Photograph of the Demolition of the Crystal Palace, 1936
The Crystal Palace designed by Joseph Paxton stood for eighty-five years. It succumbed to fire "at six o'clock on the evening of 30th November 1936" (Beaver, 141). A fire was discovered in the staff lavatory, and within minutes the whole structure was ablaze. The spectacular building was engulfed in fire as it dissolved into just a skeleton of its former structure. Paxton used innovative methods of construction on the Crystal Palace, greatly influenced by the bridge and train shed construction of the day. With the introduction of iron elements, architects could be more creative, and more "modern" with their designs, straying from classical precedents.
Paxton, with engineers Fox and Henderson, "created what amounted to a giant greenhouse, which was fabricated of little more then panes of glass and iron-and-wood framework" (Hyman & Trachtenberg, 482). It was predicted that the building would require a staggering amount of new materials: "900,000 square feet of glass," "3,300 iron columns; 2,224 girders; and 205 miles of sashbars" (Hobhouse, 39). The use of standardized, prefabricated materials helped to revolutionize architectural methods, prompting other designers to follow Paxton's lead. The Galerie des Machines and the Eiffel Tower built for the Paris 1889 Fair both implemented the light, airy method of iron construction.
The grand exhibition building was constructed out of prefabricated elements that were easily erected and could be disassembled when the exhibition was over. The Crystal Palace was first built in Hyde Park, the site of the Great Exhibition of 1851, where it stood for one year. After the fair, it was decided that the building would be taken down and...
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...ew of the sculptures added by Paxton and Cole to decorate the park (Beaver, 146). Thanks to personal photographs and private collections such as that of the University of Maryland we are able to get a glimpse of an architectural and social icon.
Works Cited
Beaver, Patrick. The Crystal Palace, 1851-1936: a portrait of Victorian enterprise. London, Hugh Evelyn Ltd., 1970.
Cowper, Charles. The building erected in Hyde Park for the Great Exhibition of the Works of Industry of All Nations, 1851. London: Victoria and Albert Museum. 1972.
Hobhouse, Christopher. 1851 and the Crystal Palace; being an account of the Great Exhibition and its contents; of Sir Joseph Paxton; and the erection, the subsequent history and the destruction of his masterpiece. London, Murray, 1950.
Hyman, Isabelle; Trachtenberg, Marvin. Architecture. New Jersey: Prentice Hall, Inc. 1986.
Findling, John E., Historical Dictionary of World's Fairs and Expositions, 1851-1988 New York: Greenwood Press, 1990 Komendant, August, "Post-Modern on Habitat", Progressive Architecture 1968 March vol.49, p.138-147
“Cleveland Museum of Art: Building,” Cleveland Art, Cleveland Museum of Art, 2013. Web. 25 March, 2014.
... was begun in 1077. The main building, included a small cathedral in one corner, and rises three stories. Towers extend from each of the four corners. Exterior walls enclose the premises. The walls were clearly built for defensive purposes with towers on each corner. The tower of London exists, with some later modifications, till this day.
The viewbook was compiled by the Architectural Commission for the fair, with the text by Allen D. Albert, an honorary secretary, and forward by Rufus C. Dawes, the president. The book, approximately nine by twelve inches, and consisting of 64 pages of vibrant images of the fair, depicts the major buildings, exhibits and attractions. These images are mostly watercolors, sometimes enhanced photographs or cartoons. Th...
However, the success of the building schemes relied on the construction methods and innovations that are now attributed as bei...
"Burton, Sir Richard Francis." Microsoft Encarta. Funk and Wagnall's Inc. Copyright 1995 Encyclopaedia Brittanica. Copyright 1993.
...ise architecture at the time is undoubtedly one of his greatest achievements. Louis Sullivan gave light to the phrase, ‘form follows function,’ however, one could argue this to be hypocritical coming from the man who focused to heavily on ornamentation. Through in depth research, this discussion successfully concludes that, as Sullivan himself stated, a building that bears no decoration could be a magnificent building. Then again, in terms of the Wainwright building, when the ornamentation and construction turn into one, the building is likewise magnificent.
The Metropolitan Museum of Art came about as an idea from Jon Jay in Paris, France in 1866 with the idea of “national institution gallery of art” within the United States. Once this idea was proposed, it was immediately moved forward with his return to the United States. With the help of the Union League Club in NY they began to acquire civic leaders, businessmen, artists, and collectors who aided in the creation of the museum. For over 140 years, the visitors who go here have received everything the mission of the institution states.
