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Explain King Lear as a shakespearean tragedy
Development of king lear in the play
Development of king lear in the play
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At the outset, we find the Duke transferring his power and authority to Angelo. He lends to Angelo his own terror and dresses Angelo with his love, “giving his deputation all the organs of his own power”. He says that from now on “mortality and mercy” in Vienna would live in Angelo’s tongue and heart. The Duke motive in appointing Angelo to function in his stead is, as he tells Friar Thomas, to rid the country of the evils which have taken strong roots and which, he thinks, he himself cannot eradicate because of his reputation as a very lenient man. Now the question is how far the Duke is justified in appointing a substitute to rule the kingdom and reform the corrupt Vienna society. We do not think that the Duke is justified in taking such a step. We are certainly not convinced by the reason which he gives to Friar Thomas for not undertaking the task of reform himself. Why should the Duke evade his responsibility? He tells Friar Thomas that, if he were now suddenly to become strict and stern, his actions would cause much resentment among the people. But this is no reason why a ruler should himself go into the background and appoint another man to take his place. Besides, we soon afterwards find that the Duke in interested more in observing Angelo at work as his deputy, and less is seeing evil being eradicated. We find that the Duke is concerned more with spying his deputy’ actions than with the process of reform. He becomes more interested in watching and prying into the personal as well as official life of Angelo than in the direction which the public affairs of the country are taking. Angelo’s Exercise of Authority As soon as Angelo is given charge of the kingdom, he begins to exercise his authority in a relentless manner. H... ... middle of paper ... ...e protested against justice being totally pushed into background with mercy holding the field. The Duke compels Angelo to get married to Mariana, the girl whom he had once betrayed and forsaken, and the girl whom he has now seduced. But that is the only punishment which is imposed upon a character who proves to be the worst sinner among all the characters of the play. References [1]Marsh, Nicholas. Shakespeare: Three Problem Plays: New York, Palgrave Macmillan, 2003 [2]Montrose, Louis Adrian. Shaping Fantasies: Figuration of gender and power in Elizabethan cultures: 1983. [3]Rogers, Pat. The Oxford Illustrated History of English Literature: Oxford, Oxford University Press, 1993. [4]Schanzer, Ernest(1963). The problem plays of Shakespeare: London, Routledge&Kegan Paul, 1963. [5]Tillyard, E.M.W. Shakespeare’s problem plays: London, Chatto&Windous, 1964.
Niccolò Machiavelli was a man who lived during the fourteen and fifteen hundreds in Florence, Italy, and spent part of his life imprisoned after the Medici princes returned to power. He believed that he should express his feelings on how a prince should be through writing and became the author of “The Qualities of a Prince.” In his essay, he discusses many points on how a prince should act based on military matters, reputation, giving back to the people, punishment, and keeping promises. When writing his essay, he follows his points with examples to back up his beliefs. In summary, Machiavelli’s “The Qualities of a Prince,” provides us with what actions and behaviors that a prince should have in order to maintain power and respect.
Much Ado about Nothing by William Shakespeare, is a comical story of misunderstandings and funny feuds, but also contains heartfelt love stories, one in which contains an horrible miscalculation that leads to heartbreak and "death." That story is one of Hero, the governors daughter, who falls in love with Count Claudio, a lord from Florence. Claudio undoubtably feels the same and they quickly become engaged to be married the next week. All is well until the evil Don John devises a plan to ruin their upcoming marriage and pulls a stunt to trick Claudio into believing that Hero has been disloyal. At their wedding ceremony the following day, Claudio publicly shames Hero by revealing that she has lost her honor to another man, turning everyone against her. Hero, of course, is innocent, but only a few believe this. This scenario is, of course, horrible to witness as a reader and viewer who knows the truth, and drags on for far too long. Hero's situation is one where no matter how much she protests and demands that she has been wrongfully accused, she is not listened to. Once it has been suggested, by the simple power of words, not even physical proof that can be shown to anyone questioning it, that Hero has lost her virginity, all hope is lost for Hero. Her pleas won't be heard, no one will believe her word over a mans, and she has lost everything in one moment, a blink of eye and the weddings off and she is shamed by everyone she knows.
In Political Testament, Cardinal Richelieu explains that the nobility is something to be used as a tool, a perpetual game of appeasement and request of services. He understood that the nobility could be a nuisance and a body of dissent against the King, but that they were necessary to the crown to provide military aid and money. Richelieu explains that one must know how to manage and manipulate them: “To take away the lives of these persons, who expose their lives every day for a pure fancy of honor, is much less than taking away their honor and leaving them a life which would be a perpetual anguish for them. All means must be used to maintain the nobility in the true virtue of their fathers, and one must also omit nothing to preserve the advantages they inherited.” ...
Complications also arose when viola fell in love with her master, duke orsino, while at the same time had the love interest of orsino, the countess Olivia, trying to woo her. This placed viola in an extremely difficult and complex situation on one hand, she loved the duke and would have liked to do all she could to win his heart. But because she was his servant, she was obliged to serve him and help him win the hand of Olivia. What was a poor girl to do ?
