More handpicked essays just for you.
What role did the Joad family play in the Grapes of Wrath
Ma joad role in the grapes of wrath
The symbolic meaning of the grapes of wrath
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Ma Joad in the Grapes of Wrath by John Steinbeck In the 1930s, America’s Great Plains experienced a disastrous drought causing thousands of people to migrate west. As their land was devastated by the Dust Bowl, deprived farmers were left with few options but to leave. The Grapes of Wrath depicts the journey of the Joads, an Oklahoma based family which decides to move to California in search of better conditions. Coming together as thirteen people at the start, the Joads will undertake what represents both a challenge and their only hope. Among them are only four women embodying every ages: the Grandma, the Mother and her two daughters, the pregnant Rose of Sharon and the young Ruthie. Appearing in Chapter Eight the mother, who is referred to as “Ma”, holds a decisive role in Steinbeck’s novel. She is, along with her son Tom (the main character of the book), present from the early stage of the story until its very end. We will attempt to trace back her emotional journey (I) as well as to analyze its universal aspects and to deliver an overall impression on the book (II). Steinbeck describes Ma as a strong woman, physically “heavy, thick with childbearing and work” (Chap.8). From the moment the author introduces her to the reader, she displays two qualities that remain throughout the book: generosity and self-control. Her first word aims to welcome stranger at the family table (“Let’em come”).
The Grapes of Wrath explicates on the Dust Bowl era as the reader follows the story of the Joads in the narrative chapters, and the migrants in expository chapters. Steinbeck creates an urgent tone by using repetition many times throughout the book. He also tries to focus readers on how the Dust Bowl threatened migrant dreams using powerful imagery. As well as that, he creates symbols to teach the upper class how the Dust Bowl crushed the people’s goals. In The Grapes of Wrath, John Steinbeck utilizes imagery, symbolism, and repetition to demonstrate how the Dust Bowl threatened the “American Dream.”
Throughout the novel, The Grapes of Wrath there are intercalary chapters. The purpose of these chapters are to give the readers insight and background on the setting, time, place and even history of the novel. They help blend the themes, symbols, motifs of the novel, such as the saving power of family and fellowship, man’s inhumanity to man, and even the multiplying effects of selfishness. These chapters show the social and economic crisis flooding the nation at the time, and the plight of the American farmer becoming difficult. The contrast between these chapters helps readers look at not just the storyline of the Joad family, but farmers during the time and also the condition of America during the Dust Bowl. Steinbeck uses these chapters to show that the story is not only limited to the Joad family,
or fear." Thus, if Ma acts as if everything is all right, then the family
Steinbeck's intercalary chapters in The Grapes of Wrath have nothing to do with the Joads or other characters of the novel, but help describe the story in different terms. They are similar to poems, offering different viewpoints of the migration, and clarifying parts of the story that the reader might not understand. An excellent example of this use can be seen in chapter 21, where an examination of the attitudes of migrant Okies and the residents of California reveals the changing nature of land ownership among the changing population of California and gives greater meaning to the fierce hostility that the Joads meet in California.
In conclusion the Grapes of Wrath is a literary masterpiece that portrays the struggles of man as he overcomes the adversity of homelessness, death, and the wrath of prejudice. Steinbeck fully explores each faucet coherently within the boundaries of the Joad family’s trials and
The Grapes of Wrath is a novel written by John Steinbeck, which focuses on an Oklahoman family that is evicted from their farm during an era of depression caused by the Dust Bowl. The Joad family alongside thousands of other refugees (also affected by the dirty thirties) migrates west towards California seeking employment and a new home. John Steinbeck’s purpose for writing this novel was to inform his audience of how many of their fellow Americans were being mistreated and of the tribulations they faced in order to attain regain what they once had. As a result, The Grapes of Wrath triggered its audience’s sympathy for the plight of the Dust Bowl farmers and their families.
From a more romantic perspective one might be inclined to say the main theme behind this story is choices made by man as a unit when obstacles and circumstances arise, perhaps perseverance through hardship. But this book rarely displays romantic or idealistic interactions among the characters or moments in the plot. Although there is one example of slight romantisicm at end, the book for the most part is an excellent illustration of naturalism in a piece of literature. To shine this main theme under a naturalistic light, the reader must be allowed to examine the deep psychological, emotional and physical connection between man and his land so often demonstrated and greatly emphaisized throughout the book. The cliffsnotes state that this connection is a basic fundament to the Jeffersonian agrarian theory. A great example of when Steinbeck incorporates this philosophy is when the representatives of the bank are telling the tenant farmers that they need to get off the land. They feel that since they lived and died on the land, it is rightfully theirs. "Funny thing how it is. If a man owns a little property, that property is in him, it's part of him, and it's like him (37)." Since the bond between the farmer and his property is so strong, once it is broken the people loose their self-respect, dignity, and meaning. Steinbeck uses this idea to foreshadow and help explain the events of Grandpa's death and to further drive the ideas Casy preaches. Casy suggests at the funeral that Granpa died the moment he was torn from his land. He also speculates that only if the band together and make sacrifices for the unit, the Joads and the Wilsons can they survive. "We on'y got a hundred an' fifty dollars. They take forty to bury Grampa an' we won't get to California (140)." They decide that for the family the best thing to do is to bury him on the road.
