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The theme of darkness in the heart of darkness
The themes of the heart of darkness
The theme of heart of darkness
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Lies in Heart Of Darkness In Joseph Conrad's Heart of Darkness, Marlow chooses to go against his beliefs by lying to Kurtz's intended. Although Marlow feels that lies are detestable, he is justified in falsifying Kurtz's final words to the Intended. Marlow feels that there is a taint of death and a flavor of mortality in lies, comparing lying to biting into something rotten. However, much of the world is filled with deceitfulness and lying, as it is almost a custom in the man's world. Lying makes Marlow physically ill, therefore to lie would be to give up his convictions and submit to the reality that the world is characterized by lying. Outside of the men's world is the women's world, epitomized by the Ladies' Drawing Room. Here, men and women are on their best behavior and manners are crucial. Inside the Ladies' Drawing Room, there is no sense of reality, deceitfulness or selfishness, as seen in the man's world. Here, the women are ignorant to the issues in the real world. Men come to the Ladies' Drawing room to escape the harsh reality that awaits them outside. Society was dependent on the Ladies' Drawing Room as an escape from reality. Following Kurtz's death, Marlow goes to see the Intended, where she asks to hear Kurtz's final words, "The horror! The horror!" These words condemn mankind in the realization that all men have the capacity to do evil. Marlow lies to the Intended telling her that his final words were her name, which suits the ignorant, fairy tale-like world of the Ladies' Drawing Room. As Marlow referred to earlier, he hates the taint of death and the mortality of lies. Had Marlow told the Intended Kurtz's actual final words, the taint of death would have hung over the truth. Marlow escaped having to bear the weight of this truth by lying, the more moral option of the two.
Lies play a central part in the play as the story is based around lies
Imagery is any piece of language that provokes the readers mind to form a mental picture or image. Shakespeare’s plays are well known for the richness of their imagery. Macbeth in particular has numerous vivid examples. Macbeth is also particularly rich in repeated images, such as the image of blood. In the beginning of the story, blood is symbolic of bravery, how he fought bravely, and how he won. Bloodshed for a noble cause is good blood. However, Macbeth's character changes throughout the play. The changes are characterized by the symbolism in the blood he sheds. As these images of blood occur frequently, they often portray the horror of the central action, Duncan’s murder. The brilliant images of blood and water also symbolize the unrelenting guilt of the two protagonists, Macbeth and Lady Macbeth. The blood and water represents their inability to erase the memory of Duncan’s murder. The blood of King Duncan clings to their hands and makes them unable to forget the repulsive crimes they committed.
In William Shakespeare’s play ‘Macbeth’, Shakespeare uses numerous tools to create imagery. For each image, there are various views and imageries; he uses different techniques of writing to achieve dramatic purposes and tense atmospheres. Throughout the play, Shakespeare uses darkness imagery without losing its effect. The elements used are typical, but written to be subtly linked and create a tough atmosphere. They are; noises, settings, witches and props.
...s of the jungle, which sought to swallow him whole like the snake devouring its prey, sending it deeper within its body digesting it by stripping it of its layers one by one, paralleling the snake-like qualities of the river that drew Marlow deeper and deeper into its dark nothingness. And just like the Ancient Mariner, who is doomed to tell his tale for the rest of his life for the sake of penitence, Marlow, too, seems to retell his story of the tragic loss of innocence, of death and rebirth. Regardless of how many times the story had been told before it got to the narrator who eventually transcribed the events, it is one of great importance. It tells us that we must not judge a book by its cover, regardless of how convinced we may be of what is inside.
Marlow gets a taste of the brutality that awaits him when he arrives at the company
Just as greed and savagery killed Mr. Kurtz, something dies in Marlow as well as he finishes telling his story to his crew. Marlow lies to Kurtz’s Intended by saying Kurtz said her name as his last words. “It would have been too dark-to dark altogether…” (146), he declares, as Marlow pauses his story and looks out over the Thames river, which “seemed to lead into the heart of an immense darkness” (146). This refers to the Kongo River, but also a metaphor for the ‘immense,’ covetous greed that inhabits human nature. If Marlow’s journey taught him one thing, it’s that human nature is evil. Part of himself dies here at the end as he sits “apart, indistinct and silent” (146), as he realizes of all of the intense greed, want, and rapacity towards commodity that his intruded him. He is left with a piece of Kurtz forever lodged inside him. “I seemed to see his collected languid manner, when he said one day, ‘This lot of ivory now is really mine. The Company did not pay for it. I collected it myself at a very great personal risk’” (138). Marlow voluntarily takes the lot of ivory after Kurtz dies, to prove that some of Kurtz’s covetous towards ivory lives inside of Marlow. The idea of rapacity for material frames the novella and is a metaphor for how even the things you crave most can kill
Vague Descriptions in Heart of Darkness. A dark, unfamiliar setting and a suspenseful plot give Heart of Darkness the characteristics of a good novel, but what really stands out is Conrad's writing. The story is full of vague imagery and descriptions that the reader must contemplate in order to fully understand. Writing so vividly was an impressive feat for Conrad, who was actually not a native English speaker.
