What modern society dictates women should look like has had a great impact on commonplace women and how they feel they should look and act. I have no doubt a huge problem exists in society as a result of this. I think it has resulted in women being put to the side in terms of advancement. It also evokes a sense of low self-esteem. Little girls everywhere are brought up in front of an image they can never achieve. A truly ideal woman is one who has the confidence in herself to know that she is beyond that image. The key word there is confidence. Unfortunately, the magazine cover industry breaks confidence with its portrayals of thin, tall women. The ideal magazine cover woman is an unattainable fallacy. However, there is no guilty party to be blamed for this fact. Faulting the companies putting that image to use is unjust.
The idea that women are subjected to an unfair amount of pressure as a result of the fashion world and other media outlets is hardly new, but Naomi Wolf takes this claim to a new and absurd level. Her essay is as unorganized as it is impractical. Her ideas are presented in a smorgasbord of flawed logic. Particularly disturbing is what she calls the “beauty myth.” What I disagree with is the word myth. According to Wolf, women in magazines and advertisements have approximately 20% less body mass than that of the average woman, creating an unattainable standard. This fact in no way supports her claim of a “beauty myth.” The existence of a myth suggests something to be untrue in nature. Magazine companies and advertisement agencies are not in the business of showing an average woman. They are in the business of selling a product. Of course they are going to use beautiful people. These companies completely regard the fact that most women do not in fact look like this, but they know that their product would be less appealing if they displayed average or unattractive women. Therefore, they do not deserve scrutiny over the fact that they do not present a typical woman. They in fact do the same for men. Wolf says, “The beauty myth is not about women at all. It is about men’s institutions and institutional power” (page 485, first new paragraph). How does one begin to say how warped this impression is?
Beauty is a cruel mistress. Every day, Americans are bombarded by images of flawless women with perfect hair and smooth skin, tiny waists and generous busts. They are presented to us draped in designer clothing, looking sultry or perky or anywhere in between. And although the picture itself is alluring, the reality behind the visage is much more sinister. They are representations of beauty ideals, sirens that silently screech “this is what a woman is supposed to look like!” Through means of media distribution and physical alteration, technology has created unrealistic beauty ideals, resulting in distorted female body images.
It is clear that based on the clips provided, women in the media are either praised or scrutinized by how they look. Hillary Clinton, a well known politician was attacked by the media just because she looked tired. Another clip that was shown was a scene from "A Devil Wears Prada." In the movie, Anne Hathaway's character was called fat by her boss, when in reality Anne has a very slim figure. If she was called fat, what will the girls growing up today will think about their bodies? Another example would be the repeated clips of attractive women characters. These character are what girls want to become; tall, blonde, and a body figure to die
Wolf, Naomi. The Beauty Myth. How Images of Beauty are Used Against Women. New York: William Morrow, 1991.
I was flipping through some channels on the television set one day and came across a woman's talk show, "The View." It caught my attention when one of the hostesses asked the audience of mostly women to raise their hand if they thought they were truly beautiful. Much to my surprise the audience did not respond with very many show of hands. The hostess then introduced a study done by Dove, the makers of the body soap. Dove polled over 6,000 women from all over the country and only two percent of the women polled said they feel beautiful. Women are surrounded by images screaming physical beauty is more important than their talents and accomplishments. Women are deriving their self worth from an ideal of how they think they should look and how they think everyone else wants them to look instead of focusing on their sense of who they are, what they know, and where they are going in life. In "Help or Hindrance?: Women's Magazines Offer Readers Little But Fear, Failure," Mary Kay Blakely states, "Instead of encouraging women to grow beyond childish myths and adapt to the changes of life, women's magazines have readers running in place, exhausted." She goes on to say, "This is a world we have 'made up' for women, and it is a perilous place to exist." One of the biggest culprits feeding women's insecurities are the popular women's magazine that line the book shelves of grocery stores, gas stations, and waiting rooms. They supply readers and the occasional innocent passerby with unrealistic images of what women should be instead of showing diverse age groups and women with natural beauty. Reading through a couple of magazines, Cosmopolitan, Elle, and Shape, I found nothing but hidden agendas and...
The ideal image that the media has created is to be exceptionally thin and tall. This is what the media considers to be beautiful. This ideal image can be seen on a daily basis just about everywhere on advertisements, which promote this unattainable image constantly. Research has proven that women tend to feel more insecure about themselves when they look at a magazine or television, which makes them feel self conscious(Mackler 25). The irony in this is that not even the women in the advertisements are as flawless as they appear to be. In order for a woman to appear in the mass media her image must be enhanced in several ways. A women is often airbrushed to conceal their actual skin but it does not end there. Through various computerized programs a woman's actual features are distorted until a false unrealistic image is reached.
