Holy Sonnet 10

956 Words2 Pages

William Penn, an English philosopher and founder of the Province of Pennsylvania, once said that, “For death is no more than a turning of us over from time to eternity.” He is saying that death is not the end of our lives, but just another stage. In the poem “Holy Sonnet 10” by John Donne, the poet talks to death itself and gives his opinion on his view of death and others’ views: it is something that cannot control anything, can be replaced by others things, and is not the end of a person’s life. Through the use of his figurative language, Petrachan form, and tone and language, Mr. Donne expresses the message that death is not to be feared because one lives on in heaven.

John uses many examples of figurative language in his sonnet. To begin with, when Mr. Donne first commences his poem, he uses the personification “Death, be not proud” (1). The author is giving death the human characteristics of being “not proud.” The rest of the line continues as “though some have called you thee. ” Death should not be prideful even if people think it is. John displays through this first line how he feels about death: he is too prideful for his own good. Furthermore, Donne uses another personification when he states “Mighty and dreadful, for thou are not so” (2). Again, he is giving death, a concept not a human, real characteristics. He believes death is not “mighty” or “dreadful” but something else. It gives his opinion that death is not “dreadful” to people in their lives but possibly beneficial. Later, the poet says “Thou art slave to fate, chance, kings, and desperate men” (9). Death is merely being controlled by things like fate which is the only way he can act. He has no way to move on his own without these other forces. Like with war, death is the result not the cause: death cannot physically make people fight. This comparison devalues death in its importance and therefore its necessity. John Donne’s use of metaphors and personifications in his poem to emphasize his belief that death is not as bad as people or death thinks it really is but can actually be advantageous.

The tone and allusions are important for John to portray how death is insignificant and irrelevant and that after death one moves on to a better place: heaven.

Show More
Related

  • Similarities Between Death Be Not Proud And The Book Thief

    454 Words  | 1 Pages

    In the poem Death Be Not Proud and The Book Thief the deception of death is dissimilar. In Death Be Not Proud the poet is insulting death. One example of this “Some have called thee Mighty and dreadful for thou art not so.” In that quote he is saying that don't think you are powerful because you are not. In The Book Thief death is the narrator, and death does not interpret himself as evil. For example, Death has real feelings. He experiences both sadness and joy in the novel. Personification is what makes them dissimilar. In the poem the personification of death creates a feeling that death is less powerful than we think. He undermines death by stating that he subject to the rules of "fate, chance, kings, and desperate men." Death is also personified as a slave that has many masters, which limits the people he takes. In the book death is personified as cheerful affable amiable and agreeable. Going against John Donne's portrayal of death as a coward. In The Book Thief death is quite observant colors and is not just dark and evil. As shown in this quote “People observe the colors of a day only at its beginnings and ends, but to me it's quite

    Read More

  • Analysis: Forbidding Mourning, Holy Sonnet 10, And Meditation 17

    896 Words  | 2 Pages

    John Donne's A Valediction: Forbidding Mourning, Holy Sonnet 10, and Meditation 17 all share a common topic: The human soul transcending. Through this shared thread, the three pieces manage to each convey a distinct message about the human condition that ultimately converges into a collectivist identity of humanity. Everyone is linked to everyone else not merely through this phyisical life's friendships, enmities, and love, but is also connected through his or her very soul. This emphasis on the collectivist nature of the soul itself is particularly important because it then allows these connections to persist through and eventually reunite following death itself. Only this time, they will have transcended into their spiritual world.

    Read More

  • Interpretation of A Valediction: Forbidding Mourning

    1035 Words  | 3 Pages

    In arguing against mourning and emotional confusion, Donne uses a series of bold and unexpected comparisons for the love between himself and his lady. Donne makes his first surprising analogy in the first stanza when he compares the approaching separation of the lovers to death. "he speaker compares his parting from his lover to the parting of the soul from a virtuous man at death. According to the speaker, "virtuous men pass mildly away" (line 1) because the virtue in their lives has assured them of glory and happiness in the afterlife; therefore, they die in peace without fear and emotion. By this he suggests that the separation of the lovers is parrallel to the separation caused by death.

