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What fears of science are expressed in frankenstein
What fears of science are expressed in frankenstein
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An individual must take full responsibility for their actions and must be taught before acting a certain way. In Mary Shelly’s, “Frankenstein”, the antagonist of the novel, the creature, was a product of nurture. Victor, the creator of the creature, is led by his pursuit of knowledge which turns out quite destructive. The creature is belittled by the people around him as well as his creator, he wasn’t nurtured, loved or cared for, and his actions are directly reflected on the lack of this from the beginning of his life . Although the creature may seem at fault, there are several factors which have to be considered that he was not able to control. The creature is disrespected by the citizens of the village that he visited on multiple occasions. Upon confronting citizens around the village he is instantly assumed a horror and insulted. As the creature confronts one of the families, he is unpleasantly greeted by the children and woman and states, “But I had hardly placed my foot with-in the door before the children shrieked, and one of the women fainted”(Miller 94). By stating this the creature implies that his personal appearance is one of the causes to his misery. It also shows how he is right to think that everyone is afraid of him due to how he looks. In addition, the creature tries to peacefully communicate with the De Lacey family but ends up being insulted as well. As the creature asks for help from the old blind man, he is stopped by the reaction of the rest of the family and explains, “ Agatha fainted; and Safie, unable to attend to her friend, rushed out of the cottage”(123). As the creature confronts more and more humans, he is constantly being given the same reaction which all plays on his morality. Thi... ... middle of paper ... ...gonist, the creature, has no person to bring love or the feeling of being cared for into his life. The creature was expressed as a miserable individual who attained a lot of negative emotions throughout the novel. Not only was he disrespected by the people living around him, he wasn’t cultivated by Victor on how to behave as well as not being cared or loved for, which was the one thing he truly desired. If it’s a question of whether the creature was a product of nature or nurture, the answer is nurture as he was his own enemy throughout the story. Had Victor took the time to nurture and educate the creature, there would have been a much greater chance that all those deaths would have simply not occurred. It is shown how ones actions can cause so much harm to a large group of people and in this case Mary Shelly’s, Frankenstein is the perfect example of it.
In most novel and movies monsters are known to be evil, committing numerous crimes against humanity and are normally the ones that we don’t sympathize with. However, this novel carefully shows the reader that monsters can be good creatures, with a decent heart and act based on the actions of others. The novel shows how the monster should be pitied, rather than criticised. Mary Shelley's “Frankenstein” manages to create sympathy for the creature through speech, actions and mistreatment the creature suffers.
Frankenstein is the story of an eccentric scientist whose masterful creation, a monster composed of sown together appendages of dead bodies, escapes and is now loose in the country. In Frankenstein, Mary Shelly’s diction enhances fear-provoking imagery in order to induce apprehension and suspense on the reader. Throughout this horrifying account, the reader is almost ‘told’ how to feel – generally a feeling of uneasiness or fright. The author’s diction makes the images throughout the story more vivid and dramatic, so dramatic that it can almost make you shudder.
Soon after, the Monster discovers the De Lacey family and starts to learn the language, emotions, and many other human traits. For example, when the Monster watches Mr. De Lacey comforting Agatha by hugging, playing the guitar, and telling stories, the creature expresses his feeling as a mixture of pain and pleasure such as he never experienced before. He also learns that the family is poor, and instantly quits stealing food from them. So the Monster starts to have an ability to think reasonably and sympathize with people.
When Victor flees the creature, he becomes lonely and unhappy. He rejects his own works. If he stayed and taught him the creature would at least have a chance of happiness. When the monster flees to the cottagers he learns about human nature. He quotes “I continued for the remainder of the day in my hovel in a state of utter and stupid despair. My protector had departed and broken the only link that held me to th...
friendship with the old blind man at the De Lacey cottage and the monsters desire for a
He found his way to the house and he hid in the attachment to the house where all of the pigs were kept. He spied on the family for a while and randomly doing good deeds. One night the ground was frozen and the De Lacey could not get their vegetables out of the ground, so the creature decided to dig all of the vegetables up that night. The De Lacey family woke up the next morning to having all of their vegetables dug out of the ground. So soon after that the landlord of the De Lacey family came to collect their rent, but the only one home was the grandpa of the De Lacey’s. So the grandpa started talking to the man and the man decided to push the grandpa down. Then the Creature came out and grabbed the man and threw him and made him leave. The grateful grandpa who appeared to be blind told the Creature to come...
