Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
the poems of john donne
the poems of john donne
cultural context on the society of john donne
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: the poems of john donne
John Donne was born to John and Elizabeth Donne of Bread Street, London, in
1572. In his early years, John Donne was a wild lover and sensual writer. After finding
Christ, his writing style changed from sexual to spiritual. Despite the fact that Donne’s
earlier poetry was focused around lustful sensations, his later works utilized biblical
illusions, proclaiming his newly found belief in God.
Early in Donne’s life, his brother was incarcerated “for giving sanctuary to a
proscribed Catholic priest” and met his death through fever while serving his time
(Smith). The untimely and unfortunate death of his brother sent Donne down a path of
religious questioning. Though raised as a Catholic, Donne began to wonder what sort of
God would permit his brother not only to be arrested, but also to die for helping a fellow
believer. The ensuing uncertainty young Donne was struggling with can be seen reflected
in his first two volumes of work, Satires and Songs and Sonnets. Though those works do
not directly condemn religion or the government, Donne strays from the path he was
raised to walk, and speaks openly of sexual desires and women.
In “Indifferent,” a poem from the collection Songs and Sonnets, Donne openly
discusses his preferences, or lack thereof, when it comes to women. Poems such as “The
Curse” and “The Prohibition” all discuss love and women from objective and interesting
standpoints. In Donne’s poem “The Damp,” a woman is said to have no need to use any
means other than her body to overcome a man :
But these I neither look for nor profess ;
Kill me as woman, let me die
As a mere man ; do you but try
Your passive valour, and you shall find then,
Naked you have odds...
... middle of paper ...
...n to God, My God, in my Sickness.” The first few lines of
the poem are strongly indicative not only of a deeply rooted faith, but also of Donne’s
concrete belief that he would be welcomed to Heaven by God:
Since I am coming to that Holy room,
Where, with Thy choir of saints for evermore,
I shall be made Thy music. (211)
Works Cited
Jokinen, Anniia. "A quick and Rough Explication of Donne's Holy Sonnet 10."
Luminarium. 27 Mar 2002. Web. 2 Mar 2011.
Miller, Edmund. "John Donne." Critical Survey of Poetry. Ed. Philip K. Jason. Pasadena,
California: Salem Press, 2003. 1058-1059. Print.
Smith, A.J. "John Donne (1572-1631) Biography." Poetry Foundation.2010. Web. 2 Mar
2011.
"Student Essay on John Donne Holy Sonnet VII Prosody/ Analysis." Book Rags. 2006.
Web. 2 Mar 2011.
"The Works of John Donne." Luminarium. 2007. Web. 2 Mar 2011.
In order to better understand Philip's critique of Donne within the lines of her poetry, a reading
John Donne uses poetry to explore his own identity, express his feelings, and most of all, he uses it to deal with the personal experiences occurring in his life. Donne's poetry is a confrontation or struggle to find a place in this world, or rather, a role to play in a society from which he often finds himself detached or withdrawn. This essay will discuss Donne's states of mind, his views on love, women, religion, his relationship with God; and finally how the use of poetic form plays a part in his exploration for an identity and salvation.
In 1658, his career was revived and he began to write once again. His first work was an elegy called Heroique Stanzas, which was about the death of Cromwell, and detailed how he was such a brave English statesman (DISCovering Authors 1). He began writing poetry in 1660 in the form of Neoclassical (Wasserman 40). That same year, he was granted a couple of patents from Charles II for a theatre. However, the plays were not too successful. Two years later, the theater was closed by the Puritans (Britannica 1).
In the poem, Donne structures each stanza individually as a different personification of love. In the first stanza, Donne compares love to a plague when he says, “Yet not that love so soon decays…that I have had the plague…” (3/6) It is the latter line that Donne implements his use of imagery and conceit. Love is not often compared with “the plague” and this is a very strong interpretation. However while these two images seem different, they do interconnect through the pain and anguish that love can foster. This first comparison of Donne’s is very ef...
It is quite feasible to state that poetry at its finest is a dazzling and expressive art of words. A poem not only can expose the diplomatic beliefs of societies, but can also articulate passions and sentiments of the author to whom the poem belongs. One of the many fine poems that have been prevalent among the study of literature that is irrefutably powerful is Meditation 17 by John Donne. This poetic essay exposes John Donne’s opinions and beliefs on humanity, and covers much cogitation from religion all the way to death. Of course, the poem has been written so profoundly that one may not grasp it completely at first glimpse, however John Donne does use explicit strategies to better convey his message to readers of all sorts. John Donne utilizes situation, structure, language, and musical devices to enhance the poem and to aid in delivering his message efficiently.
is impossible to find, and even if you did, by the time that Donne had
The metaphysical era in poetry started in the 17th century when a number of poets extended the content of their poems to a more elaborate one which investigated the principles of nature and thought. John Donne was part of this literary movement and he explored the themes of love, death, and religion to such an extent, that he instilled his own beliefs and theories into his poems. His earlier works, such as The Flea and The Sunne Rising, exhibit his sexist views of women as he wrote more about the physical pleasures of being in a relationship with women. However, John Donne displays maturity and adulthood in his later works, The Canonization and A Valediction: Forbidding Mourning, in which his attitude transcends to a more grown up one. The content of his earlier works focused on pursuing women for his sexual desires, which contrasts heavily with his latter work. John Donne’s desire for physical pleasure subsides and he seeks to gain an emotional bond with women, as expressed in his later poetry.
