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themes in the bronte sisters books
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Would a person describe the personality and acts of their mothers as loving or nurturing or quite possibly witty with her words? When one thinks of a Mother, be it their own or another, one would usually describe them as caring, affectionate, protective; however, with her mother having died when she was a young age of five, Charlotte Brontë never had the chance to understand how essential those traits were to a child and grew up under the care and teachings of her father; which was what helped lead to her strong and virtuous independence: the lack of a mother's love and guide. When a child is born into this unpredictable world, led by a Fate that depends well on what and how one plays their lives, they are usually taken care of by the one and only guardian blessed with the soul inside them: their mothers. Granted, that some may not have wished to be one so early, they were given to do so; with supposed adoring hearts and unbound love and careful nurturing, the role of a Mother in a child's life is important - not belittling a Father's, of course - and no matter how different one mother treats their child compared to another, their love is something a child will never forget. Yet, sadly, Brontë herself never had the chance to experience such a thing like most - if not other - children had. Her kindhearted mother, Maria Branwell, passed away from cancer at the young age of thirty-eight in September, 1821 (Online-lit.) leaving her six children and husband, Patrick Brontë, in a lost state. Withal, Charlotte's father worked hard for their peaceful - albeit isolated - life as a curator in Thornton, their hometown, but later moved on to Haworth and was appointed Reverend. Being born in Victorian times and has fair - or even more in-dept... ... middle of paper ... ... Essays & Summaries. Web. 08 Dec. 2009. . Crompton, Margaret. Passionate Search: A Life of Charlotte Brontë. New York: David McKay Company, Inc., 1955. Print. Gaskell, Elizabeth. Life of Charlotte Brontë. New York and London: Harper & Brothers Publisher, 1900. Print. Harris, Laurie Lanzen. Nineteenth-Century Literature Criticism, Vol. 3 (Nineteenth Century Literature Criticism). Vol. 3. Belmont: Thomson Gale, 1983. Print. Brontë, Charlotte. Jane Eyre. Penguin Classics ed. 1847. (Londone): Penguin Group, 2006. Print. (Penguin Edition) "Charlotte 'Jane Eyre' Brontë." incompetech. Kevin MacLeod, 2010. Web. 9 Feb. 2011. Merriman, C. D. "Charlotte Bronte." Online-literature. Jalic Inc., 2007. Web. 8 Feb. 2011.
Charlotte Brontë's novel Jane Eyre, published in 1847, is an archetype of the 1840s novel. It tells the story of Jane Eyre, an orphan who eventually finds herself and happiness as a governess and, later, a wife. Although this is a "personal" story that provides escape and entertainment for its readers, Jane Eyre most certainly, if some...
In Charlotte Bronte’s, Jane Eyre, Jane goes through numerous self-discoveries, herself-realization and discipline leads her to a life she chooses to make her happy. Jane Eyre has a rough life from the start. Forced to stay with people who despise her, Jane can only help herself. Jane must overcome the odds against her, which add to many. Jane is a woman with no voice, until she changes her destiny. The novel Jane Eyre, by Charlotte Bronte consists of continuous journeys through Jane’s life towards her final happiness and freedom.
Bronte, Charlotte. Jane Eyre. London, Penguin Books Ltd.: 1996. (Edited with an Introduction and Notes by Michael Mason).
Faye, Ron. Christianity in Jane Eyre, Barbara Timm, ed. Critical Essays on Charlotte Bronte. Boston: G. K. Hall, 1996.
Jane, unlike Mr. Rochester, is completely fixed in her position; her sex and her occupation as a governess limits her, and what she could obtain. For Bronte, Jane was innately given the motivation and drive to desire more than what she has; as the author, Bronte, must have been absolutely influenced by the social order of her time, and the challenge of increasing one’s station.
Charlotte Brontë was one of three English sisters who had books published in the mid-1800s. Her father was an Anglican minister and she attended a religious school as a child. Her most successful work, Jane Eyre, tells the story of an orphan girl with no independence who falls in love but has to face her morals when she finds out she is about to marry a man who is previously wed. Jane ends up coming full circle and gaining her independence from a wealthy inheritance and meets some interesting people along the way. Throughout Jane Eyre by Charlotte Bronte, some of the characters Jane meets are Helen Burns, St. John and Mr. Brocklehurst whom all portray the hypocrisy, obedience, and obsession views of religion.
"Charlotte Bronte as a 'Freak Genius'", David Cecil in Charlotte Bronte: Jane Eyreand Villette (A Casebook Series) ed. Miriam Allot.
Bronte, Charlotte. The Letters of Charlotte Bronte: 1829-1847. Ed. Margaret Smith. 2 vols. New York: Oxford UP, 1995-2000.
Pain, misery and disappointment are all a significant part of this world’s concepts of both life and love. A prime example of this is displayed in Charlotte Bronte’s novel, Jane Eyre, where the protagonist, Jane, suffers through a particularly difficult life; her love is constantly stripped from her the moment she is relishing it most. With Bronte’s introduction of Bertha Rochester, Jane’s never-ending cycle of disappointment and loss of love.
Lodge, Scott. "Fire and Eyre: Charlotte Bronte's War of Earthly Elements." The Brontes: A Collection of Critical Essays. Ed. Ian Gregor. Englewood Cliffs, NJ: Prentice Hall, 1970. 110-36.
O’Dea, Gregory. “Narrator and Reader in Charlotte Brontë’s Villette.” South Atlantic Review 53.1 (1988): 41-57.
...ighting for acknowledgement in a society dominated by males. She, unlike her aunt, is not afraid to stand up to John, and is not bossed around by him. She is constantly fighting with him. Bronte uses this difference between Jane and the other women characters to create the picture in her reader’s mind, that women who display the behaviors of the classical Victorian female are bad, and that the women who show independence and individuality are good.
Gill, L. (2007). The Princess in the Tower: Gender and Art in Charlotte Brontë's "Jane Eyre"
Jane was brought up enduring a life of struggle and hardship that she was able to gain wisdom from and see beauty in. Bronte places Jane in situations where she is able to prove her resilience such as placing Jane at the Moore house because she wanted her to see the nature of the world and to show the reader that life comes with surprises. After rising from this fall, she arrives at Moor House where her skills she learned at Marsh End are tested. Jane learns throughout her adventure that she has to take matters into her own hands. Jane desires to be favored in this world. She’s never found the “feeling of isolation” pleasing, so when she falls into Marsh End she is obviously miserable being alone with people who did not care about her. Jane not only cherishes approval but also likes to have a high status in society. She does “not like to belong to poor people,” and to be dropped into their class. Jane knew what she would be striving for, to succeed in life, and she knew that it came with new faces, under new circumstances. Jane was ready to handle any environment in her quest for establishing her individuality. Bronte novel can be interpreted in a number of ways, however the feminist approach is the most valid because its conclusions are drawn after analyzing a Marxist criticism, psychological criticism and many other criticisms that continue to be relevant in the lives of many
Charlotte Bronte’s Jane Eyre represents the role of women in the Victorian era by giving the reader an insight into the lives of women from all social classes. Jane Eyre therefore represents figures of the Victorian time yet the character of Jane Eyre, herself, can be seen as very unconventional for the Victorian society.