Henrich Ibsen and Feminism

585 Words2 Pages

On May 26th, 1898, Henrich Ibsen attended a banquet held by the Woman’s Rights League. At the banquet, a toast was made to him as having had worked for the woman’s right movement. The women had taken his works, most notably A Doll’s House, as being a feminist play. Ibsen, however, denounced the toast as not accurately describing his purpose.

I thank you for the toast, but must disclaim the honor of having consciously worked for Woman’s Rights movement….. True enough, it is desirable to solve the woman problem….but my task has been the description of humanity.
(Ibsen, 1898)

If solving the “the woman problem” – what feminism in the 1800’s was called – was not Ibsen’s theme for A Doll’s House, then what was? Well, as the author said so himself, the description of humanity, a person finding who (s)he is, but why is A Doll’s House not a feminist play? A Doll’s House is not a feminist play because women, especially Nora, are portrayed too flawed.

Before delving into the analysis of Nora, it is important to know who Henrik Ibsen meant Nora to be, “Nora, Nora! What a woman yo...

Show More
Related

  • A Doll's House, by Henry Ibsen

    1273 Words  | 3 Pages

    In Henrik Ibsen’s A Doll House, a drama written in the midst of an 1879, middle-class, suburban Europe, he boldly depicts a female protagonist. In a culture with concern for fulfilling, or more so portraying a socially acceptable image, Nora faces the restraints of being a doll in her own house and a little helpless bird. She has been said to be the most complex character of drama, and rightfully so, the pressure of strict Victorian values is the spark that ignites the play's central conflicts. Controversy is soon to arise when any social-norm is challenged, which Nora will eventually do. She evolves throughout the play, from submissive housewife to liberated woman. It seems as though what took women in America almost a century to accomplish, Nora does in a three-day drama. Ibsen challenges the stereotypical roles of men and women in a societally-pleasing marriage. He leads his readers through the journey of a woman with emerging strength and self-respect. Nora plays the typical housewife, but reveals many more dimensions that a typical woman would never portray in such a setting.

    Read More

  • playing house

    920 Words  | 2 Pages

    Ibsen reveals many things about the bourgeoisie roles of men and women of society through the play A Doll’s House. These ideals are crucial to ones overall social status. The reader can see the characters and their roles in a figurative and literal dollhouse from the title to the end of the story. The main character Nora is the focus of performing these gender roles as she takes on the role of a doll and eventually seeks self-realization and a striving purpose. She leaves behind her family to fulfill an independent journey. Ibsen helps to point out the flaws of society’s stereotypical gender roles and gives new possibilities to men and women.

    Read More

  • Comparing the Truth in A Doll's House and Hedda Gabler

    3087 Words  | 7 Pages

    Although Ibsen has alluded to the fact that he was not a part of the women's movement, his brave portrayal of women in their socially confined positions can earn him the title of 'feminist writer.' In two of Ibsen's most famous works, A Doll's House and Hedda Gabler, the main characters are females who strive to be self-motivated beings. Because of the male-oriented society that dominates their lives, which resembles the world women had to deal with at the time when Ibsen created his works, the confined characters demonstrate their socially imposed roles. "Ibsen's Nora is not just a woman arguing for female liberation; she is much more. She embodies the comedy as well as the tragedy of modern life," insisted Einar Haugen, a doyen of American Scandinavian studies, over twenty years later, after feminism has resurfaced as an international movement (Templeton 111).

    Read More

  • Women and the Feminist's Fight for Equality

    1512 Words  | 4 Pages

    ...hoice of pursuing any field of interest in my studies, as I would have been very limited in my choices as a woman. For these and many other opportunities, I am thankful for the changes that have taken place. Unfortunately, I feel we have lost a great deal in the process. I think we often confuse the desire to have equal rights with the view that gender differentiation is an oppressive concept that should be abolished. The feminists of today do little more than dissolve the family unit, confuse relationships, and weaken a woman's role in society. In reality, men and women are very different and instead of trying to completely erase the differences between us, we should embrace them. By acknowledging our separate identities, rather than ignoring them, we would be better able to work together and improve society as a whole.

    Read More

  • Women Sacrifices in The Doll's House by Henrik Ibsen and The Birthmark by Nathaniel Hawthorne

    1223 Words  | 3 Pages

    Rogers, Katharine M. (1985): ‘‘A Doll House in a Course on Women in Literature,’’ in Approaches to Teaching Ibsen’s A Doll House, Shafer, Yvonne (ed.). New York: Modern Language Association, p.82.

    Read More

  • A Doll House Controversy

    890 Words  | 2 Pages

    The Doll House Backlash: Criticism, Feminism and Ibsen is a well written by Joan Templeton (1942), the article argues in favor of Ibsen about not making the play A Doll house about female rights. The article seems to agree with Ibsen as it shows Ibsen stating that “I thank you for the toast, but

    Read More

  • On Ibsen's A Doll's House

    9638 Words  | 20 Pages

    I say this because there is no doubt that A Doll's House has long been seen as a landmark in our century's most important social struggle, the fight against the dehumanizing oppression of women, particularly in the middle-class family. Nora's final exit away from all her traditional social obligations is the most famous dramatic statement in fictional depictions of this struggle, and it helped to turn Ibsen (with or without his consent) into an applauded or vilified champion of women's rights and this play into a vital statement which feminists have repeatedly invoked to further their cause. So in reading responses to and interpretations of this play, one frequently comes across statements like the following:

