In the vast world of glass, three artists have made a great impact on the way we see the medium as an art form. These three artists, Tapio Wirkkala , Gianni Toso, and Henry Halem have helped to pioneer new methods and ideas in this complex industry.
Tapio Wirkkala was a highly versatile Finnish artist born in 1915. His work ranges from glassware and metalwork, to jewelry and furniture for mass production. During his career, he was artistic director of the University of Arts and Design in Helsinki for many years.He is known quite famously for his work in the Finnish glassworks company, Ittala. A number of his glass pieces feature icicle-like forms, which reportedly took thousands of hours for Wirkkala to develop a technique to master this effect. These forms mimic the essence of the ice formations found in his native country. Stylistically, Wirkkala’s work tends to veer to the geometric side of the spectrum. His vessels create a sense of space that can only be captured through the use of those geometric shapes and strange angles. Private collectors who donate the pieces to museums an...
The work of art I will be analyzing is the Chimera of Arezzo sculpture from the art of the Etruscans. I will be analyzing the the look of this piece of art as well as the axis, palette, texture and stance of the figure. I will also describe what history I can find on the piece and what may have been happening during the time of its creation.
The exhibition of recent stoneware vessels by Peter Voulkos at Frank Lloyd Gallery featured the sort of work on which the artist established reputation in the 1950s. The work was greeted with stunned amazement. However now it is too, but it's amazement of a different order -- the kind that comes from being in the presence of effortless artistic mastery. These astonishing vessels are truly amaising. Every ceramic artist knows that what goes into a kiln looks very different from what comes out, and although what comes out can be controlled to varying degrees, it's never certain. Uncertainty feels actively courted in Voulkos' vessels, and this embrace of chance gives them a surprisingly contradictory sense of ease. Critical to the emergence of a significant art scene in Los Angeles in the second half of the 1950s, the 75-year-old artist has lived in Northern California since 1959 and this was his only second solo show in an L.A gallery in 30 years.”These days, L.A. is recognized as a center for the production of contemporary art. But in the 1950s, the scene was slim -- few galleries and fewer museums. Despite the obscurity, a handful of solitary and determined artists broke ground here, stretching the inflexible definitions of what constitutes painting, sculpture and other media. Among these avant-gardists was Peter Voulkos.” In 1954, Voulkos was hired as chairman of the fledgling ceramics department at the L.A. County Art Institute, now Otis College of Art and Design, and during the five years that followed, he led what came to be known as the "Clay Revolution." Students like John Mason, Paul Soldner, Ken Price and Billy Al Bengston, all of whom went on to become respected artists, were among his foot soldiers in the battle to free clay from its handicraft associations.
Ultimately, it can be seen that all artists are influenced or incorporate issues and events of their time in their works, whether this is from the desire to portray Greek perfection to that of religious beliefs and the creation of the camera. To become renowned like Polykleitos, Michelangelo and Pablo Picasso, this statement must be followed.
Frankenthaler's long career as a Master in her field has led the way for other artists searching for their own identity. Without copying others work and making it her own she developed her own style and way of expressing her conceptualizations and presenting them to the world. Her development and perseverance and unbridled experimentation of mediums has defined her as a pioneer of her time.
GLASS written by ellen hopkins intermenes the real life struggles that teenagers face everyday, from love to drugs to destructive relationships. Ellen really hits home showing the life of a once 4.0 honors student Kristina; whose life easily got turned upside down from one toxic summer at her fathers that will show the darkest side possible of life. An estimated 12 percent of children in the United States live with a parent who is dependent on or abuses alcohol or other drugs. Based on data from 2002 through 2007, it was to be reported that 8.3 million children under the age of 18 lived with at least one substance-dependent or substance-abusing parent according to Substance Abuse and Mental Health Services Administration (Paragraph 4). The bond between a child and their parents is so pure yet
With works in every known medium, from every part of the world, throughout all points in history, exploring the vast collection of the Museum of Modern Art was an overwhelming experience. The objects in the Department of European Sculpture and Decorative Arts are an important historical collection, reflecting the development of a number of art forms in Western Europe. The department's holdings covered sculpture in many sizes, woodwork and furniture, ceramics and glass, jewelry, and tapestries. The gallery attracted my appreciation of the realistic qualities of the human body often portrayed in sculpture.
Keefe, John Webster. Libbey Glass: A Tradition of 150 Years: 1918-1968. Toledo, Ohio: Toledo Museum of Art, 1968.
I believe culture strongly influences how we perceive the world. It changes what meaning we see behind certain actions and events. In numerous ancient cultures, people saw gods or spirits to be responsible for the weather. Many cultures would try to appease these entities hoping to keep storms and disasters at bay. Today we understand the cause of meteorological events to be the result of the atmosphere responding to uneven heating of the earth by the sun. In these two cultures, the resulting weather is the same but our perception of it and its causes differ.
Mark Rothko is recognized as one of the greatest artists of the twentieth century and during his lifetime was touted as a leading figure in postwar American painting. He is one of the outstanding figures of Abstract Expressionism and one of the creators of Color Field Painting. As a result of his contribution of great talent and the ability to deliver exceptional works on canvas one of his final projects, the Rothko Chapel offered to him by Houston philanthropists John and Dominique de Menil, would ultimately anchor his name in the art world and in history. Without any one of the three, the man, the work on canvas, or the dream, the Rothko Chapel would never have been able to exist for the conceptualization of the artist, the creations on canvas and the architectural dynamics are what make the Rothko Chapel a product of brilliance.
This essay's primary objective is to look closer at Desk Suit , 1936, by Elsa Schiaparelli and compare it to Anthropomorphic Chest of Drawers, 1936, by Salvador Dali. These two pieces of art although so different, have a lot in common. To find out more and explore the world of surrealism, it will be worth studying and reviewing each art work based on the information found in several books about Salvador Dali and Elsa Schiaparelli as well as in other sources, such as You tube, journals, articles and web sites. For this purpose, the essay will open with a review of the work of Salvador Dali followed by a research on Elsa Schiaparelli's design, before finally comparing them in relation to surrealism. During the course of this essay themes such as surrealism, motif of drawers, fashion as an art and the influence of surrealism on current days, will be explored through the views of a various art critics.
“Life with your father was never boring.” – Rose Mary Walls. Rose Mary Walls, Jeannette Walls’s mother and Rex Walls’s spouse, reminisces life with Rex, which included migrating very frequently, refusing to conform, and advocating self-sufficiency. In Jeannette Walls’s The Glass Castle, Walls reveals that there are turbulence and order in life, the influence of family, and how she develops as she grows up through Walls’s recollection of her life, from living in a nomadic household, where her parents neglect their children, to living in a squalid hovel with no plumbing, and finally living in New York City, where she works as a journalist.
Arwas, V., Newell, S., Museum, S. & Gallery, A., 1996. The art of glass. 8th ed. Paris: Andreas Papadakis Publisher.
... and will continue to be in the future. Philip Glass, a minimalist who has written a large variety of music from chamber music to opera, is without a doubt a very influential contemporary music icon.
The Art Bulletin, Vol. 57, No. 2 (Jun., 1975), pp. 176-185. (College Art Association), accessed November 17, 2010. http://www.jstor.org/stable/3049368.
These artists all pushed the limits of the materials and concepts they were working with. Louis Tiffany, Jean Crotti, and Roger Malherbe-Navarre all developed new ideas and techniques for stained glass, and the Compagnie Des Verreries Et Cristalleries De Baccarat took an new glasswork technique and mad it into an everyday object. All of these people offer different innovations to the world of glasswork.