The play of King Lear is a tragedy like many of Shakespeare’s plays, and many of them deal with the tragic hero that end up meeting their demise thanks to their tragic flaw. The tragic hero of this play is King Lear, and he is a man that is a ruler of the kingdom of Britain in the 8th century B.C. He is a very old man surrounded by grave responsibilities, which are taking care of the land and taking care of the citizens of the kingdom. Lear the tragic hero must feel suffering and contrast those good times to the suffering, except his suffering leads to chaos and ultimately his death. The definition of a tragedy from our class notes is, “an honorable protagonist with a tragic flaw, which is also known as a fatal flaw. This eventually leads to his/her demise” (Class Notes). The definition of a tragic hero if laid out in black and white and King Lear meets all these requirements and his nobleness initiated his tragic flaw. King Lear is a tragic hero because he is a man that is very arrogant and does not see the world for what it really is. We can show how Lear is a tragic hero by using some of the elements of Aristotle’s definition of a tragic hero that are nobleness, arrogance (tragic flaw), and reversal of fortune.
Lear is a noble man because he comes from a royal family and that is the first quality that shows that Lear is a tragic hero. Throughout Lear’s life, everything has been done for him because he is the King and back in the 8th century B.C. all of the people of the country had to meet all the demands of the King. His nobility can be seen when Kent says, “Royal Lear, Whom I have honored as my king, Loved as my father, as my master followed, As my great patron thought on in my prayers,” (Shakespeare I, I, 141-144) Kent is ...
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...n reaction that starts the reversal of fortune for Lear.
Lear was an individual that began as a very arrogant and noble King that was on top of Mount Everest, and next thing you know he’s at the bottom of the deepest ocean. King Lear is a tragic hero because he is a man that is very arrogant and does not se the world for what it really is. The things that made Lear a tragic hero are his nobleness, arrogance (tragic flaw), and a reversal of fortune. As a King, Lear’s lack of knowledge in decision making occurred due to the effect of his arrogance and the quality of arrogance started with his nobility. So the three factors that Aristotle describes that a tragic hero has, is all present in the Character of King Lear.
Works Cited
Shakespeare, William, and Russell A. Fraser. King Lear. New York: New American Library, 1998. Print.
Ladies and gentlemen of the jury, I am here today to argue the title of tragic hero in the play Antigone by Sophocles. I would like to start off by saying that it will be extremely difficult for me to have the passion that I usually have because of my client. My client's ruthless leadership disgusts me in the worst way. But I will still stand in front of you, the jury, and defend my client. As I said before I am here to argue the title of tragic hero in the play Antigone. I could see that some of you are dazzled by the word "tragic hero". No need to worry for I will enlighten you. The great Aristotle was one of the first men who defined a tragic hero. His definition is not a rule for what tragedy should be, but it is a description of what he believed tragedy was. According to Aristotle a tragic hero must have these qualities to qualify as one. A tragic hero is neither good nor bad. Along with being neutral in his stance, a tragic hero must also be born into royalty. A tragic hero could never be of the common folk. In addition to this a tragic hero must suffer a large fall from good grace. By this he means that a fall that brings him "down to earth". A tragic hero also has some type of flaw. Whether it is a character flaw such as pride and ego or the character must make an error of judgment or a mistake. With the tragic flaw the character must also recognize the flaw that they have made. In other words, they have to be enlightened. The audience is then supposed to feel pity and fear for the tragic hero because of his tumultuous journey. The tragic hero also is supposed to inspire catharsis in the audience.
Shakespeare, William. "King Lear: A Conflated Text." The Norton Shakespeare. Ed. Stephen Greenblatt. New York:
Aristotle defines tragedy in his respected piece Poetics and many other forms of literature. Many tragic heroes such as Oedipus Rex and Romeo and Juliet fit well into this mold of a tragic hero as defined by Aristotle. For example, they were flawed but well intentioned and their lives ended in a catastrophic death. Those plays, and many others in the genre, had all the elements of a tragedy: plot, character, thought, diction, melody, and spectacle. They were fantastic displays of misery that aroused pity and fear in the audience.
A tale of duplicity and impetuosity, William Shakespeare’s play Othello brings to life a cast of complex characters. The leading character, Othello, whose undoing the piece recounts, proves to be the quintessential tragic hero by fulfilling all required elements necessary to be labeled as such. Aristotle defines a tragic hero as one of a noble stature who experiences misfortune and commits a culpable act as a result of his own free will; however, the misfortune is neither entirely deserved nor does it result in an absolute loss, as the hero experiences an awakening to the disagreeable facts while accepting defeat (Arp and Johnson). Othello, a vanguard of his day, is beguiled by a confidant and ensnared by the lies that ensue. This causes Othello great mental anguish. He is plagued with the question: Is his love unfaithful, or does she remain true? Eventually, unable to discern fact from fiction, Othello repudiates his bride and their recent marriage. Misplaced trust and a jealous heart soon cause Othello to lose his composure, his dignity, his most loyal counterpart, and ultimately his life.