Literature is never interpreted in exactly the same way by two different readers. A prime example of a work of literature that is very ambiguous is Joseph Conrad's, "Heart of Darkness". The Ambiguities that exist in this book are Marlow's relationship to colonialism, Marlow's changing feelings toward Kurtz, and Marlow's lie to the Intended at the end of the story.
In this situation, with the possibility existing of inflicting severe emotional damage on an already grieving soul, should Marlow have lied? Of course, the answer is neither simple nor short, and depends heavily on who is asked. The most relevant perspective naturally comes from Marlow himself. Marlow makes his feelings about lying clear early in his adventure. “You know I hate, detest, and can’t bear a lie, not because I am straighter than the rest of us, but simply because it appals me. There is a taint of death, a flavour of mortality in lies, – which is exactly what I hate and detest in the world – what I want to forget. It makes me miserable and sick…” (Heart, pp49-50). Marlow doesn’t hold much back here. He believes that lies are what is wrong with the world. That said, it seems that a third-person Marlow would severely disapprove of his actions, and would believe that he should have told the truth. This becomes even more evident after a glance at Marlow’s reaction after he does lie. “It seemed to me that the house would collapse before I could escape, that the heavens would fall upon my head.” (Heart, pg123). Marlow obviously sees his actions as in err, and is waiting for his punishment from above.
It is actually quite difficult to capture the personality of Marlow, just because it is he that is telling the story. The audience has accepted the fact that the story he is telling is just that, a story, whole and complete. However, this is not the case, this story is a flawed one told by a flawed person. Through these flaws the audience gets to know and shape their understanding of Marlow. As one of the main characters, Marlow has connected w...
...hat isolates him even further from the world. Marlow’s eyes have now been opened and he will never be the same. Marlow’s self-imposed duty to Kurtz is what keeps him from giving the Company Kurtz whole report. His loyalty is also what prevents him from telling the Intended the truth even though he says, “There is a taint of death, a flavor of mortality in lies...” (64). Marlow knows that it is impossible for the Intended to truly understand what he would be telling her. Civilization is not ready to try and comprehend the hidden darkness in all of us. Marlow may have escaped the heart of darkness, but is unable to truly share his boon. The narrator understands Marlow’s story but will not allow it to stop him from going to Africa. It is hard to live in a world where one is unable to convey or express their feelings to others. Therefore Marlow lives as he dreams…alone.
Heart of Darkness, by Joseph Conrad is a story that connects the audience to the narrator’s senses. We come to understand the environment, the setting, the other charters, and Kurtz strictly from the narrator’s point-of-view, as he experiences things.
Marlow is telling the story to his friends in the dark of night on the Thames river. As he begins the day is just ending "in a serenity of still and exquisite brilliance." It is a very sombre and dull atmosphere and as the calmness begins to fade it becomes more profound. At one point Marlow stops and is interrupted by the unknown narrator who describes the setting on the Nellie. "It had become so pitch dark that we listeners could hardly see one another. For a long time already he, sitting apart, had been no more to us than a voice....I listened, I listened on the watch for the sentence, for the word, that would give me the clew to the faint uneasiness inspired by this narrative that seemed to shape itself without human lips in the heavy nightair of the river."
Modernism began as a movement in that late 19th, early 20th centuries. Artists started to feel restricted by the styles and conventions of the Renaissance period. Thusly came the dawn of Modernism in many different forms, ranging from Impressionism to Cubism.
The imagery, like that of Marlow being able to “see the cage of [the native’s] ribs all astir; the bones of his arm waving”, does not reveal how Marlow reacts to such a traumatic sight and leaves readers to form their own opinions on both what Marlow thinks and their initial impressions (Conrad). Marlow’s actions are also questionable and lack the moral consequence assumed when pursuing an action, which demonstrates that for much of the novel, Marlow is untrustworthy and even fictitious at times, like, when he falsifies Kurtz’s last words “I was on the point of crying at her, ‘Don’t you hear them?’ The dusk was repeating them in a persistent whisper all around us, in a whisper that seemed to swell menacingly like the first whisper of a rising wind. ‘The horror! The horror!’ ‘His last word—to live with,’ she insisted. ‘Don’t you understand I loved him—I loved him—I loved him!’ ‘I pulled myself together and spoke slowly. ‘The last word he pronounced was—your name,’” (Conrad). By having an unreliable narrator, Conrad demonstrates that by using someone else’s impressions, we are not fully given a chance to understand for ourselves and can only do so when we are in complete isolation from Marlow’s own