The “superstar” museum gained this status by considering every important detail during its establishment and initial phases of conversion from royal palace to museum (Gombault, 2002). As the purpose of the building changed, each room addressed new functions with new requirements. Although the function of the Louvre is different from the building’s original intention, the building is still appears dignified and important enough to display priceless artifacts and painting (Steffensen-Bruce, 1998). This consideration was applied in designing the Met. The Met looked towards the South Kensington Museum (Victoria and Albert) and the “ideal role model” due to its extensive collections and international reputation (Heckscher, 1995). The Met found itself in a similar situation to the South Kensington, because it did not have a building or a collection to start with (Heckscher, 1995). When designing museums, architects strived to create monuments that “prepare and educate the mind of the visitor (Steffensen-Bruce, 1998).” Education is an essential function of a museum. Acquiring, preserving, and properly displaying materials, permits a museum to fulfill this duty (Steffensen-Bruce, 1998). For instance, lighting is a factor that affects the manner in which artwork is viewed and can be properly appreciated. When determining the proper lighting for the Louvre, Comte d’Angiviller, strongly believed that natural, overhead lighting was the most effective solution (McClellan, 1994, p. 72). The same determination impacted the decision to add skylights at the Met. During the initial phase, architects Vaux and Mould, added skylights to the upper floor, and windows to the lower floor that provided a natural light solution (Heckscher, 1995). Additionally, glass-roofed courtyards provided “unimpeded light” for displaying
The setting is London in 1854, which is very different to anything we know today. Johnson’s description of this time and place makes it seem like a whole other world from the here and now....
The Palace of Westminster, also known as the Houses of Parliament, serves as the meeting place for the House of Commons and the House of Lords. The Old Palace was a medieval building that was destroyed by fire in 1834. After the fire, a competition was held for architects to submit plans for the new building that should be in a Gothic or Elizabethan style hoping to embody the conservative values of England. A Royal commission chose Charles Barry’s designs for a Perpendicular Gothic palace. Barry’s own style was more classical than Gothic which is why Augustus Pugin’s involvement was so crucial in Barry winning the competition. Barry’s plans reflected more of his knowledge of the neo-classical style through its symmetry. Pugin was the leading authority on Gothic architecture at the time. Almost all of the remains of the Old Palace were incorporated into the new design. Their work on the Palace began in 1840 and, while most of the work was finished by 1860, the New Palace of Westminster was not complete until a decade later. One of the most identifiable features of the Palace is the Elizabeth Tower, commonly identified by its main bell, “Big Ben”. The building is also known for two main spaces; the Lord’s Chamber and the Common’s Chamber. It is well identified by its main façade which runs parallel to the River Thames. The Palace, as it stands today, has been conserved very well to best display the designs as Charles Barry and Pugin intended them to be displayed. The Palace was, and remains, the center for political life in the United Kingdom, just as it remains a major iconic landmark of London. Many articles and books have been written discussing and disputing the history and design of the New Palace of Westminster, as well as the...
...er is still an economic boost to the city of London as a must see. Because the structure was so impressive, it brought quite a bit of tourism to the city. The designs were extremely important to the people because it showed the greatness of their country and still held the conservative belief that was once lost in the past. It just goes to show just how important it was to the church, the people, and to the commonwealth of the cities and towns that had such amazing structures erected.
Salt, Sir Titus. Industrial Revolution: Saltaire Housing Development near Bradford. 1850. Photograph. England. ArtStor. Web. 3 Feb. 2010.
Built in 1889 to commemorate the hundred year anniversary of the French Revolution, the Eiffel Tower has been a topic of discussion for numerous years. Designed by Gustave Eiffel and Morris Koechlin, the Tower was built originally as a temporary structure. The pieces of this eye-catching building were to be disassembled and melted down after twenty years. This did not happen, however. The Eiffel Tower has become a colossal icon throughout the world; the Tower has brought in enormous revenue and has a scientific impact on French and all of Europe’s society.
Even though, the Eiffel Tower is a renowned monument for France. Being that it was originally built as an entrance way, some precautions were made. The safety procedures distributed were moveable staging, guard rails and screens. So, only one man died during construction (“Building Eiffel Tower”). The tower stands 320 meters tall, it uses over 18,000 pieces in the steel structure. Each year the high heats cause the structure to grow six inches, but then retracts back after the summer time. So, that is why the idea of thermal rivets were used in assembly because the rivets allow the structure to keep its shape. Over 2.5 million rivets were used (“Building Eiffel Tower”). This construction cost France over 7.31 million francs. The tower was many different colors until they officially settled for bronze. It was red, mustard yellow, and even chestnut brown (“Chisholm”).