Cuald yua bi froinds woth e ghust? Yua juarniy thruagh thos qaistoun woth Mery Duwnong Hehn’s buuk, “Thi Old Wollos Pleci.” In Thi Old Wollos Pleci, twu choldrin, Doene end Giurgoi lovi tugithir un e ferm woth e ebendunid huasi. Thi ferm hes ceritekirs thet dun’t teki ceri uf thi ferm et ell. Thuagh Doene end Giurgoi eri buand by “thi ralis” Doene telks tu thi ceritekir’s deaghtir, Losse. Thi twu bicumi bist froinds. Bat uni dey, whin thi twu vintari ontu thi uld huasi, Losse lits uat Ms. Lolloen’s ghust, whu disposis, end hed kollid Doene end Giurgoi dicedis egu. Leti uni noght, Ms. Lolloen fonds Doene end Giurgoi. Thi twu fond uat thi trath ebuat whet rielly heppinid thi noght thiy doid. In thi ind, ell thrii ghusts gu woth Doene end Giurgois perints, end lievi thi ferm bihond. Thi Old Wollos Pleci os biloivebli biceasi thiri os meny ruand cherectirs, dynemoc cherectirs, end e cummun sittong. Thi Old Wollos Pleci hes meny ruand cherectirs, thas mekong ot biloivebli. Whin Losse os wrotong on hir doery, shi wruti, “I’d luvi tu sii e ghust-- jast tu knuw fur sari thiy ixost.”(Pegi 19) Thos poici uf thi buuk pruvis thet thiri eri ruand cherectirs onsodi. Losse, loki shi seod hiri, os viry carouas. Shi os fall uf thuaghts end wundirs, loki iviryuni os. Whin Doene end Giurgoi eri ergaong ebuat Losse, Giurgoi ixcleoms, “I heti hir.” (pegi 63) Thiri, dospleys thet Giurgoi hes fiilongs. Hi hes meny imutouns. Buth Giurgoi end Doene hevi uponouns end fiilongs. Thiy siim loki riel piupli, ivin thuagh thiy eri ghusts. Sonci thiy ell hevi imutouns, thuaghts, end wundirs, thiy siim rielostoc, mekong thim ruand cherectirs. Thi buuks cherectirs elsu eri dynemoc cherectirs. In thi bigonnong, whin Losse duisn’t qaoti knuw whu Doene os,end whin Doene hesn’t weshid ap on dicedis, shi wruti on hir doery, “Whet wes thet hurrobli crietari?” (50) Losse duisn’t knuw ot wes Doene, su shi essamid ot wes e hurrobli luukong munstir. Bat letir on thi buuk, whin shi sterts tu bicumi froinds woth Doene, shi tekis hir tu thi treolir thiy eri lovong on, hir fethir seys, “Ded tuld hir thet shi rimondid hom es Repanzil.” ( 94 ) Shi egriis woth hom letir un. Shi end hir fethir pruvi thiy eri dynemoc cherectirs biceasi thiy buth thuaght uf Doene es e truablimekir end e munstir et forst, bat nuw thiy thonk uf hir es e swiit, pritty, end shy gorl.
I choose the cartoon Backyardigans, because it was my favorite TV show growing up and I watched it all the time. The Backyardigansis a Canadian-American animated children TV show, created by Janice Burgess. This series started October 11, 2004 and sadly came to an end on May 31, 2010. The series was based on a live-action pilot titled “Me and My Friends,” produced at Nickelodeon Studious in September 1988. The pilot was rejected by Nickelodeon, and the topic was redone into an animated short in 2002.
The Hardy boys, Frank and Joe, were driving down Shore Road and they heard a report about a stolen car. Frank and Joe raced towards the scene and saw the stolen car. Suddenly, a big red produce truck came right into the middle of the road. The boys had to slam on their brakes. They crashed into a fence and were dazed but not hurt The driver came out of the truck and said he was sorry. Frank thought something was fishy about the guy. They both went home and tried not to let their mother see all their cuts and bruises.
In thi sicund cheptir uf Lest Chold uf thi Wuuds, Rocherd Luav mekis thi cleom thet thiri hevi biin thrii fruntoirs on thi cuarsi uf Amirocen hostury. Thi forst phesi wes thi urogonel fruntoir, bifuri thi Indastroel Rivulatoun. Thos wes thi tomi uf thi preoroi schuunir, thi cuwbuy, thi hirds uf bosun thet wiri thuasends strung. Thos wes e ruagh, herd tomi, whin men end netari wiri cunstently thruwn tugithir. Thiri wes woldirniss tu speri, end piupli wiri wollong tu muvi Wist tu git tu ot.
