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Emily dickinson poetry style analysis
Emily dickinson poetry style analysis
Emily Dickinson literary analysis
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Exposing the Hypocrisy of Religion in Emily Dickinson’s Some Keep the Sabbath Going to Church
Who does society consider the faithful? Is it the man on the street corner screaming for everyone to repent their sins before the apocalypse? Is it the zealot who straps a bomb to his body, and walks into a crowded marketplace? Is it the monk who renounces all his worldly possessions, and takes refuge in a monastery? While these may be extreme examples of the faithful, they all have one thing in common; they are conveying their devotion in their own way. It doesn’t matter who people choose as their god, be it Allah, Buddha, Jesus or Vishnu. The one common aspect of every religion is that you worship. Congregations around the world are supposed to prove their faith by worshipping at their local synagogue, church, or mosque. A place of worship can be a huge monstrosity of a building, or a small clapboard house in the middle of a cornfield. It doesn’t matter where you worship, what matters is that you be present to worship. In Emily Dickinson’s poem, “Some keep the Sabbath going to Church-“; the speaker conveys her faith and devotion in God by communing with nature, therefore creating her own church at home. By juxtaposing the solemnity of worship with the natural beauty of one’s backyard, Dickinson questions the hypocrisy of conventional religion.
The first quatrain sets the tone for the poem:
Some keep the Sabbath going to Church-
I keep it, staying at Home-
With a Bobolink for a Chorister-
And an Orchard, for a Dome- (1-4)
The first word of the poem is a slight to society; the “Some” in question are the people who feel they must abide by society’s conventions, and attend church to exhibit their piousness. Hypocrites and doubters attend church because it is what is expected of them, and they must maintain the façade. In this one word Dickinson is able to illustrate how “Some” people buckle under the pressure of conformity. The first two lines of the stanza create a chiasmus, emphasizing the “going” of the people and the “staying” of the speaker. The people who attend church for the mere formality of it are actually giving away some of their faith, but by staying at home and truly living with God, the speaker is keeping something for herself.
Dickinson employs vivid impressions of death in this poem. In the first line, she employs the analogy between sleep and death; sleep is silent but death lives within silence. She uses the word “it” to help identify something other than human. She declares that “it….will not tell its name” as thought it refuses to speak and then resents the dead for its stillness and laziness. Then she acknowledges the attraction she has to death by doubting its “gravity”. In the third stanza, she expresses that she would not cry for the dead because not only is it offensive to the dead but it might panic the soul to return to dust. Christians believe that from the earth we are made and once we die, we return to the dust of the earth.
Her voice expresses the individual power to select the people whose opinions matter as well as who the individual lets in. “The Soul selects her own Society - / Then - shuts the Door - (354).” It also represents how the individual has the power to make choices independent from the majority view. Dickinson also voices that individualism can come along with unacceptance because you are not conforming yourself to the standards of society,“This is my letter to the World / That never wrote to Me - “ (This is my Letter to the World 354).
She implies this when demonstrating her ability to write within “Some Keep the Sabbath Going to Church”. Dickinson understood that the individual is in charge of making their choices, like her fellow poet Ralph Waldo Emerson. Emerson provided information of becoming more in tune with nature in his work known as Self-Reliance. Emerson states within Self-Reliance that “envy is ignorance; that imitation is suicide; that he must take himself for better, for worse, as his portion” (2). Emerson like Dickinson concurred with the idea of becoming sound in the individual. Becoming sound in the the individual can be attained by becoming in tune with
Emily Dickinson was an intricate and contradictory figure who moved from a reverent faith in God to a deep suspicion of him in her works. (Sherwood 3) Through her own intentional choice she was, in her lifetime, considered peculiar. Despite different people and groups trying to influence her, she resisted making a public confession of faith to Christ and the Church. (Sherwood 10) She wanted to establish her own wanted to establish her own individuality and, in doing so, turned to poetry. (Benfey 27) Dickinson’s poems were a sort of channel for her feelings and an “exploration” of her faith (Benfey 27).
In Emily Dickinson’s “Because I Could Not Stop for Death,” she uses the structure of her poem and rhetoric as concrete representation of her abstract beliefs about death to comfort and encourage readers into accepting Death when He comes. The underlying theme that can be extracted from this poem is that death is just a new beginning. Dickinson deftly reassures her readers of this with innovative organization and management, life-like rhyme and rhythm, subtle but meaningful use of symbolism, and ironic metaphors. Dickinson organizes the lines into quatrains—stanzas containing four lines—which are frequently used in religious hymns.
...Dickinson has for the most part conquered her fears. As the second poem gave us the unsettling idea that the author of the poem we were reading was afraid to compose poetry, this poem shows us her coming to terms with that. Her list of creatures blessed with wonders they had not dared to hope for extends quite naturally to include her. She has come to her “Heaven” through poetry—“unexpected”, but eventually with confidence brought about by the trials dealt with throughout the fascicle. The poems are very closely linked, each one showing us some new aspect of Dickinson’s personality that leads toward her confidence. Finally, Dickinson has found her voice and in this final poem proclaims that she has found a peace to which she had not dared aspire at the beginning. Now she has both nature and poetry within her grasp—this is “Heaven” and “Old Home” all at once.
