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how religion affects music
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Musical Worship
Throughout history, music has been used as a form of worship in the Christian church. From David playing his harp and writing poetry in fields to electric guitars being played in church buildings, we have explored almost every style of music. There are many views on how musical worship should be carried out in the church. So much so that style of musical worship has become a church splitting controversy. People draw lines in the sand and choose not to sway far from what they believe is pleasing to God, but this has led to more division than unity. Through music, these lines can be smoothed over, allowing Christ’s bride to come together as one body to worship Him.
Over the centuries, styles of music have come and gone, not only in the secular world, but also in the church environment. “In the ancient world, the normal way to praise a deity was through melodic words or chant.” (CHI). In 1 Kings chapter 18, we see prophets of Baal chanting to him and although it is never recorded before the time of David, we can assume that Christian prophets and teachers also had their own form of musical worship. The book of Psalm is completely comprised of songs written from David to God. He would often play his harp while tending the sheep. Jumping forward 2840 years to the beginning of the 19th century, we see the use of instruments become much more precedent in worship. Churches have become more locally based and organs are being played on Sunday mornings in almost every sanctuary across the nation.
With the spread of instruments and accessible church buildings, styles between churches became more distinct. While, most churches stayed with the traditional form of worship where an organ player and choir led the congreg...
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were also musical as well as spiritual. The yelling and shouting in the church were
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On November 16th, 2013, I attended a concert choir, fall choral concert. This event took place on the Wheaton College Campus, in the Edman Chapel at 7:30 pm. The chapel was well-lit, with long pews for the audience to be seated. The concert began with the audience looking up into a balcony, where the ensemble stood in neat rows. They watched the conductor, who stood on a stage in front of the audience, waiting for their cue.
African American religious music is the foundation of all contemporary forms of so called “black music.” African American religious music has been a fundamental part of the black experience in this country. This common staple of the African American experience can be traced back to the cruel system of slavery. It then evolved into what we refer to today as gospel music. The goal of this paper is to answer three main questions. What are the origins of African American religious music? How did this musical expression develop into a secular form of music? What is the future of African American religious music? These questions will be answered through factual research of African American traditions, artists, and various other sources.
this time, gospel music was a sacred folk music with origins in field hollers, work songs,
“For over one thousand years the official music of the Roman Catholic church had been Gregorian Chant, which consists of melody set to sacred Latin texts and sung without accompaniment” (Kamien 67). The credit for developing Gregorian chant music, also known as plain...
As the church’s cultural influence continued to dwindle, the fundamentals of music rapidly began to alter. With less church-based restrictions, composers gained newly found freedom that allowed musical experimentation beyond secular and religious pieces. As this new freedom developed new musical advances, this allowed the earlier organum to develop and prosper into the musical harmony of today. The creativity that spawned during this era developed a new level of improvisation through harmonic change as the harmony was developed through the implementation of a figured bass to supplement the
Music has been relevant in Christianity since its beginnings. Some of the first music was written in Latin and they were called Hymns. “Hymn is a song of praise” (Van Camp) and were sung only by catholic churches. When Martin Luther led the Protestant Reformation and helped create Protestant Christianity, he began translating hymns into German. All around Europe people were translating hymns into different languages. These translations were brought over by European settlers coming to America and were used frequently in both Catholic and Protestant churches.
When the cathedrals were being constructed, the musicians at the time would create sounds according to the structure of the building. The resulting musical sounds illuminated the church, and the lives of the people who composed and performed it. Nobody had heard before such music. It was modern back at that time. Also, buildings and the music were there for the glory of God. Most if not all of the music was composed for the church to praise God.
One of the very first things taught in this class was the concept of the Qur'anic recitation. It is a practice reciting different passages in the Quran. Much to the frustration of those who take part in this practice, it is often mistaken for music by those who are not very familiar with the idea. Music in this culture, however, is considered a nonreligious thing and is thought to be “secular” and “profane”. I found this extremely different from music in Africa, for example, where music plays a huge role in religion. Praise dances are very common in West African cultures where music and religion go hand in hand. Music is most often present in worship and passage rites, as well.
It was magnificent. The first thing to catch my eye was a monstrous chandelier that hung from the 50 foot ceiling. It was awe inspiring. As my eyes surveyed the room, it was hard to miss the antique maple pews that provided seats for approximately 300 people. Plush emerald green carpet was the grounding to the room. It's path led directly up to the stage which was home to a variety of items. The band, pulpit, arid baptismal were the most obvious. Above the stage was a huge dome, it was colored in shades of blue, mauve, white, and several other soft accents. A bright light was right in the center of its point. Our gazing was soon interrupted when the official greeter returned. This time she was quick and to the point. She collected our cards and informed us that service was about to begin. Within a matter of minutes, a middle-aged man stepped up to the pulpit and asked us to stand.
person is in, there is a psalm to match it. For example, Psalm 19 is
As a young child, I spent Sundays in the pews of various churches. My extended family had a wide variety of different denominations of Christianity. Some churches had loud music with singing and dancing, others lots of sitting and standing. But the