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mini essay of the great gatsby
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In The Great Gatsby Fitzgerald analyzes three main characters, Jay Gatsby, Daisy Buchanan, and Nick Carraway. The Great Gatsby is a story about finding out who people really are and how far they will go to protect their secrets from spilling to everyone. The Great Gatsby is like a story of our time, we have the rich and the poor towns, we have people who cheat on their spouses, and lastly, we have racism towards different cultures and races (Schreier). Many ironic events take place throughout the book. For example, Gatsby and Nick become friends, Tom and Myrtle being secret lovers, also, Daisy and Gatsby carrying on an affair, and lastly Daisy running over Myrtle in Gatsby’s car (Coleman). Fitzgerald purposely wrote the book to tell about lovers that were not supposed to be together and how they overcame that and fell in love with one another (Shain). He also wrote the book to relate to American society (Tolmatchoff). In The Great Gatsby, F. Scott Fitzgerald analyzes the character Jay Gatsby. Formally known as James Gatz (Goldsmith). Gatsby throws huge lavishing parties that everyone wants to attend (Murray). He has his servants go pick his guests up in his Rolls-Royce on the weekends, he has caterers, bright, fancy lights, he has an extravagant bar with all kinds of gins and liquors, and he has a voluminous orchestra (45-46). In all reality, his parties are not that extravagant because everyone is always extremely drunk and the parties are usually very boring to say the least (Murray). Not everyone who attends Gatsby’s parties was invited; most of the time people just heard about the party and then showed up randomly (47). Gatsby invited Nick Carraway to one of his parties and that is how they first met and became friends (47).... ... middle of paper ... ...967): 18-28. Rpt. in Literature Resource Center. Detroit: Gale, 2014. Literature Resources from Gale. Web. 14 Jan. 2014. Farrant Bevilacqua, Winifred. "'... En extatico acuerdo': Gatsby inventado por Nick." Atlantis, revista de la Asociación Española de Estudios Anglo-Norteamericanos 32.1 (2010): 45+. Literature Resources from Gale. Web. 14 Jan. 2014. Schreier, Benjamin. "Desire's Second Act: 'Race' and The Great Gatsby's Cynical Americanism." Twentieth Century Literature 53.2 (Summer 2007): 153-181. Rpt. in Twentieth-Century Literary Criticism. Ed. Kathy D. Darrow. Vol. 280. Detroit: Gale, 2013. Literature Resources from Gale. Web. 14 Jan. 2014. Coleman, Carter. "Riding a Ghost Train, Gatsby-Style." Los Angeles Times Book Review (9 June 1996): 10. Rpt. in Contemporary Literary Criticism Select. Detroit: Gale, 2008. Literature Resources from Gale. Web. 14 Jan. 2014.
In The Great Gatsby by F. Scott Fitzgerald and Daisy Miller by Henry James, most of the characters are under illusions during the majority of the plot. The plots are carried out with the characters living under these illusions, which are mainly overcome by the ends of the stories. The disillusionment of most of the characters completely diminishes the foundation in which the plots were built upon, leading to the downfall of some of the main characters and the altering of the other characters.
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The Great Gatsby. New York, NY: Scribner,1996. Print.
Dillon, Andrew. "The Great Gatsby: The Vitality of Illusion." The Arizona Quarterly 44 Spr. 1988: 49-61.
Trask, David F. "A Note on Fitzgerald's The Great Gatsby." University Review 33.3 (Mar. 1967): 197-202. Rpt. in Novels for Students. Ed. Diane Telgen. Vol. 2. Detroit: Gale, 1998. Literature Resource Center. Web. 18 Feb. 2014.
Gibb, Thomas. "Fitzgerald's The Great Gatsby" The Explicator Washington: Winter 2005. Vol. 63, Iss.3; Pg. 1-3
Lehan, Richard. The Great Gatsby: The Limits of Wonder. Ed. Robert Lecker. Boston: Twayne, 1990.
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The Great Gatsby. New York, NY: Scribner, 1996. Print.
Mitchell, Giles. "Gatsby Is a Pathological Narcissist." Readings On The Great Gatsby. Ed. Bruno Leone, et al. San Diego, CA: Greenhaven Press, 1998. 61-67.
Batchelor, Bob. Gatsby: The Cultural History of the Great American Novel. Lanham: Rowman & Littlefield, 2014. Print.
SparkNotes Editors. “SparkNote on The Great Gatsby.” SparkNotes.com. SparkNotes LLC. 2002. Web. 9 Apr. 2014.
Will, Barbarba. "College Literature." "The Great Gatsby" and the Obscene World 32.4 (2005): 125-144. JSTOR. Web. 16 Apr 2014.
Strong, Rebecca. “The Great Gatsby.” Student's Encyclopedia of Great American Writers, Volume 3, Facts On File, 2010. Bloom's Literature, online.infobase.com/Auth/Index?aid=101204&itemid=WE54&articleId=480657. Accessed 17 May
Hermanson, Casie E. "An overview of The Great Gatsby." Literature Resource Center. Detroit: Gale, 2011. Literature Resource Center. Web. 24 Feb. 2011.
The Great Gatsby, Francis Scott Fitzgerald’s third book, was first published in 1925. It is a tale of love, loss, and betrayal set in New York in the mid 1920’s. It follows Nick Carraway, the narrator, who moves to Long Island where he spends time with his cousin, Daisy Buchanan, and meets his mysterious neighbor, Jay Gatsby. Nick can be viewed as the voice of reason in this novel. He is a static character that readers can rely on to tell the truth, as he sees it. But not only the readers rely on him. Daisy, Gatsby, Tom, and Jordan all confide in him and trust that he will do the right thing. Nick Carraway is the backbone of the book and its main characters.
Douglas, Ann. The Women of The Great Gatsby. New York: Farrar, Straus, and Giroux, 1995.