These parallels between the creature and a developing child help to explain many of the mysteries of the book. As we see, the creature goes on a terrible killing spree. There are two reasons for this. First, the creature desires revenge for its isolation. But it seems that the creature is also not aware of its own strength - it is easy for the creature to accidentally commit a murder. What two-year-old would not dream of this power? The creature's identification with mythological figures has some fantastic aspects - children fantasize incessantly. This makes sense. The creature, being new to the living world, is chronologically a child - physically strange as it might be, we can only expect it to act its age.
When he first awakens with a smile towards his creator, the creature is abandoned and learns by himself about how the world works. Despite his rough start in his new life, the creature experiences nature with no harsh emotions. “[The creature]... could distinguish, nothing; but feeling pain... Soon a gentle light and gave [the creature] a sensation of pleasure. [He] started and beheld a radiant form rise from among the trees. [He] gazed with a kind wonder” (Shelley 100). When the creature was a sobbing mess, he could have taken the chance to only let in anger and hate for the life he has been thrown into. But the creatures is distracted and in awe of the sunrise, a symbol of new hope and new start. Because of his hideous appearance, the creature receives negative reactions. “[The creature] entered... the children shrieked and... the women fainted. The whole village was roused: some fled, some attacked [him], until, grievously bruised by stones and many other kinds of missile weapons [the creature] escaped... [the creature]... miserable from the inclemency of the season, and still more from the barbarity of man” (Shelley 103). If the creature was a true monster, he would have fought back against the villagers. Because a true evil being would attack without hesitation. Because of his deformity, people automatical...
Tragedy shows no discrimination and often strikes down on those undeserving of such turmoil. In Mary Shelley’s Frankenstein, a creature more repulsive than one can imagine is brought to life by a young scientist. Although this creature is horrifying in sight, he is gentle by nature. Unfortunately, the softer side of the creature is repeatedly overlooked and the so called “monster” is driven to a breaking point. Even though the Creature committed many crimes, Mary Shelley’s Creature was the tragic hero of this story because of his efforts rescue the life of a young girl and helping destitute cottagers.
His ambitions are what isolate him and bring to life a creature whose suffering was unfairly conveyed into his life. The creature is isolated from everyone, including his creator. He had no choice, unlike Victor. Finally, as the story starts to change, the creature begins to take control of the situation. It is now Victor being isolated by the creature as a form of revenge.
In turn, the De Lacy family hold power, unbeknownst to them, over the creature, so much so that he commits himself to living in what is little more than a wooden box for a year. The creature’,s hopes for the future lie entirely on this family, and power of this nature is perhaps the strongest type of power anybody could exert over another being. This is due to the fact that the one who is controlled, ie, the creature, does not realize this and so will never attempt to free themselves from the hierarchy they find themselves in.
In Mary Shelly's novel Frankenstein, The Creature's sad fate is a representation of what it means to be different. Because of this unfortunate destiny, The Creature remains hidden and secluded. He feels the isolation forced upon him and wicked appearance.
This turns out horrible and makes the creature need a companion and goes on a rampage.
When it comes to the debate of Nature vs. Nurture I consider myself to be the middle man. I feel that our behavior, physical development and our identity is not only the result of our genealogical makeup but our interactions, and decisions that we encounter on a daily basis as well as our family structure. First I would like to give a brief summary of the two topics.
The vivid similarities between the two tragic characters are driven by their isolation from the secluded world, which refuses to accept those who are different into society, by hatred, and most importantly by the absence of motherly figures in both Victor’s and the Creature’s lives. As Victor had stated, “I seemed to have lost all soul or sensation but for this one pursuit.” (Shelley 40) as he described that he lost all touch with the world due to his work. Both figures seem to strongly despise one another yet strangely enough, they both also despise themselves for their wrong and disastrous actions. Family ties and vengefulness are truly one of the most significant aspects affecting the resemblance of both Victor and the Creature. At a young age, Victor was left without his mother after her death and as a result, he never got to experience the true feelings of a mother’s warm touch and love. “She died calmly...it is so long before the mind can persuade itself that she whom we saw every day and whose every existence appeared a part of our own can have departed forever and the sound of a voice so familiar and dear to the ear can be hushed, never more to be heard.” (Shelley, 29) Just like Victor, in his own time, the Creature never got to experience not only the love of a mother but the love of a father as well. These driven characters thrive for the same goals, feed of similar pain, and feel the same