The Phoenix Art Museum

763 Words2 Pages
bulb-icon

Recommended: Importance of art education

Thanks to my art class I have a great opportunity to visit one of the biggest museums that I ever seen in my life, that was Phoenix Art Museum located in the downtown of the Phoenix metropolis. The artwork that inspired me, and I have carefully studied for this assignment was very interesting art piece completed by Jacopo Del Casentino’s who named this art piece Madonna and Child. For instance, Jacopo Del Casentino painted this work using tempera on poplar panel. According to the scholars and historians the painting was completed in 1335 in Italy. For instance, the portrait is Jacopo Del Casentino’s interpretation and vision of the Madonna and her baby Jesus. It is very interesting that within the assign time (almost 700 years) the piece is still in fairly good condition; however, there is bad side of the condition within this work art, where we can see the tempera that is flaked in close proximity to the panel edging. In advance, the size of the portrait is quiet large and is only focused closely on the two main subjects that painting presents. As we can observe, the images are large and centered, allowing the two figures to become the focal point of the paint. In my opinion, we can find within this painting a little symmetry and pattern that is adding clarity of the view.
While trying to describe the painting we can notice Madonna in the painting that is clothed in a black hooded cloak that covers her backside and surrounds her body, while revealing a light-colored garment underneath. For instance, the undergarment is very light crème in color, trimmed with gold on the collar and sleeves. On the other side, small part of Madonna’s hair is exposed, and a large halo rests on top of her head. As I found it interesting, the halo is...

... middle of paper ...

..., and to my eye are very unrealistic. While looking at the faces of Madonna and Child we can notice unreal face gestures that appear to show the sadness of the pictured models. Madonna and Child and its details are clearly and noticeably organized and are very appealing to the inspecting human eye. As a XIV centaury artist Jacopo del Casentino, in my opinion did a great job by presenting own view of Mother and Child that is outstanding and clearly understandable by the viewer. It is like 700 years old message that viewers in the XXI century are able to decode and understand. I am very happy that I have that great chance of learning something new as well the possibility of being in the museum in person and option of appreciating art within own eyes was a great experience that I would recommend to anybody who is seeking for the great entertainment with the culture.

Show More
Related

  • Visual Analysis Bouuerau

    546 Words  | 2 Pages

    Contextual Theory: This painting depicts a portrait of life during the late 1800’s. The women’s clothing and hair style represent that era. Gorgeous landscape and a leisurely moment are captured by the artist in this work of

    Read More

  • paper

    1208 Words  | 3 Pages

    The Merode Altarpiece is a triptych painting that represents the Annunciation of the Virgin Mary. This work displays the main characteristics of the Northern Late Gothic period. There is so much detail in this work of art. Campin utilizes many symbols in this altarpiec. The setting of the painting is in a Flemish middle class house. The Annunciation theme is being depicted in the central panel. A scene of Saint Joseph at work as a carpenter occupies the right-hand panel. The portraits of the donors are depicted in the left hand panel. Campin failed to understand the scientific perspective. To illustrate, there is no focal point in the painting and the table looks tilted. Campin used no aerial perspective. To illustrate, the background is still very crisp when seen from a distance. The most important aspect of the painting is the symbolism. For example, the lilies represent Mary's purity, the candle represents the Holy Spirit, even the mouse traps represent trapping evil. Campin also made use of bright, rich colors. In the central panel, the drapery of the figures are filled with colors of red and white. Campin has also made a good use of illusion of the space by making the town seem to be far away by distance by making them appear blurry. Furthermore, Campin has created figures that are not in proper proportion. To illustrate, the figure’s head is small and the bodies are big and it seems that if they get will hit their head if they get up. They look very unrealistic. Although they are not in proportion, the figures seem to have very sharp edges. The figures also look very stiff and rigid. In Merode Altarpiece, the light is arbitrary and the figures do not cast any...

