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Power to the People "All hail, Macbeth, that shalt be king hereafter!" (Mac.I.3.50). This quote in William Shakespeare's, The Tragedy of Macbeth, marks the beginning of a slow downfall of a tragic hero. Life is a balance between making mindful decisions, and making poor choices in order to learn by making mistakes. Unfortunately for Macbeth, he cannot maintain this balance and allows his conscience to escape him. Macbeth's beloved bride portrays a devil sitting on Macbeth's shoulder acting as a conscience for him. Lady Macbeth, however, does not have a clear conscience herself and advises her husband to make unwonted choices he would not normally compose on his own. Lady Macbeth's pushiness shows that Macbeth lacks the qualities of a good king from the get go. By looking at the King like qualities of Macbeth, or lack there of, one can see that in the opening scenes of the play, Macbeth does not possess any qualities that make him worthy to be a King yet he still becomes the ruler of Scotland. This is a surprising idea that is complicated by recognizing that rulers can develop over time with powerful influences of peers and loved ones. In Act IV, Scene 3, Malcolm lists twelve virtues of a good king. He lists justice, truthfulness, temperance, stability, generosity, perseverance, mercy, humility, dedication, patience, courage, and fortitude. Macbeth himself only possesses about 3 out of these 12. When the play first opens, Macbeth is shown as somewhat cowardly and appears to be easily manipulated by his very assertive wife, Lady Macbeth. Throughout the play Macbeth slowly begins to develop more leader qualities because of his wife constantly persuading him to do things out of his character. Macbeth draws up some courage, which a leader should have, however it is the wrong type of courage. Courage is first introduced to Macbeth when Lady Macbeth says, “But screw your
“Besides, this Duncan Hath borne his faculties so meek, hath been / So clear in his great office, that his virtues /Will plead like angels, trumpet-tongued, against / The deep damnation of his taking-off; (1.7.16-20)” The powerful values of being a good king in Macbeth, all the king's learn to manage throughout the book. William Shakespeare's ideas towards kingship can be seen throughout the play Macbeth, and shows that a king should be chosen by a divine right. Throughout the play Macbeth the most important topic is kingship. Followed by knowing the difference of kingship and tyranny. Shakespeare closed it out with cruelty and masculinity along with staying true to principles.
Lady Macbeth takes the role of the dominant partner in the beginning of the play, by acting as the real power behind the throne. For example, it is easily recognized that Macbeth and Lady Macbeth are opposite in many ways (Scott 236). He is weak, indecisive, and takes on the traditional female role of the marriage; she is strong, decisive, and takes on the traditional male role. One place in the play where Macbeth’s character is shown is Act I, Scene 5, Lines 15-17. She says, “Glamis thou art, and Cawdor, and shalt be / What thou art promis’d : yet do I fear thy nature / Is too full o’ the milk of human kindness.” This is just after Lady Macbeth receives the letter from Macbeth. It is also important to notice that when Macbeth’s first thoughts of killing Duncan appear, he is scared. After he commits the murder, Macbeth says, “To know my deed, ‘twere best not know myself ” ( 2. 2. 72 ). Knowing that he has committed such a vile act makes him uncomfortable. It will be difficult to act innocent and deal with his guilt.
At the beginning of the play, Lady Macbeth is introduced as a dominant, controlling, heartless wife with an obsessive ambition to achieve kingship for her husband. Her weak, sheltered, unsure and unstable condition is only revealed at the end of the play. However, the audience begins to see hints of this hidden nature by the manner in which Macbeth addresses her. Contrary to her supposed ruthless nature, her husband regards her as a pure being. He attempts to shield her from foreign agencies by saying, “Be innocent of the knowledge, dearest chuck,” (III.II.45). It is only in private that Lady Macbeth shows her weaknesses.
