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A flame of passion is contained within the heart, yet is love contained in a mere flame of passion? This timeless saying embodies the ultimate declaration of love written by Elizabeth Barrett Browning. “How Do I Love Thee? Let me Count the Ways” is a poem bathed in rhyme and inundated in sentimental avowals. This sonnet shows the perpetual love that Browning shares with her husband and how that love can never be destroyed by any power of human or spiritual nature (Elizabeth Barrett Browning’s: Sonnet 45). Based on answering one, seemingly simple yet complex, question, “how do I love thee?” (Browning Line 1) is what this poem is based on. Using literary tools and techniques, Browning unleashes the powerful emotions that hide behind the ink that each word is devotedly written in.
The title itself shows the numbers of ways that Browning loves her husband, so many that she must count them. The second line focuses on the reality of her love and the extensions of its outreach. Browning uses anaphora as she repeats the sounds found in “thee” (Browning Line 1) and “the” (Browning Line 1). Her love is three dimensional and therefore real, in the sense that all real physical things in the universe are three dimensional. Breadth is width, a measurement of how far across her love is. Height and depth represent how far down and how far up her love is, in relation to the universe. Depth and breadth is an internal rhyme injected to create the essence of the sonnet.
Browning continues explaining how her adoration is inexplicable even in the most spiritual of senses. Finding true bliss and balance is what this love has given her. Love is a feng shui of sorts. Through the use of alliteration, she explains “My souls can reach, when feeling out...
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...cribe the most elaborate of thoughts. At first, the reader feels as if they fully understand the text but a deeper look exposes more than just a superficial love poem. The work doesn’t seem like an act of fiction because the realities of the sentiments are absorbed within the text.
In the end, Browning loves him freely, without coercion; she loves him purely, without expectation of personal gain. Her love is a sacrificial love, trials or tribulations can never waiver it. Browning uses numerous poetic devices such as metaphors and alliterations to amplify the implications she intends for the reader to feel. “How do I love thee? Let me count the ways” is a fairy tale transcended into reality. Love knows no reason but yet defies all reason. This very saying is the crux of Browning poem. In the end, she “shall but love thee better after death.” (Browning Line 14).
“One that values effective, gripping persuasion and relies on overt emotional, even sensational, expression and religious engagement--is applied to "The Cry of the Children" and other sentimental verses in poems” (Byrd). Lots of things that Browning valued were in her poems because those are the things that she cared about the most and her writing was mostly about things that were closest to her heart. Obviously it was a little easier for her to write about things she loved, because it is a little easier for everyone to write about things they know and
Elizabeth Barrett Browning follows ideal love by breaking the social conventions of the Victorian age, which is when she wrote the “Sonnets from the Portuguese”. The Victorian age produced a conservative society, where marriage was based on class, age and wealth and women were seen as objects of desire governed by social etiquette. These social conventions are shown to be holding her back, this is conveyed through the quote “Drew me back by the hair”. Social conventions symbolically are portrayed as preventing her from expressing her love emphasising the negative effect that society has on an individual. The result of her not being able to express her love is demonstrated in the allusion “I thought one of how Theocritus had sung of the sweet
...s all about power and jealousy, the Duke becomes jealous of the attention his wife shows to other people. He takes command and decides that murder is his only solution. The Duke wants people to understand his authority, any sense of emotion that his wife expressed was considered a threat to his power. He has pride on where he stands in society and he is not willing to risk it. In “Porphyria’s Lover” Porphyria seems to be of a higher social class, the lover knows this and kills her in an attempt to bring balance to their relationship. The love they have between each other turns quickly into a power play; his desire to possess Porphyria reduces her to an object in which he can manipulate. The fact that both poems both involve some sort of killing questions the author’s behavior. Robert Browning’s works are dark and obscure; they fit perfectly with the Victorian era.
Love is the ubiquitous force that drives all people in life. If people did not want, give, or receive love, they would never experience life because it is the force that completes a person. Although it often seems absent, people constantly strive for this ever-present force as a means of acceptance. Elizabeth Barrett Browning is an influential poet who describes the necessity of love in her book of poems Sonnets from the Portuguese. In her poems, she writes about love based on her relationship with her husband – a relationship shared by a pure, passionate love. Browning centers her life and happiness around her husband and her love for him. This life and pure happiness is dependent on their love, and she expresses this outpouring and reliance of her love through her poetry. She uses imaginative literary devices to strengthen her argument for the necessity of love in one’s life. The necessity of love is a major theme in Elizabeth Barrett Browning’s “Sonnet 43” and “Sonnet 29.”
Elizabeth Barrett Browning 's "Sonnet XLIII" speaks of her love for her husband, Richard Browning, with rich and deeply insightful comparisons to many different intangible forms. These forms—from the soul to the afterlife—intensify the extent of her love, and because of this, upon first reading the sonnet, it is easy to be impressed and utterly overwhelmed by the descriptors of her love. However, when looking past this first reading, the sonnet is in fact quite ungraspable for readers, such as myself, who have not experienced what Browning has for her husband. As a result, the visual imagery, although descriptive, is difficult to visualize, because
Robert Browning, the poet, uses iambic pentameter throughout the poem. He breaks up the pattern so that every two lines rhyme. Aside from being a dramatic monologue, the poem is also considered lyric poetry because it is a poem that evokes emotion but does not tell a story. The poem is being told in the speaker's point-of-view about his first duchess, also as revealed in the title, The Last Duchess. The setting is important because the duke's attitude correlates to how men treated women at that time. The theme of the poem appears to be the duke's possessive love and his reflections on his life with the duchess, which ultimately brings about murder and his lack of conscience or remorse.