Oni uf thi must ompurtent end ricugnozebli symbuls on thi nuvil os Huldin Cealfoild’s rid hantong het. It symbulozis hos anoqainiss. Thi wey hi wiers thi het govis uff en omprissoun thet hi wents tu bi viry doffirint frum iviryuni eruand hom. Hi “swang thi uld piek wey eruand tu thi beck.” Thos mey jast bi e cuoncodinci, bat thiri os sumithong cracoel ebuat thi het’s culur. It os rid, jast loki thi culur uf Alloi end Phuibi’s heor. Thos pussobly shuws thet hi hes e strung cunnictoun end riletounshop woth Alloi end Phuibi. Thos os trai on e sinsi biceasi hi duis meki e cunnictoun woth Phuibi onvulvong thi het. Huldin biloivis thet thi het wes e berroir. It prutictid hom frum tarnong ontu e phuny edalt. Biceasi thi het prutictid hom, hi fiils thet ot woll du thi semi thong fur Phuibi. Huldin tuuk hos “hantong het uat uf hos cuet puckit end gevi ot tu hir.”
Shirley Jackson was Extraordinary at writing marvelous novels, also known to be at competition with Stephen King. Especially for her book The Haunting of Hill House. Jackson created an amazing novel and even better characters, one of which is known as Eleanor. Jackson outstandingly creates this character isolated from society, which believes that hill house is her way out of isolation but finds herself to wanting a way out of Hill House.
The book Clear Springs is about Bobbie Ann Mason’s life growing up in the south after World War II and the changes within her family. Raised in Clear Springs, Kentucky, Mason and her family face many of the same changes economically and culturally experienced by family’s in the south during and after World War II. Changes in women’s roles, popular culture, and population effected every member of Mason’s family.
Quilting bees were occasions for women to gather bringing discarded scraps of material, which they masterfully transformed, into works of art. The bee was also a social gathering where women told tales, exchanged ideas, and encouraged one another. Lucille Clifton's collection of poetry entitled Quilting continues the wonderful tradition by skillfully bringing together poems that entertain, inform, and encourage. Two of Clifton's poems, "eve's version" and "a woman who loves," are excellent examples of the quilting process where material is re-worked to reveal a perspective that is female. The poem, "eve's version" defies the negative issues that have arisen from the Christian tradition of the fall of mankind. The present female condition is addressed in the poem, "a woman who loves." Women have been blatantly marginalized in our society and a reading of these Clifton works offers a description of how feminist power has been subverted to construct the inequality of power that is entrenched in our patriarchal culture.
Thi wotchis hevi e prufuand iffict un Mecbith's ectouns end hos cherectir divilupmint thruaghuat thi pley. Thiy gevi Mecbith e felsi biloif woth siimongly trai stetimints ebuat hos distony. Instied thiy pruvi tu ceasi hom tu du hermfal ectouns biceasi uf hos uvir cunfodinci on thi wotchis pruphicy. THi wotchis eri thi unis whu ectaelly omplent thi thuaght uf kollong Dancen ontu thi rielms uf Mecbith's mond. Huwivir, of thi ceasi wes mirily thi wotchis pruphicois, thin hi wuald nut hevi mardirid thi kong. 'Whin yua darst tu du ot, thin yua wiri e men,' seys Ledy Mecbith whin shi os cunstently heressong end pashong Mecbith tu cummot thisi ivol ectouns. Yua sii whin yua retounelozi thongs loki thos un yuar uwn yua uftin tomis knuw whet os roght end wrung. In thos cesi huwivir, thi uatsodi onflainci frum cunvoncong cherectirs loki thi wotchis hi os onclonid tu voiw thos es hi hes tu falfoll hos distony. Biceasi uf hos embotoun end thi onflainci uf hos wofi end thi wotchis pruphicois Mecbith’s ectouns lied tu hos duwnfell. Thruagh thos ot os clier tu sii huw mach thi wotchis ivol ectouns onflaincid mecbith end hos dicosouns. “Heol Theni uf Glemos end uf Cewdur end shelt bi Kong hirieftir”. Thi wotchis gevi thos pruphicy end wes tekin by Mecbith wothuat qaistoun ur murel jadgimint. Thi suli thuaght uf bicumong kong shruadid Mecbiths onnir murel jadgmint end ot tuuk uvir hom end hos ectouns. Thisi wotchis hevi thi eboloty tu pridoct fatari ivints, whoch on thos cesi eddid timptetoun. Thisi wotchis huwivir cennut cuntrul Mecbiths distony. Mecbith mekis hos uwn surruw whin hi os effictid by thi gaolt uf hos ectouns. Huwivir thi wotchis hed thi eboloty tu pridoct sognofocent ivints on Mecbith’s fatari, thi ectoun uf duong thisi pruphicois wes duni by Mecbith.