In Act 1, Macbeth is a brave and noble soldier ready to die for his king, Duncan. He is considered a hero after taking a leading role in defeating the invading army. We know this from his defeat of Macdonwald and the Norwegian king. King Duncan was thrilled with this victory and decides to make Macbeth his new Thane of Cawdor. In Act 1, scene 2 Macbeths victory is recognized recognition and status and he is praised by the captain. "For brave Macbeth,-well he deserves that name...."Macbeth is presented as a brave man who led King Duncan 's forces to victory. Shakespeare creates an impression to the audience of Macbeth as a servant of bravery as the word "brave" suggests he is very loyal and noble . His brutality in the battlefield revealed his courageousness and that is why the Captain calls Macbeth ‘ brave Macbeth’. This shows the respect and status Macbeth has gained which portrays him as a very heroic character. kings
One of the things that influenced Macbeth’s change of morality was his wife’s pressure. The first thing that Lady Macbeth pressured Macbeth into doing was killing King Duncan. He was not sure about actually doing it, but he did it anyway. That started his change of morality. Another thing that Lady Macbeth pressured Macbeth into doing was taking the crown. He wanted to be King, but was not certain if he wanted to do what was necessary to get it. When Lady Macbeth was pressuring Macbeth into taking the crown, she said ‘Wouldst though have that Which thou esteem’st the ornament of life, And live a coward in thine own esteem, Letting ‘I dare not’ wait upon ‘I would,’ Like the poor cat i’ th’ adage?’-Lady Macbeth (1.7.41-15). She is calling Macbeth a coward if he doesn’t kill King Duncan. Lady Macbeth also convinced Macbeth to lead the country once he was king. That is when he felt the most of his guilt from killing the King and taking
Macbeth's desire to become king is strongly supported by his wife, Lady Macbeth. Lady Macbeth is a highly ambitious woman who, like her husband, is willing to do anything to obtain power. Shakespeare uses a series of imagery to vividly portray the desire for power in Lady Macbeth's soliloquy: “Come, you spirits/That tend on mortal thoughts, unsex me here,/And fill me from the crown to the toe top-full/Of direst cruelty!” To achieve her ambition, Lady Macbeth urges Macbeth “to catch the nearest way.” This means she wants him to kill Duncan so that he can become king. However, she fears that Macbeth is “too full o' th' milk of human kindness” to “catch the nearest way.” When Macbeth is reluctant to kill Duncan, Lady Macbeth starts attacking his masculinity. “Then you were a man,” she said. Lady Macbeth also uses the power of emotional blackmail to manipulate Macbeth into killing Duncan.
Macbeth shifts from being loyal and courageous to a murderer executing a treacherous plan to kill the current king due to supernatural suggestions that he would be king himself. Macbeth is discussed as a man worthy of recognition by other characters in act one scene two. In this scene, the Captain states: “For brave Macbeth (well he deserves that name)” (1. 2. 18). Macbeth is being praised for his courage and loyalty to Scotland and the king. This first impression is hastily contrasted after hearing the prophecy of the witches stating he will be “king hereafter” (1. 3. 53). Immediately after hearing this, Macbet...
In the beginning of the play, Macbeth is described as being “valiant”. He is a skilled warrior, who is loyal to his king and his country. Almost single-handedly, he wins the war for Scotland. He defeats many of the enemy soldiers, including a traitor, all in the name of his king. But, when three witches encounter Macbeth and his friend Banquo, Macbeth’s ambition begins to grow. They tell Macbeth that he will be Thane of Cawdor and King. Soon after, Macbeth meets with King Duncan. He informs Macbeth that he is the new Thane of Cawdor. Macbeth is astonished, and from then on he is obsessed with being king. His ambition begins to become ruthless when Duncan proclaims that his son Malcolm is the Prince of Cumberland, and therefore, the heir to the throne: “The Prince of Cumberland! That is a step/On which I must fall down, or else o’erleap, /For in my way it lies. Stars, hide your fires;/Let not light see my black and deep desires:/The eye wink at the hand; yet let that be/Which the eye fears, when it is done, to see.” (I,iv,48-53) At this moment, Macbeth, realizing that they stand in the way of the witches’ prophecies, decides that both Duncan and Malcolm need to die for him to be king. As soon as Macbeth kills Duncan, he enters into a world of evil. Later in the play, Macbeth’s ambition becomes increasingly ruthless. He kills his best friend Banquo, and almost kills Banquo’s son, Fleance, because he believes they would stand in the way of his reign. The witches told Banquo “Thou shall get kings, though thou be none.” (I,iii,67) This means that Banquo himself would not be a king, but that his successors would be. Macbeth tries to prevent this by killing Banquo and his son Fleance.
Shakespeare uses the title character of Macbeth to effectively develop the theme of guilt and conscience in his play. Several times in the play we see Macbeth’s character crumbling as a result of a guilty conscience. At the beginning of the play he meets the witches with Banquo, and this prompts the first step toward killing the King. This helps in developing the theme because we get the idea that Macbeth does not trust the witches, nor does he fully believe them. Unfortunately his ambitious nature gets the better of him and causes him to listen carefully to how he might acquire his kingship. Macbeth feels guilty that he is thinking about killing the King because he’s basing his entire thought upon belief in the ‘evil creatures’. We see this when Macbeth has a soliloquy in which he says, “Cannot be ill, cannot be good” and also asks himself why the thought of becoming King makes his “seated heart” knock against his ribs.