In both ‘The Sun Rising’ and ‘The Good Morrow’ Donne presents the experience of love, in a typical Metaphysical style, to engage his reader through sharing his own experiences. These poems show distinctive characteristics of Metaphysical poems which involve colloquial diction, drawing inventive imagery from unconventional sources, passionately analysing relationships and examining feelings. Donne presents the experience of love through conceits, Metaphysical wit, language techniques and imagery, in a confident tone using logical argument. The impact of Donne’s use of direct and idiomatic language shows the reader how he feels about a woman and ultimately love.
John Donne is unanimously acknowledged as a true metaphysical poet because he made an unlike conceptual thought against the Elizabethan poetry, showed an analytical pattern of love and affection and displayed an essence of dissonance in words and expressions. This paper concentrates on the exploration of the characteristics of Donne’s metaphysical poetry highlighting extended form of epigrams, conceits, paradoxes and ratiocinations. Donne in respect of the manifestation of metaphysical beauty was an unparallel and super ordinate among all poets such as Richard Crashaw, Henry Vaughan, Abraham Cowley, George Herbert, Andrew Marvell and many more. Donne, in fact, gave a breakthrough about the initiation of a new form of poetry-metaphysical poetry. He was natural, unconventional, and persistently believed in the argumentation and cross analysis of his thoughts and emotions through direct languages. He also concentrated on love and religion through intellectual, analytical and psychological point of view. His poetry is not only scholastic and witty but also reflective and philosophical.
Granted that Donne's personification of God reduces the deity from an almighty force to a human archetype, divinity is not undermined. The metaphoric figures of inventor, ruler, and lover, each retain specific skills and purpose, but can not compare to the Christian suggestion of God's role and strength. However, the presentation of striking, violent imagery charges the poem with a sense of power and complete domination, and allows the image of God to transcend his designated human forms. Through the projection of life's frailty, powerlessness in captivity, and sexual
John Donne's use of deep religious themes, unique poetic devices, and vivid imagery create a stunning and convicting poem. Donne's talents are on full display as he moves through each line with such beauty and simplicity. One can easily imagine his sorrow and pain as he penned the words of this poem and poured his heart into it. Donne's work reminds readers of the sorrow of sin, the necessity of forgiveness, and the hope of restoration. Although he focuses on anguish and sorrow, his message is truly one of joy and hope. All who take his words to heart find internal peace and rejoice in the mercy of their
The first quatrain of the poem begins undermining the idea of death by personifying it. Death is personified by Donne throughout the poem as he challenges death by stating that it is not the “mighty and dreadful” aspect of life that people are afraid of, but as an escape from life where people can find peace after death because “nor yet canst thou kill me” (Donne 1100). He argues that death does not really kill those whom it thinks it kills to further beat death into humility. In the opening line of the poem he uses an apostrophe, “Death, be not proud..” to begin with a dramatic tone to argue with death as people’s adversary (Donne 1100). Death is given negative human traits, such as pride, but also inferiority and pretense.
... life in the process. In only 66 lines, Donne uses his masterful command of the English language to create a superb poetical representation of his personal beliefs about love.
In his poem, "The Sun Rising," Donne immerses the reader into his transmuted reality with an apostrophe to the "busy old fool, unruly sun" that "through curtains" calls upon him, seizing him from the bliss which "no season knows." This bliss, a passionate love, stimulates him to reinvent reality within the confines of his own mind, a wishful thinking from which he does not readily depart, much like a sleepy child clings to the consequences of a dream.
John Donne is known as being one of the most famous and influential metaphysical poets. The term “metaphysical," as applied to English and continental European poets of the seventeenth century, was used by Augustan poets John Dryden and Samuel Johnson to reprove those poets for their “unnaturalness.” As Johann Wolfgang von Goethe wrote, however, “The unnatural, that too is natural," and the metaphysical poets continue to be studied and revered for their intricacy and originality. Due to Donne’s personal experiences with spirituality and love, he is able to grasp the true meaning of metaphysical poetry (Brief Guide to Metaphysical Poets). Using all the aspects of metaphysical poetry, Donne creates a mysterious metaphoric poem titled, “The Flea.” Throughout this poem, the use of metaphors and breaks into the separate stanzas allow for the audiences to understand what The Flea is really about. At first glance, many read The Flea as a poem that compares sexual intimacy with an animal, but when broken down, it can be seen that the meaning is much deeper than intimacy, but it