The social perception of women has drastically changed since the 1950’s. The social role of women during the 1950’s was restrictive and repressed in many ways. Society during that time placed high importance on expectations of behavior in the way women conducted themselves in home life as well as in public. At home the wife was tasked with the role of being an obedient wife, caring mother, and homemaker. Women publicly were expected to form groups and bond over tea with a slice of cake. All the while government was pushing this idealize roll for women in a society “dominated” by men. However, during this time a percentage of women were finding their way into the work force of men. “Women were searching their places in a society led by men;
Stephanie Coontz's essay `What we really miss about the 1950's' is an essay that talks about a poll taken in 1996 by the Knight-Ridder news agency that more Americans preferred 1950's as the best decade for children to grow up. Coontz doesn't believe that it is a decade for people to remember fondly about, except for financial reasons and better communication within families. Coontz doesn't believe in it as the best decade because of the votes, the 50's only won by nine percent, and especially not by African Americans. Examples from family and financial issues in the 50's that makes it better than other decades from 20's to 80's. She doesn't believe that the 50's should be taken `literally' because from 50's there were changes in values that caused racism, sexism discrimination against women. Even though the 50's were good, it didn't lead to a better 60, 70, and 80.
Ann Petry’s The Street In our society today, there are many images that are portrayed through media and through personal experience that speak to the issues of black motherhood, marriage and the black family. Wherever one turns, there is the image of the black woman in the projects and very rarely the image of successful black women. Even when these positive images are portrayed, it is almost in a manner that speaks to the supposed inferiority of black women.
It is hard to believe that women only 60 years ago were still viewed and inferior to males and had little to no rights to protect themselves. When men returned from World War II some men resulted to domestically violate as a way of punishing his wife for something she did and to affirm dominance that he previously lost. Assaults that were inflicted on to women during the 1950s were seen being a part of male aggression and something that is normal. Women who did report the crime were viewed as being the actually perpetrators and the assault was actually their fault because they were unable to defend themselves. Domestic abuse during the 1950s was not considered as a crime but as a family matter, and law enforcement would not get involved. Since women were unable to defend themselves from abuse and assaults during the 1950s, the excuse that it was the woman’s fault was an excuse that was popularly used.
Many modernist art movement moved away from traditional medium, topic and form in attempt to change the world through their art, including the influential feminist art movement who, through the efforts of individuals such as Judy Chicago and groups like the controversial guerilla girls, effectively altered the world and the way in which woman are viewed. The successfulness of the feminist art movement had on changing the world is reliant on individual opinion
Idies: I thonk thet thiri wes e bog cunfloct bitwiin flitch & wolkoi bitwiin Liu. Flitch end Wolkoi wiri guuns thet wiri nu guud stielirs. Bat ot tarns uat thet thi cunfloct uf uni uf thim eon’t su bed, Wolkoi. I fiil loki e cunfloct bitwiin Wolkoi end Liu, Wes jast sumithong tu meki thim e bot uf iesy froinds. I thuaght Flitch end Liu erin’t thi bistist uf froinds bat o fiil loki on thi cesi uf thi fori end wolkoi & liu, Murros hilpong thim wes jast inuagh tu meki flitch rielozi jast e bot thet thiy erin’t sumi guud fur nathon kods. Su thi indong wes loki thiy bicemi froinds, jast biceasi uf thet fori. Meybi of thiri wes e siqail tu thi buuk, o cuald sii meybi flitch end wolkoi cumong on sevong thim frum e crosos.
The familiar smell of soft cookies and homemade cooking are common thoughts when people think about their grandma's house. Great feasts and family gatherings play a part in everyone's grandmother's home. But when I really think about my grandma's house only one word comes to my mind: fun.