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ESSAY OF THE LAYS OF MARIE DE FRANCE
a rhetorical analysis of gender
a rhetorical analysis of gender
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In the middle ages knights in every kingdom were expected to follow basic rules set forth by the code of chivalry. According to this code a knight was supposed to show all of the following characteristics; prowess, justice, loyalty, defense, courage, faith, humility, largesse, nobility and franchise. If a man showed these characteristics he was said to be a good "chevalier," a French word for knight (Burgess 1). Marie De France, one of the more well-known female writers of the medieval period, used the term "chevalier" quite often in her Lais when referring to respected male characters. Unfortunately for women, the code of chivalry also meant that women would be held at a lower status than men and traded between the men of the court. In the article "Chivalry and Prowess in the Lais of Marie de France," Glyn Burgess notes that "most of the characters in Marie's Lais belong to the upper classes, and thus issues of loyalty, service and expertise in battle and hunting predominate" (1). These men adhere to the code of chivalry. Sharon Kinoshita, the author of "Cherchez la Femme: Feminist Criticism and Marie de France's `Lai de Lanval'," takes the opposing position and argues that in Lanval, "the title character's ultimate rejection of chivalric society is an expression of Marie de France's feminism" (1). While some male characters in the Lais of Marie De France do indeed show elements of the chivalric code, Lanval goes against the code and is eventually praised for it. In Equitan and Laustic while some male characters adhere to the code of chivalry, in the same Lais, some men defy it. Kinoshita says Marie shows feminism in Lanval by having the male protagonist go against the code of chivalry. Unlike in Lanval, the characters...
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...categorized into feminist and antifeminist pieces. The Lais are not about the code of chivalry, but about the marriage between the characters. Marie de France is not a feminist, an antifeminist, a woman who supports the code of chivalry, nor a woman who opposes the code of chivalry. She is simply a woman who emphasizes a strong marital bond in all of her works.
Works Cited
Burgess, Glyn. "Chivalry and Prowess in the Lais of Marie de France." French Studies 37.2 (1983): 129-42
De France, Marie. Lanval. The Norton Anthology of English Literature. Ed. M.H. Abrams. New York: W.W. Norton and Company, 2000. 127-40.
- -. Equitan. Trans. Judith P. Shoaf. 1992.
- -. Laustic. Trans. Judith P. Shoaf. 1991.
Kinoshita, Sharon. "Cherchez la Femme: Feminist Criticism and Marie de France's `Lai de Lanval'." Romance Notes 34.3 (1994): 263-73.
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When Simone de Beauvoir died in Paris in 1986, the wreath of obituaries almost universally spoke of her as the 'mother' of contemporary feminism and its major twentieth century theoretician. De Beauvoir, it was implied as much as stated, was the mother-figure to generations of women, a symbol of all that they could be, and a powerful demonstration of a life of freedom and autonomy (Evans 1).
Lanval, one of Marie's twelve lays that survived, establishes the two different types of women mentioned in the introduction. Lanval, a lonely knight of King Arthur's court, falls in love with a beautiful, rich, and charming fairy in the woods. This character represents the virtuous and perfect things in which society bestows upon the women of this time, giving great power to beauty and fortune. Although these charac...
In one of her lays, "Lanval", Marie de France presents Guinevere approaching the main character,Lanval, one of Arthur's knights, with a proposition. She offers herself to Lanval to be his mistress, willing to satisfy his sexual joys:
Throughout history, women are often included as a side note to occurrences of their ages, most often seen as small and unimportant among patriarchs. Despite this shortcoming in historical documentations, some events do look more closely through the eyes of women. The French Revolution of the eighteenth century is one of these events. This investigation will be exploring the French Revolution, and asking: to what extent did women make an impact? In Thomas Streissguth’s book, Women of the French Revolution, he highlights several women of France, while also analyzing their contribution to the course of the revolution. With his book as a major source, the investigation will explore the topics of women’s riots and salons, individual women, and women as a whole.
Moses, Claire Goldberg. French Feminism in the 19th Century. Albany: State University of New York Press: 1984.
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Keen opens his book with an introductory chapter examining three literary works pertaining to chivalry: the Ordene de Chevalerie, the Book of the Ordre of Chyvalry, and the Book of Chivalry. All three of these were written during a period of great religious reform, yet, according to Keen, they appear to not have been influenced by the ideas of the Church. The Ordene de Chevalerie is an anonymous poem that stresses the importance of the ritual required for initiation into knighthood. The popularity of the piece leads to the conclusion that the poem reflects “what men understood chivalry to mean” (8). This poem is then contrasted by the Book of the Ordre of Chyvalry, a narrative work written by Ramon Lull that describes in detail the origins and meaning of chivalry. A consideration of Geoffrey de Charny’s ...
In the article, "Cherchez la Femme: Feminist Criticism and Marie de France's `Lai de Lanval'," Sharon Kinoshita examines Marie de France's "Lanval" and its feminist implications. She explores three critical essays that discuss the feminism revealed in the Lais of Marie de France and the differing views represented in each criticism. After discussing these interpretations Kinoshita retells "Lanval" and reveals her own opinion. Through her analysis of the three critical essays and her breakdown of "Lanval" Kinoshita argues Marie's feminism is not revealed through her portrayal of strong female characters, but instead through the titular male character's rejection of the code of chivalry.
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Looking at Henry V and Saint Joan, both of the stories are very similar in many ways. Both plays have a strong main character that is persistent, dedicated, and strong and take place during the same war. Though the plots are not directly connected, the feminist lens can be connected to both plays, and by examining a speech from each, there are many similar qualities. The differences and similarities between Henry V and Saint Joan can easily be compared and contrasted through rhetorical analysis and the feminist critical lens.
Early feminists gained the right to vote, but were silenced when it came to being a homemaker. Women didn't have the drive because what was the point in trying? During the war, women went and got jobs to replace men and enjoyed their newfound careers. After the war, women were told to go back to their homes, but many didn't want to and felt very sad to go back. Powerful pieces of literature were posted during this time and gave women courage. Betty Friedan gave voice to second wave feminists by writing her book “The Feminine Mystique.” She found inspiration throughout her early life and careers. Betty created the National Organization for Women. A place where woman can educate each other on feminism. Betty was a high esteem journalist but
de Beauvoir, Simone. "The Woman in Love." The Second Sex. New York: Vintage Books, 1989. . Print.
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Abrams, M.H., ed. The Norton Anthology of English Literature. 6th ed. Vol. 2. New York: Norton, 1993.