    Read More

  • Holy Sonnet Essay

    1787 Words  | 4 Pages

    Every writer leaves his mark, his imprint, in his writing; a thumb print left behind the ink if you know how to look for it, and Donne is no exception. The problem is extracting Donne’s imprint, and essence, from the poem, and understanding what that tells us about him. In one poem in particular this stands out, his Holy Sonnet IX, where Donne’s imprint lingers, giving another story behind the text, of his belief in God, but also his inner questioning, and confliction and doubt which come out as contradictions. Behind the text, Holy Sonnet IX, as Donne speaks through his speaker and poem, we come to understand that he is a religious man, though conflicted, which leads to doubt and contradictions, as he resents God in a way, while also just craving for his absolution and for him to forget and forgive his sins and wash them away, sins which weigh on him heavily and he believes taint him.

    Read More

  • Emotion over Reason in Religious Poetry

    1280 Words  | 3 Pages

    ...to convince himself of what he says rather than he is trying to convince Death. By the speaker doing that exact thing it not only shows the speakers fear of Death but Donne’s fear as well. In some ways Donne is writing to help his own doubts, although his doubts are subtle he manages to overcome them through writing “Holy Sonnet 10”. The emotion in the poem is driven from Donne’s own emotion. Without emotion the poem would lose the confidence it has. The poem would focus mainly on what Donne knows about his religion rather what he believes about his religion and that in ways makes it more close to his actual feelings. In conclusion emotion was more important in both “Holy Sonnet 10” and “Love (III)” because without either they would lose their complete meaning..

    Read More

  • Death and Emily Dickinson

    1312 Words  | 3 Pages

    “Death, the end of life: the time when someone or something dies” (Merriam-Webster, 2014). The definition of death is quite simple, the end of life is inescapable. I chose to write about death and impermanence because it is something we all must inevitably face. People often deal with death in a number of different ways. Although it is something that we must eventually face, it can be hard to come to terms with because the idea can be hard to grasp. Some of us fear it, others are able to accept it, either way we all must eventually face it. In this essay I will look at two different literary works about death and impermanence and compare and contrast the different elements of the point of view, theme, setting, and symbolism. The comparison of these particular works will offer a deeper look into words written by the authors and the feelings that they experiencing at that particular time.

    Read More

  • Division of the Body and Soul in John Donne's "The Funeral" and "Sonnet 3"

    1192 Words  | 3 Pages

    John Donne's "The Funeral" and "Holy Sonnet 3" are undeniably similar in their discussions of the separation of the body and soul. Each poem deals directly with the idea of death and afterlife. However, the topic of death is referred to not as an ending but more of as a beginning to a new life, exclusively for the soul. Each poem reflects the soul being released from the body as a way of cleansing the spirit while allowing the mind to rid itself of things that might have troubled the speaker while living. Through death the soul is given a second life, free of previous concerns and with new virginity to the blessings of the afterlife.

    Read More

  • An Analysis Of Mary Oliver's 'When Death Comes'

    1381 Words  | 3 Pages

    In the first instance, death is portrayed as a “bear” (2) that reaches out seasonally. This is then followed by a man whom “ comes and takes all the bright coins from his purse / / to buy me…” This ever-changing persona that encapsulates death brings forth a curiosity about death and its presence in the living world. In the second stanza, “measles-pox” (6) is an illness used to portray death’s existence in a distinctive embodiment. This uncertainty creates the illusion of warmth and welcomenesss and is further demonstrated through the reproduction of death as an eminent figure. Further inspection allows the reader to understand death as a swift encounter. The quick imagery brought forth by words such as “snaps” and “shut” provoke a sense of startle in which the audience may dispel any idea of expectedness in death’s coming. This essential idea of apparent arrival transitions to a slower, foreseeable fate where one can imagine the enduring pain experienced “an iceberg between shoulder blades” (line 8). This shift characterizes the constant adaptation in appearance that death acquires. Moreover, the idea of warmth radiating from death’s presence reemerges with the introduction to a “cottage of darkness” (line 10), which to some may bring about a feeling of pleasantry and comfort. It is important to note that line 10 was the sole occurrence of a rhetorical question that the speaker

    Read More

  • Comparing Death in Do not go gentle into that good night and Death Be Not Proud

    923 Words  | 2 Pages

    Both "Do not go gentle into that good night" and "Death Be Not Proud" see death as an opponent; however, one sees it as an adversary that is already defeated while the other sees it as an enemy that must be defeated. In "Death Be Not Proud" Donne says "those whom thou think'st thou dost overthrow / Die not, poor Death, nor yet canst thou kill me"(lines 3-4). This passage shows Donne's belief that people will always overcome death. In Thomas' poem, he writes "Good men, the last wave by, crying how bright / Their frail deeds might have danced in the green bay, / Rage, rage against the dying of the light" (7-9). Even the "good men" are in the end defeated by death according to Thomas.