When we look into the mirror, we are constantly picking at our insecurities; our stomach, thighs, face, and our body figure. Society has hammered into our brains that there is only one right way of looking. Society disregards that there are many different shapes, sizes, and colors. Then society makes us believe that corporations can shove detrimental products to fix our imperfection. As a consequence, we blame media for putting all the negative ideas into women’s brain. It is not wrong to say that they are in part responsible, but we can’t make this issue go away until we talk about patriarchy. In the article Am I Thin Enough Yet? Hesse-Biber argues that women are constantly concerned about their looks and if they are categorized as “beautiful” by society. These ideas are encouraged by corporations that sell things for us to achieve “beautiful” but the idea is a result of patriarchy. Hesse-Biber suggests that if we want to get rid of these ideas we need to tackle patriarchy before placing all the blame on capitalism.
The most fashionable, sought after magazines in any local store are saturated with beautiful, thin women acting as a sexy ornament on the cover. Commercials on TV feature lean, tall women promoting unlimited things, from new clothes to as simple as a toothbrush. The media presents an unrealistic body type for girls to look up to, not images we can relate to in everyday life. When walking around in the city, very few people look like the women in commercials, some thin, but nothing similar to the cat walk model. As often as we see these flawless images float across the TV screen or in magazines, it is hard to remember they are not real and hardly anyone really looks similar to them....
Naomi Wolf's "The Beauty Myth," discusses the impact of our male-dominated society upon women. Wolf argues that women's most significant problems associated with societal pressures are a "fairly recent invention," dating back to the 1970s (6). She explains that women have "breached the power structure" by acquiring rights equal to men in areas such as, education, professional careers, and voting. As a result, Wolf suggests that the "beauty myth" is the "last one remaining of the old feminine ideologies that still has the power to control those women" (3). Considering that the beauty myth is women's last battle, the struggle is increasingly more difficult. Wolf claims that women are currently experiencing "a violent backlash against feminism," noting the recent rise in eating disorders, cosmetic surgery, and objectification of women's bodies (3,2). While Wolf accurately defines the beauty myth, she incorrectly states that eating disorders, cosmetic surgery, and pornography are recent issues, resulting from an intentional "backlash" against women's rights.
Within the beauty industry there are numerous examples of media propaganda that can be investigated, but the television and magazine industry privdes a very specific representation of what women experience daily through the media. According to the Hollywood Reporter, the ...
In her novel “Beauty Myth”, Naomi Wolf argues that the beauty and fashion industry are to blame for using false images to portray what beautiful woman is. She believes the magazines are to blame for women hating their bodies. Wolf states, “When they discuss [their bodies], women lean forward, their voices lower. They tell their terrible secret. It’s my breast, they say. My hips. It’s my thighs. I hate my stomach.” (Wolf, 451) She is focusing on how w...
Wolf, Naomi. "We've Come A Long Way, Maybe." The Beauty Myth: How Images of Beauty Are Used against Women. New York: W. Morrow, 1991. 486-94. Print.
Wolf, Naomi. The Beauty Myth: How Images of Beauty Are Used Against Women. New York:
The female body tends to be judged and mostly seen as a problem in work organizations, while female bodies are also sexualized to qualify for particular kinds of work such as receptionists, secretaries and nurses (Jackson and Scott, 2002; 150). In Naomi Wolf’s (1990) novel The Beauty Myth, she discusses the belief that is beauty, which is real and universal so that women, as result of biological, sexual, and evolutionary factors should want to be embodied. The Beauty Myth, however, set out to demonstrate that beauty is in fact a myth because there isn’t any true universal and real measure of what beauty is, in result to different cultures and historical time periods having completely changed and often contradicting ideas about what makes something or someone beautiful, and the beauty myth is nearly an unreachable cultural ideal of feminine beauty that “uses images of female beauty as a political women against women’s advancement” (Wolf, 1990; 259). Ultimately, sexual standards of beauty often vary depending on the status of
In this age, media is more pervasive than ever, with people constantly processing some form of entertainment, advertisement or information. In each of these outlets there exists an idealized standard of beauty, statistically shown to effect the consumer’s reflection of themselves. The common portrayal of women’s bodies in the media has shown to have a negative impact on women and girls. As the audience sees these images, an expectation is made of what is normal. This norm does not correspond to the realistic average of the audience. Failing to achieve this isolates the individual, and is particularly psychologically harmful to women. Though men are also shown to also be effected negatively by low self-esteem from the media, there remains a gap as the value of appearance is seen of greater significance to women, with a booming cosmetic industry, majority of the fashion world, and the marketing of diet products and programs specifically targeting women.
Thus, the mass media promotes an ideal image of what a beautiful and desirable woman should look like, influencing women around the world to model after. An example is the Glamour magazine survey: 75% of women aged 18-35 were reported to feel that they were too fat; 45% of underweight women felt they were too fat; almost 50% o... ... middle of paper ... ... ay’s context is pursuing the best of everything. Desperate times that make image no longer important do not prevail in the modern day.