This passage emphasizes the major theme of the play, justice. The whole passage is about Isabella trying to create justice. Angelo did something wrong, and therefore should be punished for it.
Scene 1. At her wedding Hero, is publicly accused of being a cheater by he fiancé Claudio. After being denounced by Claudio Hero faints, while she is on the ground her father Leonato says: “Do not live, Hero, do not ope thine eyes, For, did I think thou wouldst not quickly die, Thought I thy spirits were stronger than thy shames, Myself would, on the rearward of reproaches, Strike at thy life”(4.1.131-135). Leonato is hoping that his daughter Hero is dead, and if she is not, he will risk the punishment and kill her himself. Although he has no evidenced of Hero’s crimes, and Hero tells him she is innocent Leonato choses to believe Claudio over Hero. He is so angry at what his daughter has allegedly done he is prepared to kill her. It is seen here that in this time period men are much more trusted then women. This scene also shows how serious it was for a woman to have premarital sex. Leonato had no trouble believing his daughter was unfaithful with no evidence, and was ready to kill her because she had sex out of wedlock and dishonored his
In the play, Claudio has been sentenced to death for getting his fiancee pregnant (his crime was not so much getting her pregnant, but having sex with her at all). Claudio's sister, Isabella, who is in the process of joining a nunnery, feels that Claudio has done wrong, has sinned and committed a crime, but she feels that the sentence--death--is too strict. So, she goes to the ruler of the city, Angelo, to plead for her brother's life. The previously virtuous Angelo falls into lust with Isabella, and he propositions her to save her brother by having sex with him (Angelo). Now, remember that Isabella is in the process of becoming a nun. She, of course, rejects this propos...
Summary: Duke wants to restore the strictness of fornication/adultery laws. He sets up Angelo to do it, while he feigns that he will be away. Instead he remains to check up on Angelo and the town (Vienna). Angelo goes ahead and closes down Overdone's brothel and the others, and puts Claudio in jail, condemned to die the morrow, for impregnating Juliet.
Throughout the history of the world, honor has been an important part of life. In literature, as well, honor plays an important role in many plots and the development of almost any character. Shakespeare’s play Much Ado About Nothing is no exception. In this comedy about love and marriage, honor is revealed as the primary reason for many of the actions taken by several different characters. When Claudio breaks off his wedding with Hero, he does it because he believes she is not chastised as she claims to be and in being such, she would dishonor him as well as her father if the marriage were to proceed as planned. The play is an accurate depiction of the honor code and the different standards for men and women of the time in regards to honor and chastity.
Angelo and the Duke are similar in the following respects: they both initially claim immunity to love and later come to be affected by it; to achieve ends they desire, both manipulate others into situations those others would not willingly choose to be in; both have sought to maintain a particular reputation; they both spend much of the play seeming other than what they appear; both think themselves to be other than what they are in the beginning; and both claim to value a life removed.
...the actions of his guest to how the Duchess acted. Since the Duchess was loose in her behavior, Duke Ferrara ultimately sought to control her through murder.
It's interesting to note that Lord Angelo's name evokes an image of purity and holiness. Names are given at birth, and the idea that he is called angelic from the start, would argue against this doctrine of innate depravity. But, as Shakespeare argues, it's a name that can't be lived up to because of natural passions and lusts, which ultimately leads to Angelo's hypocrisy. The play opens up not only dressing up Angelo with a pure name, but also as a puritanical deputy, who has been "elected" to enforce the laws while the Duke is away. This idea of "election" not only signifies the political decree of Vienna, but also a Pauline doctrine that relates to men and angels.
The plot centers around the fate of Claudio, who is arrested by Lord Angelo, the temporary leader of Vienna. Angelo is left in charge by the Duke, who pretends to leave town but instead dresses as a friar to observe the goings-on in his absence. Angelo is strict, moralistic, and unwavering in his decision-making; he decides that there is too much freedom in Vienna and takes it upon himself to rid the city of brothels and unlawful sexual activity. Laws against these behaviors and institutions already exist, and Angelo simply decides to enforce them more strictly. Claudio is arrested for impregnating Juliet, his lover, before they were married. Although they were engaged and their sexual intercourse was consensual, Claudio is sentenced to death in order to serve as an example to the other Viennese citizens.
Angelo never discards his views of premarital sex, even though he demands that Isabella sleep with him. He is determined to root out sexual license in Vienna, and his own transgression cannot dissuade him. Isabella is more like Shakespeare's tragic characters than his typical comedic characters. Her protection of her virginity never wavers; not even when her brother's life is at stake will she relinquish her morals. Isabella and Angelo are more closely related to Shakespeare's Othello than they are to Rosalind, who constantly adapts to the situation.
...o, who she cares about for the sake of Bassanio. Jessica gives up her family ties to marry Lorenzo. Even Gratiano and Nerissa are devoted to one another. The play is truly about the happiness that true love brings.