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gender in ancient greece
gender in ancient greece
gender in ancient greece
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As one begins to enter the Greek world of Mythology it cannot be helped but to notice the significant impact these works have had on this day and age. Seeing as how they have such profound impact on our everyday lives, it’s necessary to research and analyze this noteworthy topic. A constant recurring theme worth discussion as seen throughout Greek Mythology is that of men and their dominative status. Some examples of such men include: Hercules – renown for his 12 Great Labors, the cunning Odysseus in his return voyage home, and the ever-courageous Orestes. However, as one could wonder as he/she is reading throughout Greek Mythology, “What is it that gives men such predominance in Greek Mythology?” – now the aim of this paper. As can be observed throughout Greek Mythology, the dominant force of men is shown through their courage which is prevalent in their deeds, quests, and battles.
When one thinks about men and their deeds in Greek Mythology, the notorious character Orestes and his all-too-famous act of vengeance always comes to mind. However let us first turn to Agamemnon and the Greek fleet’s journey to Ilium – which is to set off, in a chain of events, Orestes’ action. As Agamemnon and the Greek fleet drew near to Ilium for their oncoming invasion it is said that “They met at Aulis, a place of strong winds” (E. Hamilton 182) where after several days of winds keeping them on shores, the army grew “desperate” (E. Hamilton 182). As found later by the soothsayer Calchas “Artemis was angry. One of her creatures… a hare had been slain” (E. Hamilton 182) the only way to appease her would’ve been to “[sacrifice]… a royal maiden, Iphigenia, the… daughter of… Agamemnon” (E. Hamilton 182). Reputation at stake, Agamemnon dared...
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...oldness of both father and son, Agamemnon and Orestes to complete their difficult task, the utter strength and courage of Hercules to complete his twelve near-impossible feats, and the single-handed determination that only courage gave to the wise Odysseus, we can see that it was courage and mainly courage that helped all these well-known men to complete the tasks that asserted and showed their dominance in Greek Mythology. Therefore, with these being said, and putting it all into perspective, we see how it was courage that helped not only these same men, but other men as well, such as the brave Achilles, Theseus, Perseus, Ajax, Jason, Diomedes, Bellerophon, Hector, and so on, throughout much of Greek Mythology. This being said, it is then no wonder that “The Greek word for courage or bravery is andreia, a noun formed from the word for a (male) man.” (Raphael 32).
In this essay I will examine the war-of the-sexes taking place in The Eumenides, the final play of The Oresteia. The plot of The Eumenides pits Orestes and Apollo (representing the male gods and, to a certain extent, male values in general) against the ghost of Clytemnestra and the Furies (equally representative of female values.) Of more vital importance, however, is whether Athene sides with the males or females throughout the play.
The book then talks about viewpoints of women, both real and those who face tragedy. Women during this time were very secluded and silent, but the heroines contradicted that. This chapter talks about the images of women in the classical literature in Athens, and the role they had in society. Many tragedies were ones that formed by mythes during the Bronze Age. It showed the separation in what made women heroic, rather than average. While viewing other Scholarly sourcese, Pomerory writes her own theory, she used others
...imately men were in command in all situations: Ischomachos’s wife says, “For my guarding and distribution of the indoor things would look somewhat ridiculous, I suppose, if it weren’t your concern to bring in something from outside (Oeconomicus, VII 39).” This suggests that even though the wife was the indoor household manager, she was still obeying her husband’s orders that were the driving force of her own agency within the oikos.
The Greek interpretation of what makes a man “civilized” and what makes him “savage” is a recurring theme throughout the ancient epics, battle narratives, and dramas, including Aeschylus’ Agamemnon. In this first installment of The Oresteia, the chorus of Argive elders expresses keen outrage at the killing of Agamemnon, which suggests that they equate savagery with the madness they see in Clytemnestra: “just as your mind is maddened by the bloody deed, the blood-fleck in your eyes is clear to see” (1426-1427). In many places throughout the play, however, Clytemnestra proves that she does not fit the description of savage that is defined in Homer’s literature, for example and instead gives evidence that she is a very complex, rational woman. The chorus ignores the many admirable qualities of their queen —her skill at running the estate and her compassion for those who have suffered, among other things— simply because she is a woman. These qualities may not entirely excuse Clytemnestra from taking a life, but they combine to form a more noble picture of the queen than the chorus chooses to portray. Clytemnestra has relatable motives and displays empathy and respect for many different people, including the husband who she just killed, which sets her apart from the classical Greek definition of a savage —a designation forced on Clytemnestra by the chorus, but not necessarily to be believed.
For the Greeks, Homer's Odyssey was much more than just an entertaining tale of gods, monsters, and men, it served as cultural paradigm from which every important role and relationship could be defined. This book, much more so than its counter part The Iliad, gives an eclectic view of the Achean's peacetime civilization. Through Odyssey, we gain an understanding of what is proper or improper in relationships between father and son, god and mortal, servant and master, guest and host, and--importantly--man and woman. Women play a vital role in the movement of this narrative. Unlike in The Iliad, where they are chiefly prizes to be won, bereft of identity, the women of Odyssey are unique in their personality, intentions, and relationship towards men. Yet, despite the fact that no two women in this epic are alike, each--through her vices or virtues-- helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks.
