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Oedipus Rex as an ideal tragedy
Role of fate in greek mythology
Sophocles's philosophy
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Oedipus Rex as the Ideal Tragic Hero
If we give ourselves up to a full sympathy with the hero, there is no question that the Oedipus Rex fulfills the function of a tragedy, and arouses fear and pity in the highest degree. But the modern reader, coming to the classic drama not entirely for the purpose of enjoyment, will not always surrender himself to the emotional effect. He is apt to worry about Greek fatalism and the justice of the downfall of Oedipus, and, finding no satisfactory solution for these intellectual difficulties, loses half the pleasure that the drama was intended to produce. Perhaps we trouble ourselves too much concerning the Greek notions of fate in human life. We are inclined to regard them with a lively antiquarian interest, as if they were something remote and peculiar; yet in reality the essential difference between these notions and the more familiar ideas of a later time is so slight that it need not concern the naive and sympathetic reader. After all, the fundamental aim of the poet is not to teach us about these matters. but to construct a tragedy which shall completely fulfill its proper function. Nevertheless, for the student of literature who feels bound to solve the twofold problem, How is the tragedy of Oedipus to be reconciled with a rational conception of life? and How does Oedipus himself comply with the Aristotelian requirements for a tragic hero? there is a simple answer in the ethical teaching of the great philosopher in whose eyes the Oedipus Rex appears to have been well-nigh a perfect tragedy. In other words, let us compare the ideal of the Ethics with the ideal of the Poetics.
Aristotle finds the end of human endeavor to be happiness, that is, an unhampered activity of the soul i...
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... in accordance with reason. In the Oedipus Rex Sophocles had already shown the reverse. The man who sees but one side of a matter, and straightway, driven on by his uncontrolled emotions, acts in accordance with that imperfect vision, meets a fate most pitiful and terrible, in accordance with the great laws which the gods have made.
This philosophy of Aristotle and Sophocles is clearly expressed in the drama itself. "May destiny still find me," sings the Chorus, "winning the praise of reverent purity in all words and deeds sanctioned by those laws of range sublime, called into life throughout the high, clear heaven, whose father is Olympus alone; their parent was no race of mortal men, no, nor shall oblivion ever lay them to sleep: the god is might in them and grows not old."
Works Cited:
Sophocles. Oedipus Rex. New York: Dover Publications, Inc., 1991.
Antigone and Oedipus, written by Sophocles, are dramatic plays with a tragic ending. The main theme for Antigone is that people sometimes have to learn the hard way from their mistakes. This theme is expressed in the final four lines of the play. They read, There is no happiness where there is no wisdom; No wisdom but in submission to the gods. Big words are always punished, And proud men in old age learn to be wise. These lines are an important part of the play. They symbolize Creon's bad decisions he made, his defiance to the gods, the punishment he went through because of his edict, and the wisdom he gained because of all his mistakes. "There is no happiness where there is no wisdom" demonstrates how Creon not using wisdom in his decision affected him. By declaring that Polyneices could not have a proper burial, he went against the gods and the other citizens of Thebes's beliefs. This was not a wise decision on his part, and because of it he lost his wife, his son, and his happiness. Creon also defied the laws of the gods. This is what is expressed in the line, "No wisdom but in submission to the gods." In Antigone, the edict and decisions that Creon made demonstrated that his law was more important then the gods laws. His defiance of the laws eventually made him believe, by talking to Teirisias, that something bad would happen to him, so he gave in to his decision.
The purpose of this essay is to demonstrate that the events in Oedipus the King, written by Sophocles, are the result of the hero’s self determination and restless attempt to escape a terrifying destiny predicted for him by the oracle of Apollo at Delphi. My intention is to prove that although the Fates play a crucial part in the story, it is Oedipus'choices and wrong doing that ultimately lead to his downfall.
Human emotion often clouds the judgment. When Polyneices came praying for mercy, Antigone reported to Oedipus, “And no man is with him, father; but his eyes Swollen w...
The Monster attempted to coexist with humanity, dealing with violence and abuse, only to be rejected and alone, much like how Satan is rejected by God. He is hoping that the wicked nature of the humans was not common between them all, until he meets the family which sways his opinions about the race. This fruit of hope soon turns rotten when he decides to befriend them only to be rejected again saying “from that moment on I declared everlasting war against the species” (Shelly 124) after their reaction. It was at this moment where he lost his innocence, seeing the truth that all humans are violent, only to make himself more lonely, which is seen in Paradise Lost from Satans rejection from God after they were defeated. Satan is a fallen angel,
is ironic that one refers to him as a “monster” or a “demon”, when he
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
was a naive child at the beginning of the novel, but by the end the
With this in mind, many believe that King Oedipus in Sophocles’ play, Oedipus the King, is the perfect example of Aristotle’s tragic hero. Does he, however, truly fulfill all the “requirements” described in Poetics or is there something we miss in the depths of his fascinating and multi-faceted character that does not fit into Aristotle’s template? Without a doubt, Oe...
Oedipus also represents a flaw in classical thinking. By implying that we are powerless to change our fate, Sophocles eats away at some of the most core desires in our society. A poor man may think it is fate that he will never live a wealthy lifestyle, but the next day he may win the lottery. The core belief that is not present in Oedipus is to never give up. At l...
began the book well. This book tried to get the idea across that humans knew
“Do what you believe is right.” This is a phrase common to us all, brought to our attention by parents, reinforced by teachers, and preached by leaders. But how does one define what is right? Is it what we believe in our hearts, or is it what we know is acceptable? This is a predominant dilemma that can be traced throughout society, and is the main focal point of Sophocles’ play Antigone. Written in 441 B.C., Antigone is one of the earliest records of the conflict between Natural law and Positive law. Sophocles deftly exposes these two philosophical standpoints and their respective moral and political aspects by way of the two main characters, Antgone and Kreon. Antigone is a champion of Natural law, while Kreon practices the Positivist approach. Both characters deem their behavior superior towards the other, and both assume religious justification for their actions. Sophocles ultimately proves that with so much support for each philosophical standpoint, a solution to the dilemma is hardly in sight.
Before the twentieth century plays were mainly written as either a tragedy or comedy. In a tragic play the tragic hero will often do something that will eventually destroy him. In the book Oedipus the King, Oedipus is the tragic hero. In this tragic play the main character, which is portrayed as Oedipus, will do a good deed that will in turn make him a hero. This hero will reach his height of pride in the story, and in the end the action, which he had committed earlier, will return and destroy this man who was once called a hero.
foreign land (which I found out to be a region in the Southern part of
“Oedipus the King” by Sophocles is a tragedy of a man who unknowingly kills his father and marries his mother. Aristotles’ ideas of tragedy are tragic hero, hamartia, peripeteia, anagnorisis, and catharsis these ideas well demonstrated throughout Sophocles tragic drama of “Oedipus the King”.
According to Aristotle's theory of tragedy and his definition of the central character, Oedipus the hero of Sophocles is considered a classical model of the tragic hero. The tragic hero of a tragedy is essential element to arouse pity and fear of the audience to achieve the emotional purgation or catharathis. Therefore, this character must have some features or characteristics this state of purgation. In fact, Oedipus as a character has all the features of the tragic hero as demanded by Aristotle.