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Comparison of culture between America and China
Comparison of culture between America and China
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Throughout life we face many ups and downs that help define us. They mold us into the person we are. Finding our own true identity can be very challenging for some people. This can be because we have other people in our lives controlling us to become the person they want us to be. This is very evident in Amy Tan’s “Two Kinds”. Jing-Me’s mother becomes obsessed with molding her into something she is not; an American prodigy. In “The Things They Carried” Lieutenant Jimmy Cross has trouble finding his own identity. He struggles to lead his men in war due to the fact he his hung up on a girl in New Jersey. In both short stories Jing-Me and Lieutenant Jimmy Cross struggle to find their true identities as someone else takes over their lives. It takes a coming of age event in both instances for them to find themselves.
In Amy Tan’s “Two Kinds” Jing-Me’s immigrant mother interferes with her Americanized way of life. Her mother came to America after losing everything in China. She wants something in her life to hold on to. Jing-Me states, “America was where all my mother’s hopes lay” (Tan 3...
“Trying to merge into mainstream society and cover her brown skin with makeup, of having no sense that she had her right to her own opinion”(Shierly) The journey to finding yourself is approached in many different aspects, which varies from person to person. As a child children we see a blurred image of ourselves not knowing exactly who we are, however as we grow older the blur becomes more apparent to us and eventually a reflection of who we truly are, is revealed. This is evidentially shown in the novel Monkey Beach by Eden Robinson, where Lisamarie discovers her new identity as an empowered and strong woman through the positive motivation from her family, role models to whom she looks up to and her acceptance to her own culture.
Many immigrating to the United States develop ideas of themselves and their own identity in order to fit the form of America they have been coaxed into believing. In “A Thousand Years of Good Prayers”, Mr.Shi displays these expectations and false prophecies of character when he naively concludes, “America is worth taking a look at; more than that, America makes him a new person, a rocket scientist, a good conversationalist, a loving father, a happy man”(189). Mr.Shi not only perceives America as a place of pure prosperity and freedom, but also anticipates a society where he can recreate himself. Arguably, these limited ideas of America can foster one 's desire to improve as an individual, however this often results in a further loss of identity because they are unwilling to accept their true self. He longs to exist within the form of American society he fantasizes because he envisions himself as a more developed and well rounded person that he feels communist China has kept him from
My mother is an outspoken woman. In her tiny appearance lies an extraordinary fortitude story. Bravery is a virtue that not a lot of people possess, but my mother has proven her courageousness. Before my mother gave birth to me, she lived in San Luis Potosí, Mexico. Her family lived in poverty, and every bit of food was valued and cherished at their table. It’s hard to tell whether my mother’s decision to migrate to the United States was an act of courage or impatience. She certainly had no bright future at home, her parents could barely afford used clothes from the town’s thrift shop. She certainly wanted to find a way to turn her life around and provide the needs for her family, so she decided to come to “The land of opportunities.”
America was not everything the mothers had expected for their daughters. The mothers always wanted to give their daughters the feather to tell of their hardships, but they never could. They wanted to wait until the day that they could speak perfect American English. However, they never learned to speak their language, which prevented them from communicating with their daughters. All the mothers in The Joy Luck Club had so much hope for their daughters in America, but instead their lives ended up mirroring their mother’s life in China. All the relationships had many hardships because of miscommunication from their different cultures. As they grew older the children realized that their ...
Zia, Helen. "Surrogate Slaves to American Dreamers." Asian American Dreams: The Emergence of an American People. New York: Farrar, Straus, and Giroux, 2000. N. pag. Print.
“Whenever she had to warn us about life, my mother told stories that ran like this one, a story to grow up on. She tested our strengths to establish realities”(5). In the book “The Woman Warrior,” Maxine Kingston is most interested in finding out about Chinese culture and history and relating them to her emerging American sense of self. One of the main ways she does so is listening to her mother’s talk-stories about the family’s Chinese past and applying them to her life.
A mother drives her three kids to soccer practice in a Ford minivan while her husband stays at the office, rushing to finish a report. Meanwhile, a young woman prays her son makes his way home from the local grocery without getting held up at knife point by the local gang. Nearby, an immigrant finishes another 14-hour shift at the auto parts factory, trying to provide for his wife and child, struggling to make way in a new land. Later, a city girl hails a cab to meet her girlfriends at their favorite club to celebrate her new promotion over cosmopolitans. These people – the suburban soccer mom, the tired immigrant, the worried mother from the hood, and the successful city girl – each represent the different realities or fantasies that exist in the American society. They are all living or working towards what they believe to be the coveted American dream. Some of these people are similar to the Chinese immigrant, Ralph, in Gish Jen’s novel Typical American. However, all are confused as to what the American dream really is and whether or not the dream is real.