    Read More

  • Jean Hey’s Annunciation

    2188 Words  | 5 Pages

    By most accounts, the year 1500 was in the midst of the height of the Italian Renaissance. In that year, Flemmish artist Jean Hey, known as the “Master of Moulins,” painted “The Annunciation” to adorn a section of an alter piece for his royal French patrons. The painting tells the story of the angel Gabriel’s visit to the Virgin Mary to deliver the news that she will give birth to the son of God. As the story goes, Mary, an unwed woman, was initially terrified about the prospects of pregnancy, but eventually accepts her fate as God’s servant. “The Annunciation” is an oil painting on a modest canvas, three feet tall and half as wide. The setting of the painting is a study, Mary sitting at a desk in the bottom right hand corner reading, and the angel Gabriel behind her holding a golden scepter, perhaps floating and slightly off the canvas’s center to the left. Both figures are making distinct hand gestures, and a single white dove, in a glowing sphere of gold, floats directly above Mary’s head. The rest of the study is artistic but uncluttered: a tiled floor, a bed with red sheets, and Italian-style architecture. “The Annunciation” was painted at a momentous time, at what is now considered the end of the Early Renaissance (the majority of the 15th Century) and the beginning of the High Renaissance (roughly, 1495 – 1520). Because of its appropriate placement in the Renaissance’s timeline and its distinctly High Renaissance characteristics, Jean Hey’s “Annunciation” represents the culmination of the transition from the trial-and-error process of the Early Renaissance, to the technical perfection that embodied the High Renaissance. Specifically, “Annunciation” demonstrates technical advancements in the portrayal of the huma...

    Read More

  • The Columbus Museum of Art

    668 Words  | 2 Pages

    The Columbus Museum of Art is a place rich in local history. A place where items of historical and artistic value are stored for safekeeping and allow access for public viewing. The museum has several locally named galleries. It also has a cute children’s area, complete with artwork from little local artists from several schools in the area. The children’s area has several pieces of art that children may touch, like Chicken George. I remember touching that chicken when I would visit as a child. The area also has a mini art studio to cater to the little creative minds that pass through.

    Read More

  • Philadelphia Art Museum

    636 Words  | 2 Pages

    The exhibit that I viewed at the Philadelphia Museum of Art was one about European Art between the years 1100-1500. This was a series of paintings, sculptures, architecture, and tapestry of the Medieval and Early Renaissance as well as objects from the Middle East. This exhibit was an important part of the history of the Philadelphia Museum of Art because for the first time, Italian, Spanish, and Northern European paintings from the John G. Johnson collection were shown. It gave me a good idea of what the paintings were like in these four centuries and reflected ideas of both the east and the west.

    Read More

  • Art Analysis: Portrait of a Woman With a Man at a Casement

    2038 Words  | 5 Pages

    The painting depicts two figures, the one of a woman and of a man. The dominating central figure is the one of the woman. We see her profile as she looks to the left. Her hands are crossed in a graceful manner. She has blonde hair and her figure is lit by what seems to be natur...

    Read More

  • Duccio di Buoninsegna's Madonna and Child

    1552 Words  | 4 Pages

    “The Met’s very own Mona Lisa” (Tomkins 9). That is what Duccio di Buoninsegna’s Madonna and Child painting is known as today. “The Metropolitan Museum of Art bought the Madonna and Child for forty-five to fifty million dollars” (Tomkins 1). However, the painting was not always in public hands; in fact, the Met purchased the last known work of Duccio in private hands. Originally, the painting was held in the private hands of Adolphe Stoclet and his wife. When the couple died, their house and their collection went to their son, Jacques who held onto the painting, and passed it down to his daughters who lent it to an exhibition in Siena of Duccio and his school. The painting was eventually withdrawn from the exhibition and sold (Tomkins 2). Madonna and Child painting dated 1300 and was painted by Duccio di Buoninsegna a Sienese painter, who is considered the founder of modern Italian painting. I chose to research this painting because the subject matter of religious imagery and symbols interests me. Also because when I looked at the painting the emotion on the Madonna’s face almost jumped out at me. It is as if, she is looking at her newborn child with this deep sadness, which almost makes you think that the painting is foreshadowing the death of Jesus Christ. In addition, the burns of the side of the frame peaked my interest, as to why they were there. Art critics were also interested in this work they even consider Madonna and Child one of Duccio’s perfect works, and it said to be worth all the other paintings exhibited under the name of Duccio (Christiansen 14). The Madonna and Child painting’s iconography, imagery, emotional appeal to the viewers, and meaning all make this painting still a great work of art today.

