Tennessee Williams. Ed. Harold Bloom. New York: Chelsea House, 1987. 85-94.
Levy, Eric P. "'Through Soundproof Glass': The Prison of Self Consciousness in The Glass Menagerie." Modern Drama, 36. December 1993. 529-537.
Williams, Tennessee. The Glass Menagerie. In Literature: An Introduction to Reading and Writing, 4th ed. Ed. Edgar V. Roberts and Henry E. Jacobs. Englewood Cliffs, NJ: Prentice Hall, 1995. 1519-1568.
2.“Remember Tennessee Williams.” Tom Sullivan. 21 June 2000. http://www.lambda.net/~maximum/williams.html Roudane, Mathew C. Ed. The Cambridge Companion to Tennessee Williams. New York: Cambridge Press, 1997 Williams, Tennessee. “The Glass Menagerie”. Anthology of American Literature: From Realism to the Present. By Tennessee Williams. Ed. McMichael, George et. al. New Jersey: Prentice Hall, 2000. 1445-
Williams, Tennessee. The Glass Menagerie. Literature and The Writing Process. 5th ed. Elizabeth McMahan, Susan X. Day, and Robert Funk. Upper Saddle River, NJ: Prentice, 1999. 693-734.
Williams, Tennessee. The Glass Menagerie. The Bedford Introduction to Literature: Reading, Writing, Thinking. 5th ed. Ed. Michael Meyer. Boston: Bedford, 1999. 1865-190
Williams, Tennessee. The Glass Menagerie. In Literature: An Introduction to Reading and Writing, 4th ed. Ed. Edgar V. Roberts and Henry E. Jacobs. Englewood Cliffs, NJ: Prentice Hall, 1995. 1519-1568.
The masterful use of symbolism is delightfully ubiquitous in Tennessee Williams’ “The Glass Menagerie.” He uses a collection of dim, dark and shadowy symbols that constantly remind the audience of the lost opportunity each of these three characters continually experience. This symbolism is not only use to enlighten the audience to their neglected opportunities to shine, but it is also repeatedly utilized to reinforce the ways in which the characters try in vain to cross over turbulent waters into a world of light and clarity. It is thematically a wrenching story of life gone by, and the barren attempts to realize another reality that is made more poignant by symbolic language, objects, setting, lighting and music. The characters are trying to escape their own reality, and continue desperately to grasp at real life. The powerful use of symbolism in The Glass Menagerie exaggerates their missed opportunities, and their inability to step into a new reality. Through the use of symbolism, Williams continually illuminates the attempts of each character to break their bondage, and cross their own personal Rubicon into another reality. Because of his expert use of symbolism the audience can assuredly feel the full weight and impact of their imprisonment and actions.
Bloom, Harold, Frank Durham, and Nancy M. Tishcler. Tennessee Williams's The Glass Menagerie. New York: Bloom's Literary Criticism, 2007. Google Books. Web.
Tennessee Williams employs the uses of plot, symbolism, and dialogue to portray his theme of impossible true escape, which asserts itself in his play, The Glass Menagerie. Each of his characters fills in the plot by providing emotional tension and a deep, inherent desire to escape. Symbolism entraps meaning into tangible objects that the reader can visualize and attach significance to. Conclusively, Williams develops his characters and plot tensions through rich dialogue. Through brilliant construction and execution of literary techniques, Williams brings to life colorful characters in his precise, poignant on-stage drama.
Williams, Tennessee. The Glass Menagerie. In Literature: An Introduction to Reading and Writing, 4th ed. Ed. Edgar V. Roberts and Henry E. Jacobs. Englewood Cliffs, NJ: Prentice Hall, 1995. 1519-1568.
Generally when some one writes a play they try to elude some deeper meaning or insight in it. Meaning about one's self or about life as a whole. Tennessee Williams' "The Glass Menagerie" is no exception the insight Williams portrays is about himself. Being that this play establishes itself as a memory play Williams is giving the audience a look at his own life, but being that the play is memory some things are exaggerated and these exaggerations describe the extremity of how Williams felt during these moments (Kirszner and Mandell 1807). The play centers itself on three characters. These three characters are: Amanda Wingfield, the mother and a women of a great confusing nature; Laura Wingfield, one who is slightly crippled and lets that make her extremely self conscious; and Tom Wingfield, one who feels trapped and is looking for a way out (Kirszner and Mandell 1805-06). Williams' characters are all lost in a dreamy state of illusion or escape wishing for something that they don't have. As the play goes from start to finish, as the events take place and the play progresses each of the characters undergoes a process, a change, or better yet a transition. At the beginning of each characters role they are all in a state of mind which causes them to slightly confuse what is real with what is not, by failing to realize or refusing to see what is illusioned truth and what is whole truth. By the end of the play each character moves out of this state of dreamy not quite factual reality, and is better able to see and face facts as to the way things are, however not all the characters have completely emerged from illusion, but all have moved from the world of dreams to truth by a whole or lesser degree.
Williams, Tennessee. The Glass Menagerie. Masterpieces of the Drama. Ed. Alexander W. Allison, Arthus J. Carr, Arthur M. Eastman. 5th ed. NY: Macmillan, 1986. 779- 814.
same place each year so they didn't need to put in as much effort as
Tom is a character many people in this generation can relate to. Although the play was written many years ago Tom is just like any other millennial from this day and age. He basically hates his job because it’s not fun. He can’t cope with the fact that he has to pick up all the slack his father left behind. He even seems to think that running away will fix everything. All of these things are very common in society today.
Tom escaped from the fantasy world of Amanda and Laura by hanging out on the fire escape, even though he could never fully escape. Unfortunately for Tom, his life was cramped like the coffin and he was slowly suffocating emotionally and spiritually. Unhappy with the lifestyle he followed in the footsteps of his father, he searched for adventure, escaping the nagging of Amanda.
Williams, Tennessee. The Glass Menagerie. In Literature: An Introduction to Reading and Writing, 4th ed. Ed. Edgar V. Roberts and Henry E. Jacobs. Englewood Cliffs, NJ: Prentice Hall, 1995. 1519-1568.
Williams uses Tom’s thoughts to illustrate how Tom feels about abandoning his family. He justifies it by expressing his emotions towards his father and how he doesn’t really blame him for leaving. Abandonment is a means of escaping Tom’s problems with his mother.