“The minute our train leaves the Hong Kong border and enters Shenzhen, China, I feel different. I can feel the skin on my forehead tingling, my blood rushing through a new course, my bones aching with a familiar old pain. And I think, my mother was right. I am becoming Chinese. (179). In the story A Pair of Tickets by Amy Tan, the protagonist character, Jing-mei, finds herself in several difficult situations due to how her social and cultural upbringing has shaped her. She finds herself pulled between her Chinese DNA and her American background. While she was raised being told that she was Chinese and “it’s in her blood”, she does not identify as such, because she grew up in America and only sees herself as an American. After her mother’s passing,
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
The “paper son” phenomenon is not unusual in the history of the Chinese in America; it was a common way to get around the discriminatory immigration laws that prevented many Chinese from coming to the United States. Thus, the stories of “paper sons” should be told as we examine the racist attitudes and policies toward the people who built, shaped, and changed America alongside European immigrants. As former U.S. Congressman Norm Mineta so eloquently puts it, “When one hears Americans tell of the immigrants who built this nation, one is led to believe that all our forebears come from Europe. When one hears stories about the pioneers going West to shape the land, the Asian immigrant is rarely mentioned” (Takaki 6). We need to acknowledge the contributions of extraordinary individuals—“paper sons” such as my uncle, Stanley Hom Lau, who left their families and homeland behind to establish new roots and who made America the unique salad bowl it is today.
"My mother believed you could be anything you wanted to be in America" (491). This ideology inspired Jing-mei’s mother to work hard to create a better life for herself and her family in a new country. The search of the American dream exerts a powerful influence on new arrivals in the United States. However, realizing that they may not achieve the dream of material success and social acceptance, parents tend to transfer that burden to their children. It is a burden where dreams usually fall short of expectations.
For many of us growing up, our mothers have been a part of who we are. They have been there when our world was falling apart, when we fell ill to the flu, and most importantly, the one to love us when we needed it the most. In “Two Kinds” by Amy Tan, it begins with a brief introduction to one mother’s interpretation of the American Dream. Losing her family in China, she now hopes to recapture part of her loss through her daughter. However, the young girl, Ni Kan, mimics her mother’s dreams and ultimately rebels against them.
June-May fulfills her mother’s name and life goal, her long-cherished wish. She finally meets her twin sisters and in an essence fulfills and reunites her mother with her daughter through her. For when they are all together they are one; they are their mother. It is here that June-May fulfills the family portion of her Chinese culture of family. In addition, she fully embraces herself as Chinese. She realizes that family is made out of love and that family is the key to being Chinese. “And now I also see what part of me is Chinese. It is so obvious. It is my family. It is in our blood.” (Tan 159). Finally, her mother’s life burden is lifted and June-May’s doubts of being Chinese are set aside or as she says “After all these years, it can finally be let go,” (Tan 159).
It is hard for anyone to let go of their past, whether their memories are painful or pleasant. The past is an especially tricky topic for immigrants, who might be able to divide their lives into two; before migrating and after. Immigrants must choose not only how to relate to their past but also how to explain their past to their offspring. In The Gangster We Are All Looking For, lê thi diem thúy tells the story of her family’s immigration to America through detailed vignettes from her mother’s and father’s life. Her mother especially has struggled relating her past to her present. Ma sees the struggle of talking about her life in Vietnam as an opportunity to omit and erase the negative memories from her past. In Vietnam, Ma spent most of her
William Shakespeare once said, "To thine own self be true, and it must follow as the night the day, thou canst not then be false to any man." Dating back to Elizabethan Literature, self-identity has always been deemed as essential. Fast forward to modern times, the authors of more contemporary works have taken the same concept of identity but have revealed the way actions taken can influence an individual's understanding of themselves. For example, in John Howard Griffin's memoir, Black Like Me and Wes Moore's memoir, The Other Wes Moore: One Name, Two Fates were both authors encounter lifestyles of similar individuals. Through both comparable lifestyles, Griffin and Moore display the way work can affect the personal and social identities of