Women play an influential role in The Odyssey. Women appear throughout the story, as goddesses, wives, princesses, or servants. The women in “The Odyssey” dictate the direction of the epic. Homer the blind creator may have contrived the story with the aim to depict a story of a male heroism; but the story if looked at from a different angles shows the power women have over men. The Sirens and women that posses the power of seduction when ever they are encountered take the men off their course, and lead many to their death. The power women in the Epic pose can be seen from the goddess all to the wives. From The nymph Calypso who enslaves Odysseus for many years posses all the way back to Penelope who many argue is of equal importance to
Aeschylus' The Oresteia features two characters burdened by seemingly hopeless decisions. First is Agamemnon, king of Argos, whose army was thwarted by the goddess, Artemis. Agamemnon was faced with the decision to call off the army's sail to Troy, and thus admit defeat and embarrassment, or to sacrifice his daughter, Iphigenia, to satisfy Artemis whom had stopped the winds to delay Agamemnon's fleet. Second is Orestes, son of Agamemnon, who was given the choice by Apollo to avenge his father's murder, thus committing matricide, or face a series of torturous consequences. Although both Agamemnon and Orestes were faced with major dilemmas, their intentions and their characters are revealed through their actions to be markedly different.
The thesis of the Oresteia proves to be the sacrifice of Iphigenia, for it is with the death of a woman that the tables of the curse on the house of Atreus start to unfold. The sacrifice of Iphigenia becomes the start of the continued curse within this particular generation of the house of Atreus. Agamemnon, a misogynist, did not value the life of his innocent daughter over the spoils of men. It is significant that an innocent woman, ready for marriage, an act that brings together two households, was not married but instead murdered. Her sacrifice shows a separation between men and women along with failure within the household.
Though not the focus of epic poetry, the female characters of this ancient genre play a central role, as they have a great influence on the male heroes they encounter. In a genre which idealizes manliness and heroism—that is, acts of courage, strength, and cunning— women are set in opposition to these ideals and therefore less respected. At the same time, women who attempt to take on more “masculine” roles are vilified. Here, antagonist is defined as anyone in opposition to the hero’s goals. Female agency—their free will and ability to wield power—is directly related to their role in epic poetry; that is, the more agency a female character has, the more antagonistic of a role she plays. This agency is often enacted through sexuality or supernatural
In learning about the feminist movement, we studied the three articles and discussed and reviewed the different authors perspectives on the topic and learned how important the role of woman in Greek Mythology. In presenting the feminist theory to the class we analyzed the three articles, Women in Ancient Greece; Women in Antiquity: New Assessments; and Women in Greek Myth, and discussed how although the three articles provided different views on Feminism in mythology, they all essentially are aiming to teach the same basic concept.
Of all the heroic traits such as honor and glory, given to the reader through Homer’s epic poems loyalty seems to be the strongest, as with Patroclus in the Iliad, so it is with Penelope, Telemachus, and Eumaeus in the Odyssey. Through the use of these characters loyalty is demonstrated to Odysseus, the hero if the poem. Their undying loyalty and devotion to the warring hero gives perfect examples of how humans should act to those they claim to be faithful too.
Women have given birth to new generations for centuries and have the common stereotype of being caring and gentle. But in the creation myth, women were given to man as a punishment. In the book of collected Greek tales, " Mythology Timeless Tales of Gods and Heroes", by Edith Hamilton, women take up important roles that shape each story. Although women are usually characterized as being helpful and motherly, Greek mythology, on the other hand, portrays them to cause distress, fear, and anxiety to numerous men. Women’s actions are shown to be influenced with jealousy and vengeance which gives them an evil nature.
Women are enigmatic. Their complexity is evident in their very anatomy; at least it was according to Plato. Therefore, as what is alien is often feared and what is feared is often subject to aggression, perhaps the men of Rome attempted to dominate women in every facet of life because they feared the possibility of women usurping power. Gender, as suggested by Women's Life in Greece and Rome and "Elite Male Identity in the Roman Empire," is not anatomy but power. Yet how can one be more powerful than an unknown entity? Men can only hope to dominate a species they do not even understand through carefully crafted treatises on anatomy, laws, education, and the unbreakable chains of culture and tradition.
Gender Roles in Ancient Greek Society Throughout history, the roles of women and men have always differed to some degree. In ancient Greece, the traditional roles were clear-cut and defined. Women stayed home to care for children and do housework while men left to work. This system of society was not too far off the hunter gatherer concept where women cared for the house and the men hunted.
Agamemnon is the first part of the trilogy known as the Oresteia. Agamemnon is a story where the main character sacrifices his own daughter to a God, Artemis to win a battle and then his wife revenge him for the sacrifice. The concept of fate plays an important role in the tilogy Agamemnon which led to the tragic endings of the play. According to the meaning of fate it means the development of events outside a person’s control, regarded as predetermined by a super natural power. Fate is what send Agamemnon to the war with Menelaus to fight against Paris, fate is what predetermined Agamemnon to sacrifice his own blood for the sake of his ship and companions and fate is what determined Cassandra his wife to plot to kill him and to revenge him for her daughter.