    Read More

  • A Look at Women's Rights in A Dolls House by Ibsen

    1261 Words  | 3 Pages

    Women of the 19th century were trapped in their societal roles. There was no way out. Rights were unattainable: no matter how many rights movements occurred, such as the Norwegian Association for Women’s Rights. A women’s place in society was determined by their husband’s status; there was little to no way to obtain a job, a women could not even decide for herself whether or not she wanted to be married or have a child. The male role in the woman’s life took over all decisions and property. Women were seen as the property of men, like their dolls. This idea of a women being a doll was especially evident in Ibsen’s A Doll’s House. Henrik Ibsen was a Norwegian dramatist, he became known as the father of modern realistic drama. He became popular because of the ridicule he received for “revealing a women’s need for independence from male authority” (feminist literature). While most characters in the play remained obedient to their societal roles, one woman took her life into her own hands. Mrs. Linde, after the death of her husband, learned to stand on her own two feet with no ones help. She got a job, a house and learned to stand on her own two feet. Even though Mrs. Linde played a minor role in the play, her life became a model for the feminist movements because she defied female stereotypes for her time period.

    Read More

  • A Feminist Literary Stance, Roles of Women in Henrik Ibsen’s Play A Doll’s House and George Eliot’s Novel Middlemarch

    1541 Words  | 4 Pages

    Henrik Ibsen’s A Doll’s House and George Eliot’s Middlemarch are based on events from their personal experiences. The events that lead Ibsen to feel the need to write A Doll’s House makes his approach on the feminist stance a bit more unusual from other writers. Ibsen shows his realist style through modern views and tones that are acted out by the characters in this infamous story. In the viewers’ eyes, it is the women in A Doll’s House that makes it so popular, Nora and Christine give readers a real sense of Ibsen’s feminist stance. George Eliot makes her feminist stance in Middlemarch in much the same way as Ibsen. In Middlemarch, one of the main female characters, Dorothea, wants control of her life and chooses happiness over wealth. These female characters from these well-known works are represented in such a way to give readers a grasp of the social conditions involving women.

    Read More

  • On Ibsen's A Doll's House

    9635 Words  | 20 Pages

    I say this because there is no doubt that A Doll's House has long been seen as a landmark in our century's most important social struggle, the fight against the dehumanizing oppression of women, particularly in the middle-class family. Nora's final exit away from all her traditional social obligations is the most famous dramatic statement in fictional depictions of this struggle, and it helped to turn Ibsen (with or without his consent) into an applauded or vilified champion of women's rights and this play into a vital statement which feminists have repeatedly invoked to further their cause. So in reading responses to and interpretations of this play, one frequently comes across statements like the following:

    Read More

  • A Doll's House Sacrifice Analysis

    2126 Words  | 5 Pages

    Henrik Ibsen paints a sad picture of the sacrificial role of women throughout all social economical classes in his play “A Doll House”. The story is set in the late 19th century and all minor female characters had to overcome adversity to the expense of love, family and self-realization, in order to lead a comfortable life. While the main female protagonist Nora struggles with her increasingly troubled marriage, she soon realizes, she needs to change her life to be happy as the play climaxes. Her journey to self-discovery is achieved by the threat of her past crime and her oppressing husband, Torvald and the society he represents. The minor female characters exemplifying Nora’s ultimate sacrifice.

    Read More

  • The Struggle for Identity in A Doll’s House

    1479 Words  | 3 Pages

    The Struggle for Identity in A Doll's House A Doll's House by Henrik Ibsen, is a play that was written ahead of its time. In this play, Ibsen tackles women's rights as a matter of importance. Throughout this time period, it was neglected. A Doll's House was written during the movement of Naturalism, which commonly reflected society. Ibsen acknowledges the fact that in 19th century life the role of the woman was to stay at home, raise the children and attend to her husband.

    Read More

  • How Shakespeare and Ibsen Treated their Women

    754 Words  | 2 Pages

    While Shakespeare depicted women as ignorant shrews, Ibsen gave them the credit that they deserved as being human beings. In the time period that A Doll’s House was written, women’s roles were still limited to those of the “house-wife.'; Ibsen ignored these stereotypes and gave women the credit they so deserved.

    Read More

  • The Symbolism of the Christmas Tree in the Transformation of Nora

    1074 Words  | 3 Pages

    The idea of equality for women has been the subject of countless books, speeches, and performances for decades. The concept of a world in which a woman can be considered equal to a man is not a new concept in today’s society, but it was in that of 19th century Norway. This is the world of noted playwright Heinrik Ibsen, a forward thinking individual with ideas that challenged the restrictions of society time and time again. A forerunner in the women’s rights movement, Ibsen’s play A Doll’s House offers a commentary much before its time on the dangers of a patriarchal society through the evolution of its protagonist, Nora. In his play, Ibsen uses the Christmas tree to symbolize the growing empowerment and independence of Nora, as well as the steady deterioration of Nora and Helmer’s marriage.

    Read More

  • How is the title “A Doll’s House” appropriate for the play?

    1131 Words  | 3 Pages

    “A Doll’s House” is a play written by a Norwegian playwright, Henrik Ibsen. The play was published in 1879, and is a literary piece that triggered almost vigorous reactions from the audience. Moreover, the play was considered Ibsen’s masterpiece and he was determined to provoke a reaction from the public. His intention was to bring awareness to the problem of gender roles in the 19th century society: the role of women who were used as decorations of the household. The title this play, “A Doll’s House”, foreshadows the play’s protagonist, Nora Helmer, and her role in the household. The title of the play suggests that Nora is a doll in her own home.

    Read More

More about Henrich Ibsen and Feminism

Open Document