    Read More

  • Vulnerability in the Works of John Donne

    2695 Words  | 6 Pages

    John Donne uses poetry to explore his own identity, express his feelings, and most of all, he uses it to deal with the personal experiences occurring in his life. Donne's poetry is a confrontation or struggle to find a place in this world, or rather, a role to play in a society from which he often finds himself detached or withdrawn. This essay will discuss Donne's states of mind, his views on love, women, religion, his relationship with God; and finally how the use of poetic form plays a part in his exploration for an identity and salvation.

    Read More

  • Free Essay: Metaphors in Sonnet 73

    486 Words  | 1 Pages

    Another metaphor in this sonnet is the comparison of death to nightfall, "In me thou seest the twilight of such day" (568). He continues, "Which by and by black night doth take away, death's second self, that seals up all rest" (568). Shakespeare perfectly describes death as the fading of a bright day to a dark black night.

    Read More

  • Compare And Contrast Death In Poetry

    885 Words  | 2 Pages

    Many people find it hard to imagine their death as there are so many questions to be answered-how will it happen, when, where and what comes next. The fact that our last days on Earth is unknown makes the topic of death a popular one for most poets who looks to seek out their own emotions. By them doing that it helps the reader make sense of their own emotions as well. In the two poems “Because I Could Not Stop for Death” by Emily Dickenson and “Do Not Go Gentle into That Good Night” by Dylan Thomas, the poets are both capturing their emotion about death and the way that they accepted it. In Dickenson’s poem her feelings towards death are more passionate whereas in Dylan’s poem the feelings

    Read More

  • Death, Be Not Proud by John Donne

    766 Words  | 2 Pages

    In John Donne’s sonnet “Death, Be Not Proud” death is closely examined and Donne writes about his views on death and his belief that people should not live in fear of death, but embrace it. “Death, Be Not Proud” is a Shakespearean sonnet that consists of three quatrains and one concluding couplet, of which I individually analyzed each quatrain and the couplet to elucidate Donne’s arguments with death. Donne converses with death, and argues that death is not the universal destroyer of life. He elaborates on the conflict with death in each quatrain through the use of imagery, figurative language, and structure. These elements not only increase the power of Donne’s message, but also symbolize the meaning of hope of eternal life as the ultimate escape to death.

    Read More

  • Sonnet 18 Analysis

    751 Words  | 2 Pages

    This sonnet uses a lot of personification. This is when you give an non-living object human traits and qualities. For example in line 5: "Sometimes too hot the eye of heaven shines", we say that the heaven's eye shines, but does heaven really have an eye and does it shine? No. Next example is in line 6: "And often is his gold complexion dimmed". The sun is that 'gold' thing, but does it really have a complexion? Again, no. One last example is in line 9, which maybe is not an example of personification in our sense, but it could be in the poet's sense! "But thy eternal summer shall not fade"; to the poet, summer is not eternal, but the beauty and life of his beloved is.

    Read More

  • Sonnet 18 Figurative Language

    719 Words  | 2 Pages

    Readers see this in the second quatrain when Shakespeare personifies the sun, calling it “the eye of heaven” with “his gold complexion.” Giving the sun a human quality degrades what readers normally consider as the powerful, ultra-violet sun that rests in outer space, untouchable and unreachable. This helps introduce Shakespeare’s theme and his ultimate contrast in the third quatrain, where he tells of his beloved’s lasting beauty. The readers also find another example of personification in line 11 when Shakespeare writes, “Nor shall Death brag thou wander’st in his shade.” Here, the poet evokes the idea of death as like a grim reaper who meanders around his “shade”— hell—and boasts of those who die and find themselves in Death’s company. Once more, Shakespeare equates death to a human being to show that his loved one transcends all living creatures or acts of nature. She is the ideal figure not only in the poet’s eyes, but in all others who will eventually read about her in “this” poem. Therefore, the poet’s use of figurative language makes the subject of “Sonnet 18” a superior being, a goddess whose beauty forever shines in our minds and whose power can conquer death

    Read More

More about Holy Sonnet 10

Open Document