The first rule that is met in Shakespeare’s play is that Othello is considered tragic hero, which every tragedy must contain. According to Aristotle, the tragic hero must be a man in a position of power who is a good person and makes a mistake during the timeline of the play due to a tragic flaw. Othello’s major flaw can be seen as jealousy: “Othello has often been described as a tragedy of character, as the play’s protagonist swiftly descends into a rage of jealousy
King Lear is a play about a tragic hero, by the name of King Lear, whose flaws get the best of him. A tragic hero must possess three qualities. The first is they must have power, in other words, a leader. King Lear has the highest rank of any leader. He is a king. The next quality is they must have a tragic flaw, and King Lear has several of those. Finally, they must experience a downfall. Lear's realization of his mistakes is more than a downfall. It is a tragedy. Lear is a tragic hero because he has those three qualities. His flaws are his arrogance, his ignorance, and his misjudgments, each contributing to the other.
Courageous and admirable with noble qualities defines a heroine. In Aristotle’s Poetics he describes a tragic hero as a character who is larger than life and through fate and a flaw they destroy themselves. Additionally, Aristotle states excessive pride is the hubris of a tragic hero. The hero is very self-involved; they are blind to their surroundings and commit a tragic action. A tragedy describes a story that evokes sadness and awe, something larger than life. Furthermore, a tragedy of a play results in the destruction of a hero, evoking catharsis and feelings of pity and fear among the audience. Aristotle states, "It should, moreover, imitate actions which excite pity and fear, this being the distinctive mark of tragic imitation." (18) For a tragedy to arouse fear, the audience believes similar fate might happen to them and the sight of the suffering of others arouses pity. A tragedy's plot includes peripeteia, anagnorisis, hamartia and catharsis. Using Aristotle’s criteria, both characters in Oedipus The King and The Medea share similar qualities that define a tragic hero such as being of noble birth, having excessive pride, and making poor choices. They both gain recognition through their downfall and the audience feels pity and fear.
Aristotle defined tragedy in his respected piece Poetics that defined the tragedy and many other forms of literature. Many tragic heroes such as Oedipus Rex and Romeo and Juliet fit well into this mold of a tragic hero as defined by Aristotle. For example, they were flawed but well intentioned and their lives ended in a catastrophic death. Those plays, and many others in the genre, had all the elements of a tragedy: plot, character, thought, diction, melody, and spectacle. They were fantastic displays of misery that aroused pity and fear in the audience.
Every tragic play must have a tragic hero. A tragic hero does not need to be good; for example, Macbeth was a wicked person, even though he was a tragic hero. This tragic hero, Aristotle tell us, should not be absolutely evil, since the death of such a figure, being only just, would fall to move the audience; not should the figure be absolutely good, for his death would violate our concept of right and wrong, evoking not a tragic sense but a feeling of courage" (Fallon, Shakespeare 7). According to Aristotle, "The tragic hero must be an important person in the community, a king, a queen, a prince, of a famous warrior, a man or woman of substance and responsibility because that figures experiences a fall, and any fall is more moving if it comes from a great height" (6). Also a tragic hero does not have to die, but in all Shakespeare's plays the hero dies, while in other tragic plays they may alive.
middle of paper ... ... yman, Norfolk Marsh, Nicholas, “Shakespeare: The Tragedies” 1998 Macmillan Press, London Rehder, R.M, “York Notes: William Shakespeare: King Lear” 1980 Longman Group, Essex Websites and Online Resources BBC Education – King Lear (various authors, none cited.) http://www.bbc.co.uk/education/bookcase/lear/info.shtml#from Revolinski, Elaine 2002 http://drama.pepperdine.edu/shakespeare/lear/elaine/cordelia.htm RSC – Online Play Guides, King Lear (various authors, none cited.) http://www.rsc.org.uk/home/344.asp Schneider, Ben Ross, Jr.
King Lear as a Tragedy Caused by Arrogance, Rash Decisions and Poor Judgement of Character
The concept of tragic hero is very important in the construction of tragedy. It is the main cause of pity and fear. The tragic hero is a character between the two extremes; he is neither virtuous nor evil. At the same time, this character is better than the ordinary men or audience, he has some good qualities. Moreover, as a tragic hero, he is moving from happiness to misery by his downfall at the end. In fact, this downfall is caused by an error or a flaw in his character not by a vice or depravity. Another feature in the tragic hero is that he has good reputation and he is a man of prosperity. It can be said that Oedipus is a tragic hero because he has all the previous mentioned characteristics and the whole play is a classical application of this concept.
Shakespeare, William, Barbara A. Mowat, and Paul Werstine. The Tragedy of King Lear. New York: Washington Square, 1993. Print.
King Lear is a tragic story by William Shakespeare is a story of a man King Lear and his decision that led to his fate and the fate of others. With every tragic story comes a tragic hero. The tragic hero of the story is King Lear. According to the definition of a tragic hero one must be born into nobility, endowed with a tragic flaw, doomed to make a serious error in judgement, fall from great heights or high esteem, realize they have made an irreversible mistake, and faces and accepts death with honor meets a tragic death. King Lear meets all of these qualities.
Bradley, A.C. Twentieth Century Interpretations of King Lear. Ed. Janet Adelman. New Jersey: Prentice-Hall, 1978.