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Analyze the modest proposal by jonathan swift
Analyze the modest proposal by jonathan swift
Analyze the modest proposal by jonathan swift
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... middle of paper ... ... 3. The adage of the adage. That is the point that everyone should be listening to.
Irony can be defined as expressing the opposite of what is meant. This is a great technique of the sense of humor and sarcasm used in the proposal. and in the Swift language. One of the voices that are present throughout the story is that of irony. The snares are a snare.
i. There are quotes on lines 32, 35, 40, and 41 that just explain what people are saying literally
Jonathan Swift is the speaker in the story, A Modest Proposal. He is also the author of many other books and stories. In the text of A Modest Proposal, Swift addresses what he believes to be a big issue in the magnificent country of Ireland, Dublin to be exact. Therefore, he proposes a solution to the problem, however, the solution is not what we would call humane, orthodox, reasonable, or even one that we would consider performing today. Swift wrote this piece for anyone that can read and comprehend what the text implies.
2)"Some day, Inshallah, you will be a great writer... and people all over the world will read your stories."
quote because it confirms the argument that he proposes is valid. Without the words from the
Swift defined satire as; 'A sort of glass wherein the holders do generally discover everybody's face but their own, which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it. " Swift presents his "Proposal" as an entirely reasonable suggestion to aid the Irish, he enumerates the many benefits, counters the objections many may have, uses rhetoric reasoning and proves his humanitarianism views. Swift has written in considerable detail over the degree of poverty in Ireland, he draws attention to the causes of it obliquely and proves in great detail that his "Proposal" will work and in which ways it does work. Ireland was a colony of England; it was economically, politically and militarily dependent on ... ... middle of paper ... ...
Primarily used in satire is the literary device, irony, which is often displayed in both Swift’s essay and Voltaire’s novella; it is used to convey the duplicity of certain ...
Swift was said to “declare at one stage in his life: ‘I am not of this vile country (Ireland), I am an Englishman’” (Hertford website). In his satire “A Modest Proposal,” he illustrates his dislike not only for the Irish, but for the English, organized religions, rich, greedy landlords, and people of power. It is obvious that Swift dislikes these people, but the reader must explore from where his loathing for the groups of people stems. I believe Swift not only wanted to attack these various types of people to defend the defenseless poor beggars, but he also had personal motives for his writings that stemmed from unconscious feelings, located in what Sigmund Freud would call the id, that Swift developed in his earlier years of life.
Satire in Swift's A Modest Proposal Swift's aim of his proposal is to expose the cruelty of the rich landlords of Ireland, who were not being aware of the poverty and suffering of the Irish people. Swift's proposal is an attempt to suggest a remedy of Ireland's situation by shocking those who are powerful enough to inflict change on Ireland's appalling circumstances. In order to do this Swift creates an alter ego, a persona who puts forth the ghastly proposal but in a logical fashion. Swift uses a 'Juvenalian' sort of satire, a way of getting at the reader without targeting them directly. Swift tries to expose the reality of Ireland in a discreet and delicate way.
Effectively ushering change in society or pointing out faults that have existed and gone unnoticed can be a daunting task for any social commentator. Often, blandly protesting grievances or concerns can fall upon deaf ears and change can be slow or non-existent. However, Jonathan Swift in his pamphlet A Modest Proposal, uses clever, targeted, and ironic criticism to bring the social state of Ireland to the attention of indolent aristocrats. He accomplishes such criticism through satire, specifically Juvenalian satire. Swift’s A Modest Proposal stands as an example of the type of satire that plays upon the audience’s emotion by creating anger concerning the indifference of the voice created. He complements such criticism with sophisticated, clever language which may be mistaken for the more docile Horatian satire. Yet, this urbane voice, coupled with irony and the substance of the proposals accentuates Swift’s motive to use anger as a force for action. Through his absurd/humorous proposals, stinging irony, and use of voice, Swift effectively portrays A Modest Proposal as a Juvenalian satire designed to stir emotions concerning the social state of Ireland.
This essay by Jonathan Swift is a brutal satire in which he suggests that the poor Irish families should kill their young children and eat them in order to eliminate the growing number of starving citizens. At this time is Ireland, there was extreme poverty and wide gap between the poor and the rich, the tenements and the landlords, respectively. Throughout the essay Swift uses satire and irony as a way to attack the indifference between classes. Swift is not seriously suggesting cannibalism, he is trying to make known the desperate state of the lower class and the need for a social and moral reform in Ireland.
The main rhetorical challenge of this ironic essay is capturing the attention of an audience. Swift makes his point negatively, stringing together an appalling set of morally flawed positions in order to cast blame and criticize
Each body paragraph (minimum 3) discusses the connection between the book and quote. Evidence from book clearly supports quote.
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own” (Swift). Such beholders, as Jonathan Swift astutely emphasizes, are intended, through guidance of satiric narrative, to recognize social or political plights. In some satires, as in Swift’s own A Modest Proposal, the use of absurd, blatant exaggeration is intended to capture an indolent audience’s attention regarding the social state of the poor. Yet even in such a direct satire, there exists another layer of meaning. In regards to A Modest Proposal, the interchange between the voice of the proposer and Swift’s voice introduces another medium of criticism, as well as the opportunity for readers to reflect on how well they may fit the proposer’s persona. In such as case, the satire exists on multiple levels of meaning—not only offering conclusions about moral problems, but also allowing the audience to an interpretation of their place among the criticism.