Browning's amazing command of words and their effects makes this poem infinitely more pleasurable to the reader. Through simple, brief imagery, he is able to depict the lovers' passion, the speaker's impatience in reaching his love, and the stealth and secrecy of their meeting. He accomplishes this feat within twelve lines of specific rhyme scheme and beautiful language, never forsaking aesthetic quality for his higher purposes.
In Elizabeth Browning’s poem ‘Sonnet 43’, Browning explores the concept of love through her sonnet in a first person narrative, revealing the intense love she feels for her beloved, a love which she does not posses in a materialistic manner, rather she takes it as a eternal feeling, which she values dearly, through listing the different ways she loves her beloved.
Through her endeavors, this seems to be a new way of thoroughly expressing her admiration and vast affection for her husband. Emily Barrett Browning has proved herself a master poet. Not only does she use almost every literary device in the book, but she also delves deep into her feelings. These explanations of her feelings that she adds into the sonnets are rich in metaphors, alliteration, personification, and many more.
In “Sonnet XVII,” the text begins by expressing the ways in which the narrator does not love, superficially. The narrator is captivated by his object of affection, and her inner beauty is of the upmost significance. The poem shows the narrator’s utter helplessness and vulnerability because it is characterized by raw emotions rather than logic. It then sculpts the image that the love created is so personal that the narrator is alone in his enchantment. Therefore, he is ultimately isolated because no one can fathom the love he is encountering. The narrator unveils his private thoughts, leaving him exposed and susceptible to ridicule and speculation. However, as the sonnet advances toward an end, it displays the true heartfelt description of love and finally shows how two people unite as one in an overwhelming intimacy.
In “Sonnet 43,” Browning wrote a deeply committed poem describing her love for her husband, fellow poet Robert Browning. Here, she writes in a Petrarchan sonnet, traditionally about an unattainable love following the styles of Francesco Petrarca. This may be partly true in Browning’s case; at the time she wrote Sonnets from the Portuguese, Browning was in courtship with Robert and the love had not yet been consummated into marriage. But nevertheless, the sonnet serves as an excellent ...
... of the love shared between a man and a woman. The aspects of jealousy, vanity, pride, obsessive desire, beauty, and flirtatious behavior are contained in both poems. The desire to completely possess another person's love and affection are related through a dramatic monologue. Robert Browning compares the love Duke Ferrara has for his Duchess with the obsession of Porphyria's lover. The Duke's has a jealous, stubborn, and irrational love for his Duchess. Likewise, Porphyria's is the recipient of a sinister, uncontrolled, and destructive love. Her mysterious admirer is overwhelmed by Porphyria's supreme beauty and her sensual mannerisms. His jealousy and obsession for Porphyria, compels him to act upon his depraved thoughts that will secure her total love and devotion. Porphyria and the Duchess experience similar outcomes that result in the death of both women.
Love is the ubiquitous force that drives all people in life. If people did not want, give, or receive love, they would never experience life because it is the force that completes a person. People rely on this seemingly absent force although it is ever-present. Elizabeth Barrett Browning is an influential poet who describes the necessity of love in her poems from her book Sonnets from the Portuguese. She writes about love based on her relationship with her husband. Her life is dependent on him, and she expresses this same reliance of love in her poetry. She uses literary devices to strengthen her argument for the necessity of love. The necessity of love is a major theme in Elizabeth Barrett Browning’s “Sonnet 14,” “Sonnet 43,” and “Sonnet 29.”
In the poem "How do I Love Thee", Elizabeth Barret Browning expresses her everlasting nature of love and its power to overcome all, including death. In the introduction of the poem Line 1 starts off and captures the reader’s attention. It asks the simple question, "How do I Love Thee?" Throughout the rest of the poem repetition occurs. Repetition of how she would love thee is a constant reminder in her poem. However, the reader will quickly realize it is not the quantity of love, but its quality of love; this is what gives the poem its power. For example she says, “I love thee with the breath, smiles, tears, of all my life; and, if God choose, I shall but love thee better after death.” She is expressing how and what she would love with, and after death her love only grows stronger. Metaphors that the poet use spreads throughout the poem expressing the poets love for her significant other.
In conclusion, Browning uses many different techniques of conveying the complexities of human passion, and does this effectively from many points of view on love. However, it does seem that Browning usually has a slightly subdued, possibly even warped view of love and romance ? and this could be because his own love life was publicly perceived to be ultimately perfect but retrospectively it appears his marriage with Elizabeth Browning was full of doubt and possessiveness, as seen in ? Any Wife To Any Husband? which most critics believe to be based on the troubled relationship between the Browning?s.