Emily Dickinson was one of the greatest woman poets. She left us with numerous works that show us her secluded world. Like other major artists of nineteenth-century American introspection such as Emerson, Thoreau, and Melville, Dickinson makes poetic use of her vacillations between doubt and faith. The style of her first efforts was fairly conventional, but after years of practice she began to give room for experiments. Often written in the meter of hymns, her poems dealt not only with issues of death, faith and immortality, but with nature, domesticity, and the power and limits of language.
While much of Emily Dickinson's poetry has been described as sad or morose, the poetess did use humor and irony in many of her poems. This essay will address the humor and/ or irony found in five of Dickinson's poems: "Faith" is a Fine Invention, I'm Nobody! Who are you?, Some keep the Sabbath Going to Church and Success Is Counted Sweetest. The attempt will be made to show how Dickinson used humor and / or irony for the dual purposes of comic relief and to stress an idea or conclusion about her life and environment expressed by the poetess in the respective poem. The most humorous or ironic are some of the shorter poems, such as the four lined stanzas of "Faith" is a Fine Invention and Success Is Counted Sweetest.
Emily Dickinson became legendary for her preoccupation with death. All her poems contain stanzas focusing on loss or loneliness, but the most striking ones talk particularly about death, specifically her own death and her own afterlife. Her fascination with the morose gives her poems a rare quality, and gives us insight into a mind we know very little about. What we do know is that Dickinson’s father left her a small amount of money when she was young. This allowed her to spend her time writing and lamenting, instead of seeking out a husband or a profession. Eventually, she limited her outside activities to going to church. In her early twenties, she began prayed and worshipped on her own. This final step to total seclusion clearly fueled her obsession with death, and with investigating the idea of an afterlife. In “Because I could not stop for Death”, Dickinson rides in a carriage with the personification of Death, showing the constant presence of death in her life. Because it has become so familiar, death is no longer a frightening presence, but a comforting companion. Despite this, Dickinson is still not above fear, showing that nothing is static and even the most resolute person is truly sure of anything. This point is further proven in “I heard a Fly buzz”, where a fly disrupts the last moment of Dickinson’s life. The fly is a symbol of death, and of uncertainty, because though it represents something certain—her impending death—it flies around unsure with a “stumbling buzz”. This again illustrates the changing nature of life, and even death. “This World is not Conclusion” is Dickinson’s swan song on the subject of afterlife. She confirms all her previous statements, but in a more r...
the poet is saying that even when people with blind faith try to support their faith with evidence, they fail miserably. Emily Dickinson ends the poem with a rather spectacular and unexpected declaration. She asserts that even mainstream Christianity, signified in the
The tone in the first stanza is of joyousness and excitement, as people make their way to heaven. Dickinson uses the words “gayer,” “hallelujah,” and “singing” to emphasize the uplifting feeling here. It could be argued that this is the point in the humans’ lives (or deaths, or afterlives, depending on how one looks at it) when they reach the pinnacle of happiness, for they have finally entered heaven. The humans, now dead, would then acquire wings, immortality, and an angelic status that rises far above that of humans. Much like Dickinson’s other poems, this one uses metaphors to represent similar things, such as “home,” which represents “heaven,” “snow,” which represents the “clouds” on which heaven resides, and “vassals,” which represents the “angels” who serve God.
the human race, in addition to doing it in the name of her own sanity.
Being a feminist in a nineteenth century modernistic era, she helped broke the inequality of gender issues in America during that time. She questioned the order of what was deemed to be normal, and so helped move the tide of gender equality in America. A stepping stone, which of one of the many, for women to stand up and fight for their freedom. Something that people in society as a whole still fight for, whether it’s gay marriage, gender inequality, racial conflicts, to even about religion. Dickinson dashes at first glance may appear to be random and irrelevant, but with a closer look it add to deeper meaning to the text entirely. The breaking up of lines and rhythmical patterns, forces the reader to examine in closer detail in why it is that she decides to add such inputs to her
Dickinson was unique and the “exception” in creating a private relationship with her self and her soul. In “Emily Dickinson and Popular Culture”, David S. Reynolds, a new historicism critic, wrote that it 's no surprise that the majority of Dickinson 's poetry was produced between 1858-1866, “It was a period of extreme consciousness about proliferation of varied women 's role in American culture.” It was a time where women were actively searching for more “literary” ways of self expression” (Reynolds 25). Dickinson was able to express her ideas and beliefs as a woman, something that was scandalous during this time period.
...e has the right to choose how to spend her life. Dickinson lived a very lonely and isolated life where she lost many important people in her life. The poem, “The Soul selects her own Society” brings attention to the Western society where isolation becomes prevalent and the cultures starts to open up to independence and freedom which leads to actual social relations being replaced with nonexistent sociableness. However, Dickinson was not easily swayed by force, wealth, and beauty like the “Majority”. She was a strong woman who could “shut the Door” and “close the Valves of her attention-Like Stone-”. She provides many ways to interpret the poem and she teaches an important lesson about how the “Soul” makes the decision and not the mind. She creates and eye opening life lesson that enlightens people to make their own decisions for their own life within twelve lines.