The tragedy of Macbeth opens up with him returning home from a victorious military battle, displaying his honor and excellence. This is, also the first time he is presented with the opportunity for power. His success covered him with glory in defense of the crown. Macbeth is busily basking in his own glory and soaking up credit when Duncan basically steals his spotlight from right over his head, proclaiming Malcolm, Duncan's son, as the heir-apparent. This action also belittles Macbeth's achievement, since the procession of the throne is not necessarily dictated by bloodlines. Duncan is basically announcing that Macbeth, while noble, is inferior to his son Malcolm. This is where Duncan provokes Macbeth to hate him and also points out what Macbeth must do to become King. Duncan even tempts Macbeth, by pronouncing him as the Thane of Cawdor. This gives Macbeth a taste of power and he begins to have a desire for more. This desire or ambition is his fatal flaw. Shakespeare, by using Macbeth as a guide, shows that even the honorable men can fall into the hands of evil just like everyone else. No one is safe from his or her own ambitions of power and success. It is clear that Macbeth ends up a far more brutal and simple...
When his wife told him that in order for him to become king, he must kill the current king, King Duncan. King Duncan is a friend of Macbeth who he is very loyal to. Macbeth had to decide whether his loyalty to the king or loyalty to his wife was more important. "Art thou afeard to be the same in thine own act and valor as thou desire? Wouldst thou have that which thou esteem'st the ornament of life, and live a coward in thine own esteem..." (Macbeth 60) In this quote, Lady Macbeth is questioning Macbeth's manhood. She is stating that he is not a man because he won't show the boldness or the bravery to do this
Macbeth’s blind ambition leads him to surrender to his dark desires that taunt him throughout the play. Macbeth is frequently tempted to result to the wrongful methods that seem to roam inside of him. In the beginning however Macbeth tends to ignore these desires and depends on chance. He declares “if chance will have me king, why, chance may crown me, without my stir” (Shakespeare, act 1, scene 3, 143-144). This declaration by Macbeth shows his initial stand, which is reliant on fate and sin free. Yet as Macbeth’s character develops throughout the play, he moves farther from his dependence on chance and closer to his darker desires. Eventually his blind ambition to become king overp...
instill in him the need to be King. Still, desire is not enough for Macbeth and he is thus driven "to seek certainty as his one objective. He wants certainty from the witches . . . at whatever cost" (Campbell 228). Macbeth, however, is not completely lost yet; honour and justice remain in him, and although it takes him some time to fully consider the consequences of the witches' words on him, he rejects his horrible thoughts of murder and postpones all action: "If chance will have me king, why,chance may crown me, / Without my stir" (I. iii.143-144). For the time being, Macbeth's true essence is in control, that of loyalty and honour.
Macbeth, whom initially was a very reasonable and moral man, could not hold off the lure of ambition. This idea is stated in the following passage: "One of the most significant reasons for the enduring critical interest in Macbeth's character is that he represents humankind's universal propensity to temptation and sin. Macbeth's excessive ambition motivates him to murder Duncan, and once the evil act is accomplished, he sets into motion a series of sinister events that ultimately lead to his downfall." (Scott; 236). Macbeth is told by three witches, in a seemingly random and isolated area, that he will become Thank of Cawdor and eventually king. Only before his ambition overpowers his reasoning does he question their motives. One place this questioning takes place is in the following passage:
Lady Macbeth is the first to strategize a way to kill Duncan. As a character foil to Macbeth she juxtaposes their possession of guilt and ruthlessness, which creates irony and excitement to the play. Originally, she is very power hungry and wants to utilize her husband’s position in status to become queen. Macbeth objects to the plan to kill Duncan because he believes Duncan is Macbeth’s kinsman, host, and an overall virtuous ruler (Act. 1 Scene. 7) and thus feels very guilty for taking advantage of Duncan’s trusting quality towards the Macbeth family. She refers to Macbeth as weak and rebukes his manhood (Act 1. Scene 7.) . As the play progresses, Lady Macbeth and Macbeth have a character role reversal of their possession of guilt and ruthlessness. The character foil is extant, however Macbeth’s ruthlessness overcomes his guilt, and Lady Macbeth’s guilt vanquishes her drive for power. In addition to an alteration in character foils, Shakespeare introduces situational irony because now Lady Macbeth succumbs to the weakness Macbeth once possessed and Macbeth is the one who is formidable and ambitious. Macbeth’s ability to transcend his guilt exemplifies his struggle for power and reinforces the theme of evil ambition because Macbeth is able to secure the throne and power only by mass