Ma Joad is a woman of strength and hope who is the backbone of the family. She represents the Mother Nature archetype while she posses the physical aspect of guiding the family and staying strong when the family needs her most. Steinbecks shows the importance of ma's character by the syntax usage to describe ma. " Ma was heavy, but not fat; thick with child-bearing and work...her ankles, and her strong, broad, bare feet moved quickly and deftly over the floor", Ma is described with these features to show her strength as a mother who has control and survives through hard situations (95). Her 'bare feet' being close to the earth shows how she takes on a 'Mother Nature' archetype to her character. She is one with the earth just as Mother Nature is. Mother Nature is one that gives birth, produces, sustains life and nurtures her family. All of these archetypes are expressed in ma's character.
In fact, one principal character who was involved in a difficult situation was Ma Joad. She was a wife and mother whose only occupation in life was a housewife. She lived in an unfair time period; women were forced to do almost everything that the man commanded. However, Ma Joad was different. Ever since the family traveled to California, she slowly began to take charge. This was first seen when Tom, Ma’s son, suggested that the family continue driving while he and Casy, the preacher, stayed behind to fix the Wilson’s (a family the Joads met on their way to California) automobile. Ma Joad was furious with this idea. She brought out a jack handle and said, “ ‘You done this ‘thout thinkin’ much. What we got lef ‘in the world’? Nothin’ but us. Nothin’ but the folks…An’ now, right off, you wanna bust up the folks’ “ (Steinbeck 218). Ma J...
The 1930’s were a decade of great change politically, economically, and socially. The Great Depression and the Dust Bowl wore raw the nerves of the people, and our true strength was shown. From it arose John Steinbeck, a storyteller of the Okies and their hardships. His books, especially The Grapes of Wrath, are reflections of what really went on in the 1930’s. John Steinbeck did not write about what he had previously read, he instead wrote what he experienced through his travels with the migrant workers. “His method was not to present himself notebook in hand and interview people. Instead he worked and traveled with the migrants as one of them, living as they did and arousing no suspicion from employers militantly alert against “agitators” of any kind.” (Lisca 14) John Steinbeck’s The Grapes of Wrath was derived from his personal experiences and his journeys with the migrant workers.
Floyd Knowles was another character associated with Tom. At one point the police were after Floyd and Tom trips the policeman, resulting in him going to hide in the willows so they don’t find him and catch him. The Joads wanted to leave that camp site soon after that happened, after one of the family members went missing, Tom went to find him. The missing member was drunk by the river and Tom was forced to knock him out to get him back to the truck so they could load up and leave. It’s hard for people to change from their old ways, like Tom is doing and Steinbeck is showing us this, and showing that Tom is the protagonist in this novel.
Steinbeck's The Grapes of Wrath is a realistic novel that mimics life and offers social commentary too. It offers many windows on real life in midwest America in the 1930s. But it also offers a powerful social commentary, directly in the intercalary chapters and indirectly in the places and people it portrays. Typical of very many, the Joads are driven off the land by far away banks and set out on a journey to California to find a better life. However the journey breaks up the family, their dreams are not realized and their fortunes disappear. What promised to be the land of milk and honey turns to sour grapes. The hopes and dreams of a generation turned to wrath. Steinbeck opens up this catastrophe for public scrutiny.
In the novel The Grapes of Wrath, by John Steinbeck, a fictitious migrant family, the Joads, travel west in search of a new life away from the tragedies of the Dust Bowl in Oklahoma. Along the way, Steinbeck adds a variety of minor characters with whom the Joads interact. Steinbeck created these minor characters to contrast with the Joad’s strong will power and to reflect man’s fear of new challenges, and to identify man’s resistance to change. Three minor characters who fulfill this role are Muley Graves, Connie Rivers, and the tractor driver.
The Grapes of Wrath is a novel by John Steinbeck that exposes the desperate conditions under which the migratory farm families of America during the 1930's live under. The novel tells of one families migration west to California through the great economic depression of the 1930's. The Joad family had to abandon their home and their livelihoods. They had to uproot and set adrift because tractors were rapidly industrializing their farms. The bank took possession of their land because the owners could not pay off their loan. The novel shows how the Joad family deals with moving to California. How they survive the cruelty of the land owners that take advantage of them, their poverty and willingness to work.
The story Little Women takes place at a time when women were taking on uncustomary roles like physical laborer, family protector and provider, and military volunteer while their husbands served during the Civil War. Keeping within the boundaries of the time, Louisa May Alcott uses herself and her own three sisters to create this classical novel from personal experiences. Each sister is different. They each set goals and dreams for their selves whether it goes along with their contemporary society or not. With the assistance of their mother, friends and experiences, Meg, Jo, Beth, and Amy struggle between their personal expectations and society’s expectations as they plan for their future and choose their destinies.