    Read More

  • Peter Paul Ruben's Venus and Adonis

    936 Words  | 2 Pages

    This painting, measuring about six-by-seven feet, is a massive work that draws viewers directly to it once they enter the room in which its displayed. It is not covered by any glass and is in a very well-lit area, thus it allows viewers to stand as close as possible to see the details of how Peter Paul Rubens handled his medium. Looking at the painting from a photograph is much different than viewing it up close and in person, because when looking at a photograph, one cannot see the texture of the paint that gives the painting its very delicate, unique, and realistic quality. The work appears to be in very good condition because most of the colors are still very rich and vibrant, such as Adonis’ red garment (Rubens). Although one cannot tell when directly viewing the piece, it has been said that previous use of radiographs for further analysis on the painting uncovered that initially, “Rubens gave A...

    Read More

  • Rokeby Venus

    855 Words  | 2 Pages

    The painting, in its simplest form, consists of a naked woman lying elegantly upon stately and rich cloths, while a young, also nude boy, is holding a mirror which contains her reflection. Upon first glance of this work, I was quickly able to make out the identity of the two subjects. ...

    Read More

  • Wayside Madonna

    948 Words  | 2 Pages

    Edith Catlin Phelps's oil painting Wayside Madonna is at first a regionalist work and then a biblical painting. But, overall, the painting is about a movement away from European culture and ideals. The contrasts in the painting lead the viewer to woman and child in the foreground, which illustrates the artist’s desire to utilize American culture in new ways. Phelps's work encourages American artists and American art viewers to more strongly identify with the culture they have at home, instead of looking overseas.

    Read More

  • The Museum of Fine Arts

    902 Words  | 2 Pages

    One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.

    Read More

  • Analysis Of Cassatt's The Child And Mother Nursing Her Child

    1035 Words  | 3 Pages

    The painting is intimate, almost as if was not meant for the eyes of the viewer. The mother gently holds the baby, within her arms, as she feeds him. The mother’s gaze is met by the child as it reaches out to touch her face. The background is simple, emphasizing the closeness between the mother and child, much like Le Brun’s piece. Additionally, Cassatt’s The Child's Bath, 1893 “with its striking and unorthodox composition, is one of Cassatt’s masterworks” (“The Child's Bath”). Within this composition, she employed the use of unconventional devices such as cropped forms, bold patterns and outlines, and a flattened perspective (“The Child's Bath”). Cassatt utilizes a pastel-like color scheme, exemplifying the delicateness and tenderness between the mother and her bathing child. Her brush strokes are swift and gentle, again, suggesting the passionate, yet soft, love the mother has for her child. The elevated vantage point invites the viewer to observe this intimate moment, but not to

    Read More

  • Virgin Child And Saint John Analysis

    866 Words  | 2 Pages

    Jacopo del Sellaio’s Virgin, Child, and St. John is a characteristically iconographic tempera panel painting of Madonna, the Christ Child, and the infant St. John from the early renaissance, dating to the early 1480s. Sellaio was a Florentine painter under the apprenticeship of Sandro Botticelli, which reflects through his style and symbolism in the painting. In this work, he depicts a classically devotional scene filled with biblical symbolism. Sellaio’s Virgin, Child, and St. John expresses Mary’s loving role as Christ’s mother, the protective power and warmth of her maternal bond, and the significance of the birth of Christ.

    Read More

  • The Van Gogh Museum

    502 Words  | 2 Pages

    I was lucky enough to visit the Van Gogh Museum in Amsterdam in November of last year. The museum was located in somewhat of a museum park. The Rijks museum and the Stedelijk Museum are located on the same block. A beautiful landscape of ponds and trees are centered around them. The Van Gogh Museum has an audio tour available in all languages via a handheld tour guide. Unfortunately, funds limited me to get the audio tour, but I was able to nonchalantly follow a British couple around most of the five floors. The museum chronologically directes you through a collection of Van Gogh's and his contemporery's works.

    Read More

  • Art Conservation and Restoration

    1192 Words  | 3 Pages

    Clearly, the piece is not in its original form, nor was it even twenty years after completion. However, due to the concern, care, diligence, and expertise of many art lovers, there remains at least a remnant of da Vinci’s masterpiece to be studied and enjoyed by future scholars and visitor.

    Read More

More about The Phoenix Art Museum

Open Document